Category Archives: Bio

Brian Setzer

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Brian Setzer has made a career of bucking trends, going against the grain, ignoring popular culture, discarding rational thought, and, all the while, blowing people away. In a pop music era dominated by twenty-something contest winners and angst-ridden suburban kids, his latest project couldn’t be any further removed from the mainstream. Recording centuries-old music with his 18-piece Rockin’ Big Band and enlisting the help of a long-retired octogenarian, Setzer has achieved what is surely his finest musical hour with his upcoming Surfdog Records release, “Wolfgang’s Big Night Out.”

As a teenager, Brian Setzer drew inspiration from 50’s rockabilly, fused it with new wave punk, and created a phenomenon with his band Stray Cats. During the 1990’s (when grunge ruled the charts), he assembled his monstrous big band complete with a 13-piece horn section that ignited an international modern swing explosion, sold millions of albums, and racked up 3 Grammy wins. If that wasn’t enough, Setzer found tremendous success in redefining Christmas music for a generation desperately desiring something new and exciting around the holidays.
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Lee Rocker

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Since the release of his Alligator Records debut Racin’ The Devil, bassist/vocalist/songwriter (and Stray Cats co-founder) Lee Rocker’s solo career has been skyrocketing. Publications from USA Today to Billboard and The New York Times raved about the undeniable power and foot-stomping fun of Rocker’s Americana-based roots rock. OffBeat declared, “What’s most satisfying about Lee Rocker is his ability to graft classic Sun licks and shuffles onto Americana. He bridges the gap between Bruce Springsteen and Hank Williams, Sr.” Bass Player magazine simply said, “He absolutely kills.” Lee’s live shows, fueled by his barnstorming, rocking band, grow wilder each night out. And now, on the heels of the national Stray Cats 2007 summer reunion tour, Lee Rocker is back with his second Alligator album, Black Cat Bone.

The Chicago Tribune describes Rocker’s playing as “muscular and passionate.” The Washington Post says his music consists of “impressive, catchy, driving original songs, frantic romps, finger-snapping swing and brooding slow blues.” Rolling Stone declares, “Lee Rocker’s singing naturally captures the spirit of rock ‘n’ roll. His catchy, well-written songs are very difficult to get out of your head.”


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Slim Jim Phantom

Slim Jim Phantom has secured his place as a true rock n roll icon.

As the legendary drummer for the Stray Cats Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock n roll the Stray Cats took inspiration from the bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the US, gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. slim-jim-phantom-sml

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Chris Isaak Bio

Chris Isaak

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From crooning pop to retro-cool rock, multi-platinum seller Chris Isaak is a man of many personas – a gifted musician and vocalist, host of his own TV show, acclaimed actor, a consummate showman and charismatic all-round great guy!

Isaak is also a platinum-selling artist with nine extraordinary albums, twelve singles and two Grammy nominations under his belt.


His legendary shows with long-time band Silvertone have entertained legions of loyal fans for more than two decades. Known for his wonderfully-entertaining stage presence, the charismatic performer and his band of 20 years is recognised by such classics such as ‘Wicked Game’, ‘Baby Did A Bad Bad Thing’, ‘Somebody’s Crying’ and ‘Blue Hotel.’

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Leonard Cohen

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For four decades, Leonard Cohen has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on. His songs have set a virtually unmatched standard in their seriousness and range. Sex, spirituality, religion, power – he has relentlessly examined the largest issues in human lives, always with a full appreciation of how elusive answers can be to the vexing questions he raises. But those questions, and the journey he has traveled in seeking to address them, are the ever-shifting substance of his work, as well as the reasons why his songs never lose their overwhelming emotional force.

His first album, Songs of Leonard Cohen (1967), announced him as an undeniable major talent. It includes such songs as “Suzanne,” “Sisters of Mercy,” “So Long, Marianne” and “Hey, That’s No Way to Say Good,” all now longstanding classics. If Cohen had never recorded another album, his daunting reputation would have been assured by this one alone.

However, the two extraordinary albums that followed, Songs From a Room (1969), which includes his classic song, “Bird on the Wire,” and Songs of Love and Hate (1971), provided whatever proof anyone may have required that that the greatness of his debut was not a fluke. (All three albums are reissued in April, 2007.)



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Black Mustang

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Black Mustang have quickly established themselves as one of Brisbane’s most undeniably exhilarating new bands. Having developed an explosive live set with teenage kicks and manic pop thrills, their sound veers from rambunctious garage rock n roll to grungy blues-infected dynamos. Black mustangs sheer sonic momentum, combined with their intelligent use of melody, displays a maturity far beyond the band’s tender years. Powerful emotions, spanning from love and lust to fear and frustration are ever present. In short, Black Mustang provides a roller coaster ride of unashamed, delirious rock n roll.

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Eskimo Joe

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[photo: Stuart Blythe]
Youthful naivety can produce flashes of rock & roll excitement, but genuine experience and the passage of time can turn a good band into a truly great one. Now, more than a decade on from when the young Fremantle trio leapt onto the national stage, Eskimo Joe are taking a big, bold step towards music greatness.

On the eve of releasing their fourth album, the horizon has broadened. Band members Kav Temperley, Stu MacLeod and Joel Quartermain, have never been ones who ascribe to the status quo and consequently have proven there’s a whole world of possibilities to explore – if you simply follow your heart, listen to your muse and make the most of your talent.


Their third album, Black Fingernails, Red Wine, was a brazen step forward for a band borne of a scene that doesn’t always encourage grand statements. This dark edgy collection of songs was a monumental leap forward and landed the band not only quadruple platinum sales, but a number #1 charting album along with industry accolades with four ARIA Awards’>ARIA Awards in Australia. Consequently their world expanded.

Eskimo Joe landed a US Record deal with the respected Rykodisc, and proceeded to explore new territory. Humility coupled with a huge dynamic on-stage performance, elevated the band in the minds and hearts of locals. Their sheer perseverance from starting at the beginning again in a notoriously tough market, generated a solid base of fans.

The culmination of this international touring experience has creatively given way to new material for album number four. Looking to further shake-up their methodology, Eskimo Joe have now enlisted the assistance of world renowned English Producer, Gil Norton (Foo Fighters, Pixies, Echo and the Bunnymen). While Black Fingernails, Red Wine was an award winning first attempt at self-production, this time, the trio have openly embraced the challenge of outside perspectives.

A background of bold production brushstrokes cleverly reflecting material that has, thematically, just as much personality on display, Eskimo Joe aim to further showcase developments in their songwriting on the forthcoming album. Through previous award-winning albums, A Song Is A City and Black Fingernails, Red Wine, this consistent aspiration is vividly evident.

Now more than ever at home in their own skin, the trio raise the bar set by past albums with the forthcoming album number four. The songs move to a brighter, dynamic mood reflecting both recent events in both their personal lives and on a universal front without abandoning the everlasting desire of forward movement. Unashamed emotion and unguarded personality envelope every track.

So, after ten years together, lesser bands may ponder what roads are left to travel… Eskimo Joe actively embrace the wide-open road before them earnestly and proudly, while being not afraid to try some roads less traveled along the way.

 

Bullet For My Valentine

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“The best British metal band to emerge in years.” – Q Magazine

The Welsh metal-core band Bullet For My Valentine has spent most of the past two years taking over the world with massive U.K., European, U.S. and worldwide tours, sharing the stage with Guns N Roses, Metallica and Iron Maiden, playing the Main Stage at just about every rock festival on the planet, and seeing their 2006 debut album The Poison – an album London’s daily The Sun called “One of the finest debut albums in rock history” – sell more than one-million copies worldwide – 350,000 in the U.S. alone – a very rare achievement for an emerging band.
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Back home, Bullet For My Valentine has graced the covers of the UK’s Kerrang!, Rock Sound, and Metal Hammer. They won Metal Hammer’s 2006 “Golden God Award” for Best British Band, and the 2006 Kerrang! Award for “Best UK Single” for their track “Tears Don’t Fall.” Here in America, Revolver magazine heralded the band “British Import of the Year,” and The Poison generated the hit singles “Tears Don’t Fall” and “All These Things I Hate (Revolve Around Me),” with the video for “All These Things I Hate” going to the #1 spot on MTV2. The band has toured North America three times, and in early 2007, they sold out their first headline trek. Continue reading Bullet For My Valentine

The Gin Club

The Gin Club are a Brisbane-based musical collective who have been performing since 2003. Their self-titled debut album, recently released through Plus One Records and distributed by Reverberation is an eclectic mix of traditional folk, blues and country styles, featuring five distinctive song-writing voices backed by cello, accordion, piano, acoustic and electric guitar, drums, harmonica and saxophone. Their influences include Hank Williams, The Band, Bob Dylan, Crowded House, and Neil Young. Live, they often perform covers by Will Oldham, Spiritualized and The Rolling Stones.

The Gin Club have performed extensively throughout Brisbane and have recently completed a tour of New South Wales with Sydney’s theredsunband. Their growing reputation as a powerful live act has seen them gain support slots for international artists Papa M and Iron & Wine, and Australian heroes You Am I. They have also been featured in TripleJ’s Aus Music month program as part of the ‘next crop’ of Australian artists.

Releases:


JUNK
Buy Now! Available from Plus One Records


Fear Of The Sea
Buy Now! Available from or Plus One Records


Gabriel + Drugflowers
Buy Now! Available on or Plus One Records


Self-Titled
Buy Now! Available on or Plus One Records

Links:

The Gin Club Website: www.theginclub.com.au
Plus One Records