Tag Archives: Review

Kate Nash @ Billboard The Venue, Melbourne – w/ Tessa and The Typecast – February 18th, 2011 [Photo Gallery]

Photographer: Naomi Rahim

Photographer: Naomi Rahim
Continue reading Kate Nash @ Billboard The Venue, Melbourne – w/ Tessa and The Typecast – February 18th, 2011 [Photo Gallery]

Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

Review: Amy Lee Freshwater

  Being a Jack’s Mannequin fan, and an even bigger Something Corporate fan, I was eagerly looking forward to seeing frontman Andrew McMahon perform a solo show at the Metro this year. Notably, so were quite a few others as the Metro was packed to its borders with people ready to sing their night away in one massive choir, which is exactly what they did…

All equipped with a beautiful black grand piano, a corona and a small budda sitting on top and Bobby Anderson assisting on acoustic guitar and backing vocals. McMahon began the evening with a Jack’s Mannequin song contrary to an audience members request of ‘The Lion King’, a comment which McMahon was quite amused by. We heard As You Sleep, followed by Crashin’ and then Swim, which by now had both McMahon and the crowds vocal chords well and truly warmed up.

Continue reading Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Live Review]

Review: Amy Lee Freshwater


[Photo Credit: Amy Lee Freshwater]
  It’s not surprising The Getaway Plan sold out two shows in one day at the Metro Theatre, they were at the height of their career when the announcement was made that they were breaking up, and the anticipation to see whether they still rock built up a big response to this reformation tour. Joining them on tour were Melbourne friends Secrets In Scale and Sydney band Tonight Alive.

Managing to catch the end of Secrets In Scale, general consensus from the crowd was that they played a decent set and really got everyone pumped for the remainder of the night.

Tonight Alive took to the stage to a loud and excited audience. Rarely do I witness such enthusiasm for a support band, but Tonight Alive took it right in their stride and used that energy to their advantage pushing the same amount of energy, if not more, right back out at the audience in order to create an incredibly impressive set. They played something to please everyone, old song, new song, love song, heavy song, sing-a-long song. Tracks included My Favourite Thing, Revenge and its Thrills and closed out with Wasting Away, but the highlight for many was a cover song ‘In My Eyes’, the original by band Rufio. A notable set from this fitting support act who in no time will be headlining venues such as the Metro I’m sure.

Seeing the audience during the changeover time between bands reminded me of being a little mosh teenager sweating it out at the front just to be in a good spot for my favourite band. Even though this was the over 18’s show, people were going nuts pushing and shoving during the whole half hour trying to be front and centre for The Getaway Plan. Expecting them to come out and smash us with a hit, the set began with the melodic ‘Move Along’, a new song, that somehow super-fans already knew the words to. Soon enough they did break out into songs ‘Streetlight’, ‘Sleep Spindles’ and ‘New Medicine’ from their album Other Voices, Other Rooms. Four tracks in and the stage backdrop lit up with fairy lights, it was a bit of an ‘aww’ moment.

It was clear by now that The Getaway Plan were enjoying playing together again, and that their time apart doing other projects has massively improved their dynamic as a band. Noticeable improvements both musically and performance wise from guitarist Clint, who has been playing with The Amity Affliction whilst being on a break from TGP. The announcement from singer Matthew Wright that the band are in the process of recording a new album received an overwhelming response from the crowd, only fueling the fact that their popularity is going to increase second time round. The set built in intensity throughout the show, ‘Red Flag’ was a definite highlight with Wright getting his scream on and the band breaking down that song and just ripping like I’ve never heard them before. Another new song made it into the setlist and Wrights voice may have been tiring from the former song, as he introduced back onto the stage the singer from Tonight Alive to lend her killer vocals to this one. The band closed out the set with an old favourite ‘Where The City Meets The Sea’ which triggered a loud sing-a-long, to the point where Wrights voice was almost unheard. Inspired by the ever-waiting audience, TGP returned to the stage for a two song encore comprising of two more from their debut album, ended the night perfectly.

This band has reaffirmed their place in the Australian music scene, and no doubt their next record will take off as their first one did, lets hope they stick together for the long run this time round.


Related:
The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Photo Gallery]

Cold War Kids “Mine Is Yours” – Album Review

Review: Ben Connolly


Buy Album @ iTunes
  The Kings of Leon really do have a lot to answer for, don’t they? There’s the re-introduction of initially swampy Dixie-styled rock, and the tight jeans, the lank hair and the homely Southern drawl, to name just a few. Perhaps more worryingly was the eagerness with which they helped to re-introduce some seriously lol-worthy Spinal Tap moments back into the world of rawk (just follow one of the brothers Followill’s twitter-feed to get an idea on how little grasp they have on reality), and by how much their adoring young fan-base seemed to lap it up. There was also the the warp-speed with which they jumped from being a curious, intriguing pseudo-experimental rock band into a firmly entrenched MOR behemoth of blandness and pyrotechnics.

The result of this, and the greatest crime of all it must be seen, must be the fact they’ve shown this warp-speed blandification as a legitimate career-path with similar like-minded wanna-be acts.

The latest of these is California’s Cold War Kids, whose third album Mine Is Yours has just landed and has signalled quite clearly that the quartet has its eyes firmly on being the next revelation of arena-style rock. From start to finish the album is big and boxy and packs a serious bottom-end punch, which highlights a clear delineation between it and its predecessors (2006’s debut Robbers & Cowards and 2008 follow up Loyalty to Loyalty). It’s no suprise that KoL’s knob twirler Jacquire King had a big hand in this production. For all the bombast and pomp, however, there’s something not quite fitting in the equation and by album’s end, it’s all a little limp and contrived.
Continue reading Cold War Kids “Mine Is Yours” – Album Review

‘The Rat Trap’ Polytoxic @ Brisbane Powerhouse, 9th February, 2011 [Live Review]

Review by: Lana Harris

  Let me introduce you to The Rat Trap. Bull whipping, lampshade hanging, Siamese twin ninja fighting cabaret. Using a mix of circus antics, contemporary dance moves, ye olde piano music, silent movie explanation screens and good ol’ physical comedy, Polytoxic act out the seedy and sexy story of the dive known as The Rat Trap.

The Rat Trap is a ‘scratch work,’ the beginnings of a finished piece performed as part of the World Theatre Festival at the Powerhouse. The festival contains several of these still cooking pieces, enticing viewers with an unpolished taste of performer vision.

Polytoxic keeps a cracking pace through the show, including plenty of action designed to make the audience gasp and laugh. The result is an accessible piece where there’s nothing to ‘get’. Polytoxic make it clear to their audience that their sole purpose on stage during Rat Trap is not to send a message or explore deep, dark and meaningful themes, it’s to amuse the audience and have fun. The diversity of the performers, whose backgrounds range from theatre to dance to circus training, appears to be a strong feature in creating such an entertaining piece. The mix of talents twists intricacy and depth into the performance.

Polytoxic have been around since 2000, and have recently upped their numbers from a three piece to six performers. If the beginnings of The Rat Trap are anything to go by, the increase in entertainers will expand the possibilities of a group which are already known for their raw, energetic, and accomplished works.


Playing at the Brisbane Powerhouse until Sun 13 Feb 2011

Dates/Times
Fri 11 Feb 7.15pm
Fri 11 Feb 8.20pm
Sat 12 Feb 7.15pm
Sat 12 Feb 8.20pm
Sun 13 Feb 5.45pm
Sun 13 Feb 8.45pm

Visit the Brisbane Powerhouse site for all details.



More articles by Lana Harris:
* U2 @ Suncorp Stadium, Brisbane w/ Jay Z – 8 December 2010 – Live Review
* Rise to Remain “Bridges will Burn” – EP Review
* Radio Birdman “Live in Texas” – LP Review
* Montpelier ‘Last Boat’ Single Review
* Weezer “Hurley” – LP Review
* Soilwork “The Panic Broadcast” – LP Review
* Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review
* Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review
* Betrayal @ The Cremorne Theatre, Brisbane 10th September 2010 – Live Review
* Crow “Arcane” – LP Review
* Search for more article by this author…

Alexisonfire – Aussie Tour 7inch [Album Review]

Review: Ben Hosking

  We all like to feel special sometimes. You know, when your loved one showers you with praise for looking more dapper than usual or those ever-rarer moments when the boss makes an example of you for a job well done. The art of releasing tour-specific singles, EPs or albums with bonus discs is certainly nothing new and there’s little better way to celebrate an impending tour of your favourite band than with a disc full of new or previously unreleased songs. Alexisonfire decided their recent Australian tour was just the kind of event that deserved such a release.

Continue reading Alexisonfire – Aussie Tour 7inch [Album Review]

Kora @ The Zoo, Brisbane – 27 January 2011 [Photos & Review]

Photos and Words by Jose Eduardo Cruz

What an amazing gig from this New Zealand band consisting of four brothers. Certain people are blessed with different talents and islander people are blessed with beautiful voices and musical skills. The punters were largely expat Kiwis who were eager to let anyone who would listen know that these guys were it.

There were constant instrument changes amongst the members of the band and various vocal leads. Overall, an amazing gig which should place them on better ground for their next Australian tour.

Artist: KORA
Venue: The Zoo, Brisbane
Continue reading Kora @ The Zoo, Brisbane – 27 January 2011 [Photos & Review]

IGGY POP & JAMES WILLIAMSON – KILL CITY (2010 REMIX) – Album Review

By Maria Bailey
The year was 1975. The Stooges had split and Iggy Pop was at his worst. No record contract, depressed, suicidal and smacked of his tits on heroin. He spent most of his time confined within a mental home battling his demons and trying to get some sort of normality back into his famously abnormal life. Good medicine arrived when former Stooges guitarist James Williamson proposed the idea for a demo album to help get Iggy’s legendry vocals back into the studio, back on the radio and back within the hearts of punk rockers across the world. Two years passed and in 1977 former Stooges front-man teamed with musical genius David Bowie to produce Iggy’s first solo records “The Idiot” and “Lust for Life.” Riding on their success, Kill City finally found recognition from Los Angeles based label Bomp! Records.
Continue reading IGGY POP & JAMES WILLIAMSON – KILL CITY (2010 REMIX) – Album Review

JP, Chrissie & The Fairground Boys – “Fidelity” CD Review

Review: Victoria Nugent


Buy Album Here
  Fidelity is a very interesting and enjoyable collaboration between Chrissie Hyde of The Pretenders’ fame, and Welsh musician JP Jones. The first song on the album, “Perfect Lover” sums up the musical history of the group, with Hyde singing, “I found my perfect lover, but he’s only half my age.” To elaborate a bit further, Hyde and Jones had a brief relationship which fizzled because of the age difference. Rather than let their chemistry go to waste however, the pair formed a band, setting the story of their relationship to music. A theme of fairs and fairgrounds permeates the album, from the cover art to the conclusion of the word Fairground in several song titles.

“If You Let Me In” is straight forward rocky with hooky, repetitive lyrics and lots of vocal harmonising. “Fairground Luck” has an infectious melody that’s occasionally reminiscent of “Lean On Me” during the verses with strong riffs and Jones’ charismatic vocals carrying the choruses.
Continue reading JP, Chrissie & The Fairground Boys – “Fidelity” CD Review

Falls Festival 2010 – Festival Review

by Jose Eduardo Cruz

This was my first Falls Festival and it was an event that I will remember for the rest of my life.

Absolutely everything that was put in place by the organisers was solely for the enjoyment of the 16,000 attendees. I would find it really hard to find something negative to say about the whole experience.

Firstly, the organising committee have to be given a massive thank you for putting such a high level event. From our arrival we were subjected to VIP treatment. VIP camping grounds, with warm showers may I add, which come in handy when the temperature plummets to 5 degrees. In typical Victorian style the weather fluctuated between 5 degrees at night to 41 degrees in the middle of the day.
Continue reading Falls Festival 2010 – Festival Review

Woodford Folk Festival – December 30th 2010 – Live Review [P2]

Review: Kenada Quinlan


[Photo Credit: Silvana Macarone]
  Following the licensed streets, the once closed Amphitheatre is showing tonight and as the clock strikes 8pm, Evil Eddie is on schedule. Interaction with the 10 row deep bouncing spectators is initiated with the first instalment of ‘Somebody Say Evil’. “That was a little self-indulgent but thank you!” smiles the lead man and ex-Buttefingers vocalist/songwriter Eddie Jacobson. Taking a back seat yet pivotal to the performance, Jacobson enjoys the company of his fellow comrade Toddy Spitfire as the two slickly pinball lyrics from one song to the next.

Charging through ‘Aint Love Grand’ and the addictive ‘Voices In My Head’, the vision becomes clear as the studio sounds are brought to life via a strong family of well equipped and known Brisbane musicians.With the crowd multiplying by the second, the festivities continue and the only exit from this show is to refresh yourself with the energy that has been freely given to you.
Continue reading Woodford Folk Festival – December 30th 2010 – Live Review [P2]

Woodford Folk Festival – December 30th 2010 – Live Review [P1]

Review: Kenada Quinlan
Photo Credit: Silvana Macarone

The first day of blissful dry weather and the number of smiles has doubled at the sight of the sun. Tallulah Rendell’s first port of call before her 6 week tour of the continent is a string of gigs in the usual Woodford fashion. Strumming soft emotive of blues driven rock, the half-Australian, London based solo artist resembles the tones of PJ Harvey. Taking inspiration from an operatic era, Rendell’s quaintly captivating structures decide to haunt at instances, delivering momentary bouts of individualism.
Continue reading Woodford Folk Festival – December 30th 2010 – Live Review [P1]

U2 @ Suncorp Stadium, Brisbane w/ Jay Z – 8 December 2010 – Live Review

Review: Lana Harris
Photo Credit: Stuart Blythe
View full photo gallery here
The crush down Caxton St at five pm begins the stadium size spectacle that will be U2 and Jay-Z tonight. By the time Jay-Z takes the stage at 6.30pm, the standing room ticket area is already mostly full. Jay-Z lives up to his hype, resplendent in Gangsta Garb, sunglasses welded to his face, rap antics peppered throughout his set, a ten piece accompaniment to his words provided by drumming, saxophone, trumpet and keyboard among others. He’s playing early, to an audience mostly waiting to see a main act distinctly different in style. He copes well with this, managing to get hands in the air and ladies spinning clothes above their heads during the one hour set. ‘On to the Next One’ and ’99 Problems’ get the crowd going, and ‘Forever Young’, covered in an ode to Notorious B.I.G, is also popular. Throughout the set the bass is massive, pummeling the throat, rattling hearts against rib cages. He exits the stadium in a stretch golf buggy.
Continue reading U2 @ Suncorp Stadium, Brisbane w/ Jay Z – 8 December 2010 – Live Review

Yann Tiersen “Dust Lane” – Album Review

By Maria Bailey

  After two years in the making, Yann Tiersen’s sixth studio album Dust Lane was well worth the wait. Known predominantly for creating the innovative soundtrack for the award winning film Amelie, Tiersen stays true to form. While staying faithful to his trusty harpsichord and mandolins, the French composer and musician demonstrates a movement in his avant-garde style, incorporating an array of vintage sythesises, various musical genres and defying typical song structures. Tiersen is first and foremostly guided by his vision and intuition in creating the eight tracks on Dust Lane and has created a dreamy masterpeice at that.

Continue reading Yann Tiersen “Dust Lane” – Album Review

Muse @ Brisbane Entertainment Centre, December 5th, 2010 – Live Review

Review: Lana Harris

View full photo gallery here

[Photo Credit: Matt Palmer]
  If you didn’t realise MUSE were an astronomic rock explosion of a symphonic band, tonight’s stadium extravagance featuring floating performance platforms and blinding silver sequined suits leaves no doubts as to the epic nature of these revolution focused rockers.

Beginning with ‘Uprising’ from latest album The Resistance, MUSE starts the night five metres above the stage, perched on moving

pillars and hidden between huge rectangular prisms which display Orwellian arrangements of human movement. Pairing tracks with visual displays that are often breathtaking and always in the theme of wonder at the natural or fear of the dictatorial is used to great effect throughout the show. ‘Resistance’ is accompanied by DNA helixes spiralling and human forms twisting upon the screens of the prisms above, interspersed with close ups of the band for those sitting further away in the stadium. ‘Undisclosed Desires’ has verdant lasers flinging their light across the crowd, creating a visual spectacle reminiscent of swarms of fireflies hovering above punters’ open mouths.
Continue reading Muse @ Brisbane Entertainment Centre, December 5th, 2010 – Live Review