Category Archives: Live Review

Live Review: Angelique Kidjo @ Melbourne Recital Centre – 5th April 2012

Review by Ben Connolly
It’s not often that an accomplished artist of the calibre of Anglique Kidjo is in danger of being overshadowed at her own headline gig. But early on the evening at her East Coast Blues and Roots sideshow in Melbourne recently, that was clearly on the cards, with both the support act Vusi Mahlasela and even the venue itself, the Melbourne Recital Centre, proving to be highlights on what was to become a magical night.

TheMelbourne Recital Centre seemed a strange choice of venue, with the architecturally intriguing concert hall tucked away in a corner of the cultural precinct usually playing host to staid chamber pieces and sober recitals. High-energy, percussive-intense gigs of the type Kidjo has become famous for seemed an incongruous mix for the plush, sit-down hall – a round peg trying to squeeze into its obtuse, honeycombed exterior, if you will. This is not to detract from the venue itself – far from it, in fact, as many of the full house took the opportunity to marvel at its plush interior. The warm foyer invited curious exploration, with wide, flowing stairs leading to the stalls above. The hall’s walls were etched with flowing designs, like that of a wood-worm snaking its way throughout and invited child-like wonder as patron after patron failed to resist the urge to run their fingers along its entrails. Once seated, the vaulted ceiling and angular facias all spoke of its acoustically-pleasing design – the proof of which was highlighted time and again throughout the performances.
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Live Review: Evanescence @ Rod Laver Arena, Melbourne with Blaqk Audio & The Khyber Belt – 24th March 2012

Review By Billy Geary
The lead up to the release of Evanescence’s self titled album (their first in 5 years) was, put lightly, a tumultuous one. With rumours of break ups and the like, plenty wondered if we’d seen the last of them. Not to be killed off though, Evanescence finally made it back to Australia and on Saturday night, put on an excellent showcase of their vast catalogue of hits.

First up was Melbourne’s own The Khyber Belt, the lucky local band that was selected to open every show of the tour. For a band barely a year into gigging, it’s fair to say they’ve risen quickly within the Australian scene. Vocalist Forbes McKail was his usual energetic self, bounding around the huge stage. Closing their quick set with ‘We The People,’ taken off their debut EP
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Soundwave @ Melbourne Showgrounds – 2nd March 2012 | Festival Review

Review by Billy Geary

As the black clad army of fans bustled through the gates at the Melbourne Showgrounds, there was a genuine excitement in the air for what was the largest Soundwave ever in terms of the sheer number of bands on the bill. Not only had Soundwave delivered an exceptional number of bands, they’d also brought back a plethora of old favourites, as well as numerous outstanding up and comers. It was going to be very hard to not have a good time with what was on offer.

Upon arrival, we made a beeline straight for Stage 7 to see American art rock band dredg. Their set on Friday only furthered the reputation they’ve been getting on the Soundwave circuit as one of the must see bands, despite them being slightly different musically to the majority of bands on the bill. ‘Bug Eyes,’ ‘Ode to the Sun’ and ‘Pariah’ all got an airing, but as with their sideshow, it was the incredible ‘The Canyon Behind Her’ that drew the greatest response from the sparse crowd gathered. Vocalist Gavin Hayes was sublime throughout, his tranquil vocals intertwining with Mark Engles’ jangly guitar captivating the crowd for their short set.
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Live Review: Slipknot & Trivum @ Rod Laver Arena, Melbourne

Review by Billy Geary

The short walk from Richmond Station to Rod Laver Arena saw a sea of fans heading to the arena, suggesting we were in for a near full house. However, upon arrival, it was slightly disappointing to find much of the upper sections of the arena possessing empty seats covered by curtains.

Opening up proceedings were Florida natives Trivium, given an entire hour to warm up punters before the main act. There was an obvious portion of the crowd that were every bit as big a fans of Trivium as they were of Slipknot, with plenty up close singing and screaming along word for word. As a band that has been around for quite a while now, it has been great to see Trivium develop into a really tight live act. Front man Matt Heafy was brilliant throughout, encouraging circle pits and roaming the stage, ensuring every single section of Rod Laver Arena was engaged with the music. As Trivium finish off their set, it it obvious that their brand of metalcore has quite successfully warmed up the hordes of already rabid fans.
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Live Review | Devin Townsend Project, Meshuggah and Dredg @ The Forum Theatre, Melbourne – 29 February 2012

REVIEW by Billy Geary
As Melbourne’s Soundwave week continued into Wednesday night, it was time to head to the beautiful Forum Theatre for a taste of some of the most original music the massive line up had to offer.

As somewhat the black sheep of Wednesday night’s line-up, art rock band dredg more than held their own against the heavier headliners. After a few false starts in recent years, this was their first venture to Australia and quickly won over the predominantly metal focused crowd. Opening with two of their most well known songs in ‘Ode to the Sun’ and ‘Bug Eyes’ was a smart move, as the band commanded attention from the start. ‘Bug Eyes’ in particular got a great response, its chorus sounding majestic within the confines of The Forum.
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Enter Shikari, Letlive. @ Billboard The Venue, Melbourne – 28th February 2012 | Live Review

Review by Billy Geary
This time of year in Melbourne, there’s only one thing on anyone’s mind in terms of music – Soundwave. This week, Australia’s biggest travelling festival rolled into Melbourne, bringing with it a whole host of sidewaves before the big day on Friday. On Tuesday night at Billboard, it was English stalwarts Enter Shikari, bringing with them Letlive. and Your Demise.

I’m just going to start off by saying American hardcore quintet Letlive. are good. Really f###ing good. Having not seen much of them other than a few Youtube videos prior to the night, they absolutely blew away myself and everyone else in the room with their energy and conviction to their music. Vocalist Jason Butler is an absolute maniac, hurling himself into the crowd within 30 seconds of the start of their set and continuing in the same fashion throughout, all the while screaming and singing to perfection. If anything, the only negative of their set was the mix too often drowning out Butler’s vocals. However, this just gave the punters in the front row the chance to sing and scream along even louder. letlive’s set was an absolute master class in how hardcore punk should be done, combining emotion and energy with perfection.
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Live Review | Roxette @ Brisbane Entertainment Centre – 24th February 2012

Review by Lauren Sherritt
Twenty-three years ago, on the week I was born, Roxette topped the Australian charts with smash hit The Look. Little could I have known then that over two decades on I would be watching the Swedish duo, still full of pop-energy and sing-along-able choruses, playing that very song to a crowd of over ten thousand of their most dedicated Australian fans.

The second Brisbane show of Roxette’s first Australian tour in over sixteen years was kicked off by tour companions 1927. Crowds poured into Brisbane’s Entertainment Centre, saturated by the heavy rain outside, excited to see this first rate band smash out old favourites If I could and That’s When I Think of You. Singer Erik Weideman dedicated the ever moving Compulsory Hero to those serving in the armed forces and it was clear to see that the audience were touched. It was easy to get a sense of Weideman’s excitement to be touring with Roxette, his schoolboy smile and the bounce in his step leaving no sense of playing things rock’n’roll cool, and as he left the stage his energy infected the already super-hyped crowd as they waited for the band to appear.
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Yuck @ East Brunswick Club, Melbourne – 3rd February 2012 | Review

Review by Ben Connolly
What is the collective noun for a group of fuzzed-out guitars? Is it a gaggle? Maybe a cacophony is more apt? Perhaps it could have been a murder, if it weren’t already taken by those pesky crows. I reckon it’s a joy of fuzz, as that’s certainly the feeling you get when confronted with a wail of tricked out pedal-laden guitars, as was the case at Yuck’s Laneway Festival sideshow, as well as a more than passing hat-tip to the lo-fi aesthetics of late 80s and early 90s grunge rock.

South Dakota via LAs EMA had her feet planted firmly in the shoe-gazing psychedelia camp, with two guitars backed by keys/violins providing a mournful, sparse feeling. There’s a deliberate bleakness to the songs, with Erika M Anderson’s lyrics often whispered with great earnestness and calculated affectation. An early string break forced a setlist change, pushing a surprisingly tender “Breakfest” up the order. The song’s aching repeated refrain “Mumma’s in the bedroom, don’t you stop” paints a desolate picture, before building into a Mogwai-esque wall-of-noise. A midset reworking of Danzig’s “Soul On Fire” perfectly highlighted Anderson’s almost disembodied, affected vocals.
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Live Review : Incubus @ Festival Hall, Melbourne – 7th February 2012

Review by Billy Geary
Photo Credit: Amy Lee FreshwaterIt’s fair to say that over the years Californian natives Incubus have traversed more than a few genres in their music, giving rise to one of the more diverse musical fan bases around at present. This was perfectly evident on Tuesday night as everyone from middle agers to remnant 90s grunge kids made the short trek to Festival Hall from Southern Cross Station for a dose of Incubus.

Sydneysiders Papa vs. Pretty had the envious job of opening up proceedings, putting on a tight set for the slowly filling room. The trio have a had a massive last year, which has seen them come on in leaps and bounds, especially in terms of their live show. Their high energy set of melodic rock was perfect fodder for the early arriving punters, garnering a big cheer from the entire room as their set concluded. If this set is anything to go by, expect big things from these three gentlemen in 2012.
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BRITNEY SPEARS: THE CABARET @ Brisbane Powerhouse | Review

Review by Lauren Sherritt
A cabaret show written about arguably the world’s most infamous and off the rails pop starlet, Britney Spears The Cabaret does not fail to deliver in any sense. Comic genius is coupled with unsettling and well timed truth-telling, while a masterful cabaret performance makes the show count as top notch entertainment.

Poking fun without being mean spirited, Britney Spears The Cabaret portrays Britney as a kind of manic but sweet-hearted, ditzy yet relatable character, and ultimately wins by ensuring that by the end of it all, the audience is completely head over heels for the leggy blonde.

Christie Whelan plays Britney who, along with her “court appointed pianist” Matty, tells the story of her life in the bright lights through words and song. Whelan’s voice is remarkable; strong, clear and containing just enough of Britney’s signature nasal accent to hark back to the original singer.
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Big Day Out 2012 – Melbourne – 29th January 2012 | REVIEW

Review by Ben Connolly
Photos by: Naomi Rahim
Photos Credit: Naomi RahimWith 20 years under its belt and a major crisis in confidence, Big Day Out organisers and marketing teams got all introspective in the lead up to the 2012 event. For many, it was time to question the event’s continued validity in the now flooded one day festival market. That questioning, undoubtedly, led the co-founders to part ways and this year’s event to succumb to circumstance and dramatically downsize. And with recent news that the Auckland leg was no more after this year, it’s pertinent to reflect upon what, exactly, the BDO brand has brought to the rock festival table over its two decades.

What are rock festivals all about these days?

Rock festivals are still about discovering.
Early in the baking summer’s day, Melbourne’s BONJAH held the fort at the aptly-named Hot Produce stage. Now with a rockier edge compared to its urban-roots inflected past, the five-piece oozes charisma, with front-man Glenn Mossop’s chiseled looks and studied moves adding to his extraordinary brooding, honey-dipped drawl. A kicker of Portishead’s “Teardrop” adds icing to the cake and pegs this performance as a great way to ease in to the steamy afternoon.
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(Hed) P.E. @ The Hi-Fi, Brisbane – 2nd February 2012 | Live Review

Review by Kenada Quinlan
M.C.U.D (Hed’s Jahred Gomes) stops to briefly meet and greet fans at the back of the line before piling into a minivan and fleeing the scene, permitting the venue doors to slide open.

Kid Crusher’s loyal horror masked comrade drops dirty bass under his allegedly shocking lyrics. Spitting rhymes and perfected deep throated howls cause the few ‘in the know’ to bounce to his semi-interesting blend of rap and vinyl induced metal noise.

With the venue filling steadily, Sydney’s RECOIL takes the stage and unleashes their brand of fierce double kick driven metal. Musicianship is precise, complex guitar work in order. Stunning vocals propel from centre stage, refreshing the senses. Giving away a free band Tee encourages further movement in the front row, while nods of endearment multiply during their all too short but sweet residency.
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Review: Big Day Out 2012 – Sydney – 26th January 2012

Review by Sibel Kutlucan

Celebrating 20 years since the first ever Big Day Out in Sydney 1992, which boasted incredible bands such as, Nirvana and Violent Femmes, the Big Day Out has had a reputation to uphold with line-ups that every year do not disappoint. This year was no exception.

For 2012, Big Day Out offered an impressive line-up that consisted of a range of rock, dance, pop and hip hop acts, including Kanye West, My Chemical Romance, Noel Gallagher, Soundgarden and Kasabian.

The morning weather was bleak, with rain and threatening storm clouds looming. However, the masses of music fans still poured into the Sydney Showgrounds from 11am, anxious for a sure day of excitement, great music and the ambience of bare flesh, and despite the weather, did not scare away the summer attire of short shorts and bikini tops.

Earlier acts such as Sydney rockers Papa Vs Pretty and Victoria’s Stonefield enticed crowds and brightened up the sky. The busy schedule of all six stages charged on and as the bands played and the crowds grew the storm clouds slowly disappeared and the typical Australia Day sunshine arrived.

Sydney indie-rock band Bluejuice owned the Boiler Room, with their infectious music and attitude whipping their eager fans into a whirlwind of odd dance moves and great times, especially when they erupted with their hit, “Broken leg”.

Boy and Bear were another standout act in the afternoon as they took to the orange stage and showed why they were recent ARIA winners with their amazing cover of Crowded House’s “Fall at your Feet”, which commemorated Australia Day with the crowd enthusiastically singing along.

Kiwi songstress Kimbra had her audience enthralled as she took to the Converse Green Stage thrashing about and singing her lungs out of her waif like frame. Her powerful voice was contagious and her act was a definite standout of the festival.

Jersey alt-rockers My Chemical Romance pulled a huge crowd at the orange stage, with front man Gerard Way sporting new blonde locks and clad all in black, led their set through an impressive range of tracks off their discography including old favourites “I’m not okay” and “Helena”.

Brit indie-rockers Kasabian were welcomed to the blue stage with flashing neon blue lights and smoke slowly filling the stage, as their crowd erupted in cheers, eager to welcome Kasabian back to our shores. “Shoot the runner” as always was a definite crowd-pleaser and resonated with festival-goers long after their set finished.

Kanye West did not disappoint as he took to the blue stage for his hour and a half long set where he dominated the other acts of the night. With his eye-catching back-up dancers to his rather unique dress sense and contagious tracks, Kanye West delivered a fantastic set.

Amongst all the great music on the six stages, the Guvera skate ramp always had their crowd entertained; however it was when Tony Hawk took to the ramp that the skate ramp attracted more festival-goers that even some of the headliners. It was a moment not to be missed, and the epic skating was a nice break between the countless sets to take in.

Celebrating an amazing 20 years of festivals Big Day Out came home to Sydney this Australia day despite earlier problems involving the spilt of co-founders Ken West and Vivian Lees, as well as the announcement of BDO’s withdrawal from New Zealand next year. This dark news however, did not impact the festival and West said that the festival will come back stronger and that Big Day Out’s heart will always remain in Sydney, as it began here 20 years ago.

Once again the Sydney leg of the Big Day Out tour delivered an amazing Australia day to all the music lovers who bared the bipolar weather for a day of great music and experiences.

Review by Sibel Kutlucan


Related:
* PHOTOS! BIG DAY OUT – SYDNEY

* Review our review of: Big Day Out 2012 – Gold Coast Parklands – 22nd January 2012

PHOTOS: Big Day Out 2012 – Gold Coast
PART 1
Soundgarden, My Chemical Romance, Stonefield, Cage The Elephant, The Amity Affliction, Kimbra

PART 2
Kanye West, Kasabian, Abbe May, The Jezabels, Foster The People, The Living End, Mariachi el Bronx, Calling All Cars, Papa vs Pretty, Parkway Drive, Boy & Bear, The Vaccines

PART 3
Crowd Pics

So Frenchy So Chic @ Brisbane Powerhouse – 20 January 2012 | Live Review

Review by Lauren Sherritt
With a long developed reputation of class and French charisma, you could guess that tardy is not high on the list of characteristics organisers of the famed So Frenchy So Chic touring shows would want it to be associated with. Forty-five minutes after the last show of the 2012 tour was supposed to begin, however, Brisbane audiences could have been excused for thinking it while they waited outside the closed doors of the theatre.

After finally inviting us to file in and take our seats the bad news was broken; Asa, one half of the night’s double bill, was very ill and after failing to be able to complete sound check she had regretfully decided to pull out of the show. This left patrons with the choice of leaving, full refund in hand, or staying for an extended set by the show’s other half, French American band Moriarty.

While some did choose to walk and have their seats further toward the front happily filled by audience members who were initially in the back, the majority stayed to greet the well known blues band with cheers and smiles. Lead singer Rosemary Standley introduced the act, emotion evident in her voice as she dedicated their set to sick peer Asa. While it had evidently been a rushed preparation for their now twice as long set, Moriarty joked their way through the mix up in routine as they played a highly entertaining show.

Starting with “She’s Going to War”, the band comprised of a double bass, percussion, bass and electric guitars, the occasional keyboard, brilliantly played harmonicas and strong group vocals, showed off an extraordinary amount of energy for self described “jet lagged and weary travellers”. Standley oozed sensuality as they kicked off the slower song “Cotton Flower”, and the band began to look very comfortable on stage after their unexpectedly early beginning.

It wasn’t only front-woman Rosemary on show throughout the night, Moriarty proved that they are truly a musical ensemble, with each musician showcasing breathtaking talent on their instruments. For the most part, Stephan Zimmerli played the always favourite double bass and also chipped in a joke or jab at any quiet interval. Vincent Talpaert on drums was definitely the conductor of the band, though very much keeping himself inconspicuous off to the side, the rest of the band members looked to him for guidance on everything from the revised set list to keeping the beat. Charles Carmignac wowed the crowd with not only his guitar playing skills but his smooth dance moves and surprise whale noises, while Arthur B. Gillete, who with long sandy hair and a floppy gardener’s hat could easily be mistaken for Scarecrow from The Wizard of Oz, exuded cheerfulness and an evident love of making music. The highlight of the night was witnessing the talents of Thomas Puéchavy on the harmonica. Wearing a harmonica belt (similar to a tool belt, his held at least eight different harmonicas in leather pockets around his waist), he masterfully played harmonies and solos, adding a brilliant depth to the band’s sound.

After playing fourteen songs, Moriarty were cheered back on stage for an encore, any disappointment from the earlier events in the evening wiped from the audience’s mind. Finishing beautifully with an unplugged musical rendition of Austrian poet Ingeborg Bachmann’s “Long is the Night”, which Moriarty turned into a soft, crooning lullaby, the band took one final bow in front of a thrilled audience.

Review by Lauren Sherritt


Related:

Read our review of So Frenchy So Chic: Nouvelle Vague, Berry @ The Powerhouse, Brisbane June 14, 2010

PHOTOS!
So Frenchy So Chic In The Park @ Werribee Park Mansion, Melbourne – 15th January 2012
CLICK HERE TO VIEW FULL GALLERY




All photos by Naomi Rahim

Review: Big Day Out 2012 – Gold Coast Parklands – 22nd January 2012

Review by Lauren Sherritt
Big Day Out – it’s not just a music festival. It’s a fashion show, the latest summer clothes coming out to play (2012 including girls shortest short shorts, guys screen printed singlets and a whole lot of hair on everyone). It’s a test of the strength of boyfriends’ spines as they hoist their girlfriends high above the crowds on their shoulders. It’s a feat of endurance, a challenge put to the elements that no kind of weather can stop the show, a day of sunscreen and sunburn, of thrills, friendship and fried food. And yes, there is some excellent music as well.

The Gold Coast leg of the festival kicked off at eleven a.m. For those of us travelling from further afield the day started much earlier, a mixture of trains and shuttle buses becoming more and more crowded with others in festival garb as we neared the event.

Ticket checks, bag checks, ID checks done and we were in. The sun shone brightly, the outside glare making us squint to make out the shape of Abbe May and band on the contrasting dark stage, their hard rock carving through the muggy air.
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