Position: Head of WME’s Music Division
Marc Geiger is the Head of WME’s music division, representing leading artists in electronic, rock, pop, Christian, hip-hop, R&B, and film scoring. Under his leadership, the department booked more than 33,000 dates worldwide in 2014. WME clients received more than 75 Grammy nominations. Continue reading Bio : Marc Geiger→
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Rogerthat is a rock-reggae band that shakes every room they play in. A band that could have come from just about any era. Their contemporaries could be the Black Crowes or the Black Keys. Anything from the Woodstock era, Marley and Lee Scratch Perry or the steel blues of Muddy Waters (circa Electric Mud)… if you could mash the raw electric, psychedelic rock-reggae rep’s of those, you’d get close to the quartet
Rogerthat are back in Australia in August and Sept to mix their peyote and melt minds. On a national tour to prop the release of The Desert’s Call, their debut album (out thru MGM).
The band are currently in Europe for a month long run after smoking it in Canada – 9 gigs in 2 weeks thru West Canada to rooms full of RT converts.
LifeMusicMedia’s Sunday Selection is your weekly view to Queensland Artists
Texas Tea are a two piece alt-country act from Brisbane, Australia.
Texas Tea’s debut album, Take A Sip, featured heavily on radio from it’s release in 2006, including ABC, Triple R, PBS, Triple J, 4ZZZ. In 2006 and 2007 Texas Tea took out the Hot 100 on Brisbane’s 4ZzZfm with tracks ‘Macy and Me’ and ‘Whiskey and Wine’.
These tracks also featured as finalists in the Q Music Awards and in 2007 APRA Songwriters Award. Tracks from Take A Sip have been used in several film projects including a film by Tropfest Winning Director Steve Baker and more recently in feature film written and directed by John Jarratt – Savages Crossing.
Turn off your phone and get out of town
Away from the chaos and deafening sound
And when all is peaceful and darkness falls
You’ll hear The Voice Behind The Noise
This is the concept behind Madeleine Paige’s stunning sophomore EP “The Voice Behind The Noise”. In October last year, on a friend’s recommendation, Madeleine left behind the daily grind and spent some time alone in a cabin in the wilderness and her creativity flourished. Through these visits to the idyllic Mullumbimby countryside, the songs on this glorious EP were born. Continue reading Madeleine Paige→
From very early on in his career, Paul Kelly has been recognised as one of the most significant singer/songwriters in the country.
His influence over Australian music and Australian culture is wide and significant – backed up by the fact his new compilation Songs From The South – Volume 2 has gone Gold since its November 2008 release.
As well as issuing an enduring body of work with his own bands, Kelly has written film scores (Lantana and the Cannes 2006 highlight, Jindabyne), and produced albums for and written songs with some of Australia and New Zealand’s finest artists.
Paul Kelly’s Songs From The South Volume 2 was recently released, along with a DVD collection of Paul Kelly videos from 1985 to 2008 and a double CD including Songs From The South Volume’s 1 & 2. You can find these at record stores and digital outlets now.
Since it’s release the positive reviews have been coming through thick and fast.
One such review can be read below, from Noel Mengel of The Courier Mail. More reviews are posted in the ‘Recent Press’ section on Paul Kelly‘s website.
Now think of Davy Knowles. Think long and hard and toast a bright future. Fronting his band Back Door Slam, the 22-year-old British phenomenon with an encyclopaedic grasp of blues-rock draws on influences from Robert Johnson to
• Ben Lee has been making albums since he was 14 years old.
• Recordings by his first band, Noise Addict, were released in the US by Thurston Moore of Sonic Youth and Mike D of the Beastie Boys.
• The Re-Birth of Venus is his seventh solo album and his fifth collaboration with Chicago-based producer, Brad Wood.
• Ben has been nominated for thirteen ARIA Awards and has won six, including Best Male Artist in 2005. In that year, ‘Catch My Disease’ was the most played song on Australian Radio.
• Ben has collaborated with a vast array of artists including Liz Phair, Evan Dando, Ben Kweller, Ben Folds, Jason Schwartzman and Kylie Minogue.
• He has also starred in a film, The Rage in Placid Lake, and composed the ARIA and AFI-nominated soundtrack to the new Australian movie, The Sqaure.
• Ben lives in Los Angeles with his wife, Ione Skye, and his stepdaugher, Kate.
• New single ‘I Love Pop Music’ points out how pop music can also provide a serious message.
• ‘I Love Pop Music’ will be released digitally on December 20th.
• Missy Higgins and Patience Hodgson join Ben on ‘I Love Pop Music’.
• New album, “The Rebirth of Venus” is out through Dew Process/UMA on February 7th 2009.
• The inspiration for ‘The Rebirth Of Venus” is to celebrate feminine qualities such as creativity and compassion, hence the title.
• The new album was recorded with Brad Wood (Awake Is the New Sleep)
• Ben Lee will be touring in March 2009
This year Mick Hucknall celebrates 25 years of unbroken service with the band he founded, fronted and named. Simply Red emerged out of the streets and clubs of Manchester in the post-punk era of 1984 and within 12 months were riding in the British charts.
The original line-up of singer Hucknall, bassist Tony Bowers, drummer Chris Joyce, guitarist Dave Fryman, keyboardist/singer Fritz McIntyre and horn player Tim Kellet became regulars on the thriving club circuit and soon caught the attention of record company scouts on the hunt for new talent.
Executives at the UK arm of renowned US label Elektra were the most persistent – and most generous – and Simply Red found
15 years ago, Lamb of God began their ascent to the forefront of modern heavy metal. A self-described “pure American metal” quintet from Richmond, VA, took deliberate steps, paid the dues and withstood the knocks as an underground, un-commercial metal act. Beloved by a rabid, grass roots cult of underground thrash fanatics thanks to brutal and technical albums like 2000’s New American Gospel and 2003’s As the Palaces Burn, the band toured North America relentlessly and began their international career overseas in support of the latter. Entering 2004, 10 years after inception, the band had risen to the top of the independent metal scene. Their uncommon work ethic, uncompromising musicianship and intellectual lyrics set them apart – and into un-chartered territory.
Five years ago, Lamb of God surprised the hell out of everyone — including themselves — by attracting the attention of and soon after inking a deal with Epic Records. “How does an extreme band like us even exist at this kind of upper-echelon major label?” remembers guitarist Mark Morton.
Far more commercially oriented bands have buckled under the strain of similar indie-to-major leaps. Skeptical of the outcome of such a relationship, the band took the opportunity to push even harder and in 2004 released the ferocious and technical ‘Ashes of the Wake’ and in 2006 the dark and unrelenting, ‘Sacrament.’ These albums proved that the major label pairing had no negative side effects. Fans and critics alike celebrated both albums, receiving respective album of the year awards from major metal and hard rock publications around the world and the latter landing in the top 10 of the Billboard charts, becoming the top selling metal album of 2006, and a Grammy nomination. Now entering 2009, Lamb of God – guitarist Willie Adler, Willie’s drummer brother Chris Adler, bassist John Campbell, guitarist Mark Morton and vocalist Randy Blythe — have recaptured the attention of the heavy metal world, toting a vicious new album they call Wrath.
Thumping bass lines, tapping melodies, and slapping percussion on her guitar, Kaki King is a one-woman force sent to wreak acoustic havoc. She’s a riveting performer, combining jaw-dropping technique with unique compositions. Her playing has a passion and an edge that keeps her tenuously balanced, one foot in the acoustic world, the other in rock’n’roll.
For King, the guitar isn’t just a reverie machine; it’s a percussion instrument, just like the drums she played with her high school band…
“When I was about four years old my parents wanted me to take music lessons, and I chose the guitar,” she says. “But I didn’t enjoy it, so when I was five I put it aside. Then I started playing drums when I was nine or 10. I still play them. That was how I got into playing pop music, and that feel was a big influence when I did go back to guitar.”
Using intricate tunings and neck tapping, Kaki became focused on writing instrumental music. In 1999, Kaki moved up to New York to attend NYU, and emerged three years later with a humanities degree that allowed her to complete only the feeblest of crossword puzzles. “I want to be either a vagabond street performer or a sassy bar rat,” she told a professor inquiring about her future plans, to which the professor replied, “With your handsome looks and ragamuffin charm, I’m sure you’ll be able to do both.” And so she did…
Brian Setzer has made a career of bucking trends, going against the grain, ignoring popular culture, discarding rational thought, and, all the while, blowing people away. In a pop music era dominated by twenty-something contest winners and angst-ridden suburban kids, his latest project couldn’t be any further removed from the mainstream. Recording centuries-old music with his 18-piece Rockin’ Big Band and enlisting the help of a long-retired octogenarian, Setzer has achieved what is surely his finest musical hour with his upcoming Surfdog Records release, “Wolfgang’s Big Night Out.”
As a teenager, Brian Setzer drew inspiration from 50’s rockabilly, fused it with new wave punk, and created a phenomenon with his band Stray Cats. During the 1990’s (when grunge ruled the charts), he assembled his monstrous big band complete with a 13-piece horn section that ignited an international modern swing explosion, sold millions of albums, and racked up 3 Grammy wins. If that wasn’t enough, Setzer found tremendous success in redefining Christmas music for a generation desperately desiring something new and exciting around the holidays. Continue reading Brian Setzer→
Since the release of his Alligator Records debut Racin’ The Devil, bassist/vocalist/songwriter (and Stray Cats co-founder) Lee Rocker’s solo career has been skyrocketing. Publications from USA Today to Billboard and The New York Times raved about the undeniable power and foot-stomping fun of Rocker’s Americana-based roots rock. OffBeat declared, “What’s most satisfying about Lee Rocker is his ability to graft classic Sun licks and shuffles onto Americana. He bridges the gap between Bruce Springsteen and Hank Williams, Sr.” Bass Player magazine simply said, “He absolutely kills.” Lee’s live shows, fueled by his barnstorming, rocking band, grow wilder each night out. And now, on the heels of the national Stray Cats 2007 summer reunion tour, Lee Rocker is back with his second Alligator album, Black Cat Bone.
The Chicago Tribune describes Rocker’s playing as “muscular and passionate.” The Washington Post says his music consists of “impressive, catchy, driving original songs, frantic romps, finger-snapping swing and brooding slow blues.” Rolling Stone declares, “Lee Rocker’s singing naturally captures the spirit of rock ‘n’ roll. His catchy, well-written songs are very difficult to get out of your head.”
As the legendary drummer for the Stray Cats Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock n roll the Stray Cats took inspiration from the bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the US, gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way.
From crooning pop to retro-cool rock, multi-platinum seller Chris Isaak is a man of many personas – a gifted musician and vocalist, host of his own TV show, acclaimed actor, a consummate showman and charismatic all-round great guy!
Isaak is also a platinum-selling artist with nine extraordinary albums, twelve singles and two Grammy nominations under his belt.
His legendary shows with long-time band Silvertone have entertained legions of loyal fans for more than two decades. Known for his wonderfully-entertaining stage presence, the charismatic performer and his band of 20 years is recognised by such classics such as ‘Wicked Game’, ‘Baby Did A Bad Bad Thing’, ‘Somebody’s Crying’ and ‘Blue Hotel.’