Tag Archives: stuart blythe

Photo Gallery: Aria Awards 2009 – Red Carpet

Live Review: Aria Awards 2009 Red Carpet Wrap up

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Robbie Williams
[Photo: Stuart Blythe]
  

Aria Awards 2009 – Red Carpet @ The Acer Arena, Sydney
Date: 26 November, 2009

Photographer: Stuart Blythe
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Live Review | ARCH ENEMY @ HI-FI Brisbane 7 November 2009 with Winds of Plague (USA) and Suffocation (USA)

Review: Hannah Collins

Arch EnemyHaving spoken with Michael Amott re their most recent Album launch and subsequent tour schedule only last month, I can’t wait to see one of today’s most sought after guitarists in action!

Just 10 minutes after doors opened at the venue, we hear the drum beats blast into the night air as the building we’re in and those surrounding begin to vibrate in time with the pressing percussion seeping out through the walls of Brisbane’s Hi Fi Bar; a whole block away!

My heart misses a beat, and my conscious won’t forgive me if I miss ANY of tonight’s gig, so off we run. We’re greeted at the door by an almost empty line up, all the smart kids got inside a while ago. A sea of black awaits, a room full of metal heads all wearing their favorite bands most recent album cover, pressed on casual tee’s and worn over classic ink….. it doesn’t get any more metal than this!
Continue reading Live Review | ARCH ENEMY @ HI-FI Brisbane 7 November 2009 with Winds of Plague (USA) and Suffocation (USA)

Photo Gallery: Alice Cooper “Theatre Of Death” @ Brisbane Convention Centre 22 August 2009

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[Photo: Stuart Blythe]

Alice Cooper

Alice Cooper @ Brisbane Convention Centre 22 August 2009

Photographer: Stuart Blythe
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CD Review: Heavy Water Experiments

Review by: Stuart Blythe

Heavy Water Experiments   Stemming from LA, Heavy Water Experiments offer an extraordinary debut album. Primarily fitting, but not limited to, the psychedelic, progressive indie/rock genre.

From the floating, trippy and heavy bass of opening tracks GoldenThroat and Mirror the Sky, the psychedelic experimental rock is delivered with style. But there are surprises ahead with tracks the like of Anodyne and Neverlove that are psych pop rock/trance with well layered grooves that are more anthem rock.

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Photo Gallery: Architects @ Riverstage, Brisbane 12 August 2009

Photographer: Stuart Blythe


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Live Review | The Butterfly Effect + Dead Letter Circus + Calling All Cars @ The Tivoli 10 July 2009

Review: Hannah Collins

The Butterfly EffectRecently returned from the UK, stand up Brissy, prog rockers Butterfly effect embark on yet another journey around Australia to promote their fourth studio album “Final conversation of Kings”.

Kicking off the first live show in a string of tours for The Butterfly Effects “Final Conversation tour”, a band of a smaller stature, not lacking in rock adjure, show Brisbane they can do it, and do it well. Calling All Cars, a three piece from Melbourne rocked it hard in the lead up to Brisbane’s Dead Letter Circus taking stage as the main support for one of Australia’s favourites.

Continue reading Live Review | The Butterfly Effect + Dead Letter Circus + Calling All Cars @ The Tivoli 10 July 2009

Dan Hicks and The Innocent Bystanders @ The Tivoli, Brisbane 24-25 July 2009

The Courier-Mail Loud in the Valley
Dan Hicks and The Innocent Bystanders

Dan Hicks   Dan Hicks is truly an American original. His unique blend of swing, jazz, folk and country music, coupled with his irresistible sense of rhythm, hip lyrical styling, laid-back vocalising, and infamous on-stage wit make his live audiences fans for life. For more than 40 years, most famously with his band The Hot Licks, Dan has been a stalwart of the American music scene.

Continue reading Dan Hicks and The Innocent Bystanders @ The Tivoli, Brisbane 24-25 July 2009

Photo Gallery : KARNIVOOL The ‘Sound Awake’ Tour at The Tivoli, Brisbane – 21 June 2009

Photographer: Stuart Blythe

KARNIVOOL The ‘Sound Awake’ Tour at The Tivoli, Brisbane – 21 June 2009
Photographer : Stuart Blythe

Continue reading Photo Gallery : KARNIVOOL The ‘Sound Awake’ Tour at The Tivoli, Brisbane – 21 June 2009

Live Review – JEFF MARTIN & THE ARMADA @ The Hi-Fi, Brisbane 10 May 2009

Review by Stephen Goodwin for Life Music Media
Photo: Stuart Blythe
Armada - Jeff MartinArmadas, historically, take a long time to build. It’s something to do with the size of the whole endeavour. On the evidence of tonight’s outing at the Hi-Fi Bar in Brisbane, Jeff Martin’s version – like the venue itself – still needs a few rough edges knocked off before it can truly take on the world.

Even early, the omens are there. Punters are forced to mill impatiently in the street outside the Hi-Fi long past the advertised opening time. Then, after doors open, the wait for psych-blues tie-dye standard-bearers Black Boards Mind feels interminable.

When they do appear, the Fremantle-based five-piece compound matters by seeming determined to turn in a trainwreck. Maybe it’s nerves, but jarringly out-of-sync vocals utterly destroy the first song and a half.

Eventually their sound begins to cohere, the vocals acquiring a straining nasal twang not too dissimilar to the Vasco Era’s Sid O’Neil. But even combined, Black Board Minds’ trio of vocalists possess nowhere near the Melbourne bluesman’s live-wire charisma. Song progression – characterised by a mushy bass-heavy sound that lacks any subtlety – feels equally leaden. The tambourinist’s creditable impression of the energiser bunny says it all: a manic distraction, it only serves to emphasise the act’s rawness.

Staring at Jeff Martin’s guitar rig, one entertains the possibility that it may contain more pedals than there are punters at the Hi-Fi tonight. And that’s not a dig at the crowd size – there’s plenty of the latter.

Martin’s admission during some mid-set technical issues – “it’s like trying to work the space shuttle up here” – feels like tacit validation, and one gets the feeling this massive contraption is the culprit of the early evening delays, and a longer-than-usual wait during the interval.

The downside of these delays is the flaccidness of the crowd. Curiously detached even as the band take up their instruments, they never seem to click with the band. Consequently, there’s too little of the energising feedback that can propel a “merely” good performance into something truly memorable.

For some musical styles, it’s irrelevant. But with the Armada squarely aiming for rock bombast, it’s a limiting factor.

The good news is that Martin and band are clearly “up for it”. It’s little short of jaw-dropping to simply watch skinsman Wayne P Sheehy’s pummelling drumwork. The intensity of sound is a whole order of magnitude more devastating.

Watching Martin, one is torn between appreciating his rich, pitch-perfect baritone, and admiring the almost-arrogant casualness with which he can pause and rip out a fiery solo. And, to the delight of the guitar nerds near the front, he does this often.

All the while man-mountain bassist Jay Cortez anchors the show with unflappable calm.

Several Tea Party tracks wedge themselves into the set, but the evening’s highlights draw themselves almost exclusively from The Armada’s self-titled debut. The sheer immenseness of opener Morrocco. The poignancy of Line in the Sand – even if the nuance-for-power trade-off is clearly felt compared to the “Live at the Corner” rendition. And the demented slide wizardry of Black Snake Blues, complete with a Led Zep excursion into Whole Lotta Love.

One exception is Winter Solstice, the Splendor Solis instrumental forming an spine-tingling acoustic one-two as it segues into new cut The Rosary.

After roughly 90 minutes, with The Armada closing out with another Tea Party staple Save Me, one is left with no doubt that the band has all the elements – strong songs and incredibly talented personnel. Once they iron out the kinks, they may just go on to conquer the world. Unlike the Spanish version.

Set-list

Morocco
Chinese Whispers
Overload
Line in the Sand
Broken
Coming Home
Kingdom
Winter Solstice/The Rosary
Black Snake Blues
Cathartik
Closure
Invocation
Closing Down Blues

Save Me

Bands: The Armada – www.thearmada.com
Black Board Minds
Venue: The Hi-Fi Bar, Brisbane – www.thehifi.com.au
Date: May 10, 2009

Related:
Photo Gallery: JEFF MARTIN & THE ARMADA @ The Hi-Fi, Brisbane 10 May 2009
JEFF MARTIN & THE ARMADA @ The Hi-Fi, Brisbane 10 May 2009 and May 2009 Tour Dates
The East Coast Blues & Roots Music Festival Byron Bay – BluesFest 2008 – images including Jeff Martin

Photo Gallery | JEFF MARTIN & THE ARMADA @ The Hi-Fi, Brisbane | 10 May 2009

JEFF MARTIN & THE ARMADA @ The Hi-Fi, Brisbane 10 May 2009
Photographer: Stuart Blythe

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Jeff Martin
[Photo: Stuart Blythe]

Related:
JEFF MARTIN & THE ARMADA tour dates
A ‘Must See’ show… don’t miss it!… LifeMusicMedia

Photo Gallery | Caxton Street Seafood and Wine Festival – 3 May 2009

Caxton Street Seafood and Wine Festival 2009 – 3 May 2009
Photographer: Stuart Blythe

KRAM, OP 25, The Winnie Coopers, Dukes Of Windsor

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Caxton Street Seafood and Wine Festival Gallery

[Photo: Stuart Blythe]

Mzaza / Paris Dreaming – Parliment of Birds CD Launch -The Press Club

Mzaza / Paris Dreaming
Parliment of Birds CD Launch -The Press Club
Author: Lisa Lamb

mzazza    If you ever feel you are in the wrong country, listen to Mzaza and you will know you are. This six-piece Brisbane group combines sounds from East & West with ease and sensuality. Vocalist Pauline Maudy is stunning in a black cocktail dress with feathers, and birds in her hair. She is outrageous, yet reserved and very, very classy. Singing in French, Spanish and Arabic with ease and her voice is like liquid amber. In the intimate setting of The Press Club, you could easily be transported to Paris or Marseille. This is world music at its finest!

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Elize Strydom gets stuck in the mud at the 20th Annual East Coast Blues and Roots Festival

Bluesfest – 20th Annual East Coast Blues and Roots Festival
Friday 10th April
Review: Elize Strydom

Personality test: What sort of footwear would you choose to wear to Bluesfest?

a. Thongs from Woolies
b. Gumboots from Bunnings
c. Your brand new Dunlop Volleys
d. Au Natural (bare feet)

If you answered a. you’re an optimistic idealist. If you picked c. get set for disappointment. If you deliberated between b. and d. then read on…

The 20th Annual East Coast Blues and Roots Festival was always going to be muddy. In the two weeks leading up to the festival the Northern Rivers had copped near-torrential rain, flash flooding and damaging winds. I spoke to Festival Director Peter Noble a day before the gates were due to open and he was optimistic. One day of hot sun beating down on the Belongil Fields meant they had “dodged a bullet” and things were looking up. Yesterday the Rain Gods withheld their mercy but they’re well and truly smiling again today. Steam is literally rising off the sodden grass as punters – young and old – stream past sniffer dogs, security checks and wrist band fasteners. Tracks between the festival’s six stages, market stalls, food tents and port-a-loos have been beaten and new tracks are appearing as people try to avoid the shin deep mud pit at the centre of the original track. So many are falling at the first hurdle as their thongs flick splats of mud up their legs and backs. Others are literally stuck in the mud as their feet plunge into the thick brown slosh and fail to emerge. Now is not the time to suffer from unpreparedness – there’s music to see, oh so much music. More than 500 artists and 220 performances, to be exact. I’ve gotta start somewhere, why not with Watermelon Slim and the Workers?
Continue reading Elize Strydom gets stuck in the mud at the 20th Annual East Coast Blues and Roots Festival

UnderExposed: An Exhibition by Brisbane Music Photographers : Joshua Levi Galleries : 17th April – 4th May 2009


UnderExposed: An Exhibition by Brisbane Music Photographers has now officially moved to Joshua Levi Galleries @ Woolloongabba (4 Ipswich Road, Woolloongabba), UnderExposed is hosting SIX live music nights during the three week exhibition.

Continue reading UnderExposed: An Exhibition by Brisbane Music Photographers : Joshua Levi Galleries : 17th April – 4th May 2009