For those of us lucky enough to have lived it the first time around it’s hard to believe it’s been 30 years since the release of the ‘Matchbook’ album. On Saturday night at the Palais Theatre in Melbourne the near full house got a chance to relive the memories live again. We may all be a little older but Ian Moss has lost nothing in momentum or ability to engage and play an electric guitar like an extension of his own anatomy.
Mid-week gigs are always a mixed back for international acts. They really need to be pretty big names to ensure a full house. Some, even after some 30 years, can end up with a small room only half full and that is what New Orleans sludge veterans Eyehategod were faced with at the Cambridge Hotel’s smaller Warehouse room.
It’s hard to believe the act I was witnessing in 2019 originally formed way back in the early 60’s. The Seekers have been a part of Australian music culture for close to 60 years. Formed as a folk quartet in Melbourne in 1962 the band has travelled the work and left its mark alongside some of the biggest bands of the 60’s. To put The Seekers popularity into perspective at the height of their career the seekers shared the same bill with The Rolling Stones and the Beatles whilst drawing an estimated crowd of 200,000 to the Sydney Myer Music Bowl. The original lead singer Judith Durham has left the quartet however the remaining three original members Athol Guy, Keith Potger and Bruce Woodley continue to delight fans both within Australia and abroad.
Review and Photos by : Ben Hosking – www.hoskingindustries.com.au
I was lucky enough to witness Canada’s Cancer Bats in action back sometime around 2013 and was struck by the band’s intensity and obvious enjoyment with what they were doing. That was a Sidewave at Sydney’s Hi-Fi Bar supporting Bullet for My Valentine – which in this reviewer’s mind was a bit of an odd pairing, but whatever…
On Saturday night in front of a full house in Bendigo Victoria a packed house got to witness one of the last remaining treasures in country music. Hitting the stage with the enthusiasm of a man considerably younger than his true age, Kris Kristofferson started what can only be considered by any standards a marathon set. Playing almost 2 hours with a traditional intermission in between. It’s hard to believe it has been over 50 years since his debut album. A lot has happened during this time with Kristofferson maintaining a consistent reputation as one of country’s music’s great troubadour’s and performers.
Judging by the ratio of sitting real estate v.s. standing, at The Amity Affliction’s Heaven and Hell festival, I’d say there’s a good chance we’ll see it back again next year, because like Frenzal said, ‘all we need is a punch in the face’, sonically that is.
As the ‘new festival kid on the block’, Heaven and Hell needed to deliver, and deliver it did, like an Uber Eats scooter on nitrous with bells on.
Review by Peter Coates – www.facebook.com/InsideEdgePhotography
The return visit to Australia from this dynamic pair of West Virginian country-rock guitarists stemmed from their eye-opening appearance at CMC Rocks 2018, when the big festival crowds were blown away by the songs, the delivery, and the infectious stage-presence of Donnie and Chris, and their talented band members.
Caulfield, known worldwide for its racetrack, was overrun with guitar players, enthusiasts and fans alike over the weekend. The venue gave way for what has to be one of the best guitar playing line-ups in the festivals history. The event held under complete cover in the members grandstand drew fans and players alike to two days of guitar mania. From the moment you entered the building you were greeted by 50,000 watts of pure guitar shredding. This area of course was the trade component of the show where budding guitarists got to play and talk everything from the classics of Gibson and Fender and numerous independent and personal guitar makers who were on show. But it didn’t end there. Amplifiers with some wicked pedals and everything accessory wise to make even the most professional player salivate. All stall holders were more than generous with their time and experience. Over $75,000 was paid out for the most expensive guitar of the weekend confirming build the right instrument and they will buy.
I'm ashamed to admit it, but this was actually the first time I'd seen The Tea Party live. I'd been into their music since the 1990s and had seen one of Jeff Martin's incredible solo shows way back in 2010 at Sydney's The Basement. But I'd never been able to see The Tea Party.
It might have been a chilly, wet Sunday night outside, but within the cosy confines of the recently-rebranded Newcastle Hotel, piping hot modern metal was cooking up a storm. While we missed local opening act The Wandering, Taree progressive metal four-piece Diamond Construct continued their evolution from awkward teens to stage-pounding purveyors of dissonant chords and brutal breakdowns. Their latest release is garnering them some deserved attention and tonight’s almost-cruelly short 25-minute support slot shows they can impress even on a tight timeline. Continue reading Live Review: Born of Osiris + Chelsea Grin + Diamond Construct at Newcastle Hotel, Newcastle – June 23, 2019→
Everyone has a band that they wish they could see live. But due to the cost or feasibility of international travel, they’ve been relegated to “it would be rad to see them, but it’s probably never going to happen.”
Review and photos by Peter Coates – www.facebook.com/InsideEdgePhotography
It is not that often that we get the chance to see a cult Canadian country-rock band in Australia, so when they arrange a couple of random sideshows after their Winton Way Out West appearance, it seemed sensible to get to see one of them at least – The Road Hammers were over here a few years ago for CMC Rocks and left a pretty hot reputation behind.