Review by Lauren Sherritt
![]() Photo Credit: Pete Coorey |
On possibly the most humid Brisbane night in 2011 so far, a small crowd gathered at The Zoo in hopes of witnessing something special. Clutching cold beverages and gathering close to fans and windows, last Thursday night proved to be the time for these fans of funk and soul to have their wishes come true and be transported back to a time when their music, played with passion and skill, was at it’s very height. |

On the night, Lindsay McDougall (aka Triple J’s ‘The Doctor’) introduced the concept well: “a show celebrating one of Australia’s music legends by the showcasing of new, young Australian talent”. Triple J’s tribute to Nick Cave, a series of concerts played around the country entitled Straight To You, remarkably achieved both of these objectives.
There’s a buzz in the air tonight – a full house and the Ball Park Music headlining debut album launch tour tends to give out a special vibe. And it’s been a long, well-worn track to get to this point: singles and free downloads leading to early Triple J recognition, signing to a supportive management company and releasing one of them most anticipated EPs of recent memory, seemingly tour after tour as the perpetual bridesmaids before finally knuckling down to carve out the first full-length offering.

The meteoric rise of Dead Letter Circus in the past 18 months is no secret. Having quickly moved from the small, intimate feel of the Espy to regularly selling out the substantially bigger HiFi Bar and touring the UK and America, its fair to say that DLC are doing all right. Back in Melbourne for yet another jaunt around Australia, this time for their “No Fracking Way” Tour, Brisbane alternative rock darlings Dead Letter Circus were at the top of their game on Wednesday night.
The Evelyn Hotel is one of the best smaller scaled venues in Melbourne, with many a band’s careers having kick started at the pub. Even band’s like Muse have played there before they found stardom. Therefore it was the perfect place for some of the country’s better young rock bands to show their wares to a decent sized crowd.
On Sunday night in Melbourne; Periphery, Tesseract and Twelve Foot Ninja claimed gig of the year. It’s that simple. Upon arriving 20 minutes before the doors opened, in order to get barrier spots, the line to get in was already stretching 75 metres down Swanston St, causing that idea to be promptly dismissed. To put it in perspective, the other shows on this tour were at venues with capacities of 400-500 people and only Sydney managed to sell out. 
It was about time that Ball Park Music headlined their own tour. With presence and personality like theirs it is hard to stay in other bands’ shadows. The sellout crowd at Alhambra Lounge were treated to an exhilarating and upbeat show.

Monday was another delightful mix of new discoveries and big names, with a good dose of puppetry and performance art thrown in.
It was Easter Sunday, the sun was shining over Bluesfest and the Crossroads tent was gearing up to celebrate with a solid block of gospel, soul and blues, kicked off by the enigmatic, effervescent powerhouse Mavis Staples and Her Band.