Featuring 19-Twenty, Allison Russell, Bill Chambers, BJ The Chicago Kid, Chaka Khan, Cimafunk, Hussy Hicks, John Butler, Kasey Chambers, Kim Churchill, Missy Higgins, Miss Kaninna, Neal Francis, Rag’n’Bone Man, Rodrigo y Gabriela, Roshani, WILSN
Featuring Allison Russell, BJ The Chicago Kid, C.W. Stoneking, Clarence Bekker, Gary Clark Jr., Marc Broussard, Melody Angel, RY X, The Cat Empire, The Memphis Three – Fiona Boyes, The Memphis Three – Frank Sultana, The Memphis Three – Jimi Hocking, Vance Joy, WILSN, Xavier Rudd
Featuring Ash Grunwald, Brad Cox, Budjerah, Christone “Kingfish” Ingram, Christopher Cross, Fanny Lumsden, Gary Clark Jr., George Thorogood & The Destroyers, Maoli, Marc Broussard, Melody Angel, Taj Farrant, The Beards, Pierce Brothers, Tom Morello, Toto
A vigorous end to the 35th Bluesfest was had with Californian band Infectious Grooves powering up the Mojo with unprecedented levels of exhilaration and raw energy. Front man Mike Muir (also from Suicidal Tendencies) spoke between songs, espousing living life your own way and the benefits of abstaining from alcohol. Hardcore motivational speaking between funk/metal masterpieces that are a rare treat stylistically for Bluesfest. Festival director Peter Noble was down the front enjoying the final night’s headline act. Clearly his passion for music across a diverse range of genres is what makes his musical curation such a success year after year. Bassist extraordinaire Rob Trujillo (current Metallica and former Suicidal Tendencies) brought his signature heavy yet deeply funky basslines to the show, and towards the end of the set his son TyeTrujillo (current Suicidal Tendencies) also a bass player of phenomenal skill, joined the band on stage for double delivery of bass brilliance.
Great to witness some new to Bluesfest artists performing
over the weekend. The Jambalaya was alive with powerful female vocalists this
easter Sunday. Fresh Australian talent WILSN blew everyone away with the
beauty and clarity of her tone. Citing a few years living in Nashville as
seminal in her song writing development. She is back in Australia now sharing
her contemporary soul music with new audiences. Don’t miss the opportunity to
see her emerging brilliance 5pm today at the Delta stage.
Big bands and big personalities were the flavour of Saturday
night. Age is no impediment to pulling a crowd at Bluesfest. Tom Jones had
the lion’s share of the festival crowd donning portable camp chairs at the
Crossroads, while he sang Sex Bomb and other hits to the largest audience so
far at this year’s festival. At 83, women are still throwing their underwear at
him. The Blind Boys of Alabama joined him on stage for a few songs
making the one man show a more collaborative experience. With that much love in
the room for one man he must be able to float to his next show. An aeroplane is
probably unnecessary.
With recent seminal festival cancelations front of mind, celebrating 35 years of Byron Bay’s Bluesfest really is a remarkable achievement. In a press conference yesterday Peter Noble announced that the 36th Byron Bay Bluesfest will be a four rather than a five day event next year, to help ease music industry pressures and ensure continued delivery of the regions premiere world class music event.
The 2024 iteration started in glorious sunshine and good
vibes. The thinner crowds of Thursday night enabled friends to find each other
easily amidst a sense of being in a magical place for a marathon of music. The
sunset obliged filling the sky with golds and reds, illuminating the feelings
of happiness oozing from the venue.
Review by Wanda Hill Photos by Ant Ritz Photography/Rock Shots
featuring Bonnie Raitt – Trombone Shorty& Orleans Avenue – The Cat Empire – Mavis Staples – Yirrmal – Michael Franti and Spearhead – Tash Sultana
The final two days of Bluesfest had a bit of a wild west feeling going
on, with autumnal tones, dusty grounds and police people riding around on horseback
occasionally, looking very relaxed about the state of affairs at the festival.
This may have been the calmest Bluesfest I have ever witnessed, well suited to
the sweet sounds of Tash Sultana’s
voice gracing the air waves on Sunday night. There never seemed to be a
hassle lining up for anything or finding a good spot to dance.
Review by Wanda Hill Photos by Ant Ritz Photography/Rock Shots
Last night the Crossroads became Buddy Guy’s intimate lounge room for a few hours where the many
thousands gathered, were treated to a warm and humorous insight into the world
of this 86 year’s young, blues legend. He warned ‘if you don’t like Blues you’re
in the wrong fucking house, I’m going to play something so funky you can smell
it.’ He played many of his own songs and those of other legends he has
influenced, interspersed with cheeky stories. After playing Hoochie Coochie Man he observed how Hip
Hop has changed the musical landscape and ‘you can say whatever the fuck you
want now’ not holding back on any details with his lyrics and stories. Playing
with not just his well worn hands, but his sleeve, overall front, teeth and towards
the end walking right out into the the audience, letting kids play his guitar,
giving old and new fans the experience of a life time. As he promised at the
start of the show ‘I don’t get out here very often, so I’m going to give you
the best that I got.’
featuring Adam Duritz – Allison Russell – Buddy Guy – Christone “Kingfish” Ingram – Clarence Bekker – Eric Gales – Frank Turner – Jackson Browne – Jason Isbell and the 400 Unit – Joe Bonamassa – 19-Twenty – Lisa Hunt – Marcus King – Nikki Hill – Vintage Trouble