Buy Tickets Here
|Iconic Brisbane music venue RIC’S is proud to present their inaugural BIG BACKYARD FESTIVAL. Utilizing the courtyard behind RG’s and the upstairs and downstairs stages at RIC’S, the BIG BACKYARD is a brilliant space sure to create an intimate and unique festival experience.
VIOLENT SOHO had a huge 2010. They moved to Brooklyn and signed to Thurston Moore’s Ecstatic Peace label touring the US with Dinosaur Jr and The Bronx. They’re home and they are sure to smash it in our Big Backyard.
|On Friday June 25, 2010 Brisbane will be welcoming a new bridge to their river, and it will be welcoming it in style. The Go Between Bridge Concert will be a special show that will see national and local bands take the stage, right on top of the new Go Between Bridge. It will be Brisbane’s chance to not only celebrate the new link to the streets of their town, but also a rare opportunity to see the likes of Angus & Julia Stone and a Go-Between man himself, Robert Forster, singer-songwriters Josh Pyke and Bob Evans and locals Yves Klein Blue and John Steel Singers play over their river.
After touring their #1 Gold album “Down The Way” throughout UK, Europe and the US, brother-sister duo Angus & Julia Stone will be boarding a ‘Big Jet Plane’ to return home to Australia and grace Brisbane’s new edition.
It will be their first show in Brisbane since they captivated fans at a SOLD OUT show at The Tivoli earlier this year. They look to bring their tales of yearning, travel and love onto the romantic river passageway, to show their fans that the adoration is mutual. Continue reading Go Between Bridge Concert – June 2010
|LA ROUX ARE JOINED BY ART vs SCIENCE, YVES KLEIN BLUE, MIAMI HORROR, THE CASSETTE KIDS & DJ SAMPOLOGY
FIVE BANDS, ONE TRAIN, FOUR CITIES…ONE HELL OF A RIDE
All aboard the BACARDI EXPRESS! Australia’s only touring music festival on rails just got a whole lot noisier! Headliners La Roux will be joined by Art vs Science, Yves Klein Blue, Miami Horror and The Cassette Kids, with DJ support from Sampology completing the stellar line up on board the BACARDI EXPRESS 2010.
Continue reading Tour: Bacardi Express 2010 – Five Bands, One Train, Four Cities… One Hell Of A Ride
Photographer: Stuart Blythe
Click image to view photo gallery
Sunset Sounds 2010 (06 Jan 2010 – 07 Jan 2010) , Brisbane
In a supreme tease to office workers across the CBD, Sunset Sounds opened its gates for a second year to accept the swarm of humanity buzzing around the Botanic Gardens mid-afternoon…
Live Review: Sunset Sounds 2010 – Day 1
Live Review: Sunset Sounds 2010 – Day 2
Photos: Sunset Sounds 2010 – Day 1 by Matt Palmer
Photos: Sunset Sounds 2010 – Day 2 by Matt Palmer
Photos: Sunset Sounds 2010 – by Stuart Blythe
After a year of snowballing success, Sydney three piece PHILADELPHIA GRAND JURY announce the release of their debut album HOPE IS FOR HOPERS for September 25th 2009.
You can download ‘THE GOOD NEWS’ here (right click and save):
|Australia’s newest, hottest, summer music festival SUNSET SOUNDS is back for its sophomore year after the inaugural SELL-OUT event in January; returning to the stunning Brisbane Botanical and City Gardens over January 6 and 7 to invoke a sumptuous summer soiree of delights.
With tickets to The Falls Festival selling out each year, fans need not despair as the most sumptuous of the handpicked spices from around the globe that are playing The Falls will frolic in the park at Sunset Sounds, such as;
The kaleidoscopic vocals of Karen O guiding the formidable YEAH YEAH YEAH’S (USA); iconic songwriter and producer, MOBY (USA); rewriting the hip hop rulebook comes HILLTOP HOODS; nerve-shatteringly beautiful and likely
contender for Album Of The Year, GRIZZLY BEAR (USA – First Ever Australian Shows); harmony-laden whole hearted dynamism of THE TEMPER TRAP; in his first Oz performance with new international band comes XAVIER RUDD; iconic modern rockers the EDITORS (UK); the ethereal, organic and immaculate performance of SARAH BLASKO; the unbridled dynamic energy of incendiary guitar virtuosos RODRIGO Y GABRIELA (Mexico); a hootenanny hoedown from bluesman SEASICK STEVE (USA); captivating soaring vocals and sonic alchemy of EMILIANA TORRINI (Iceland); the dazzling guitar work and shimmering tapestry of future folk from KAKI KING (USA); Chicago-based multi-instrumentalist and lyricist, the eclectic ANDREW BIRD (USA); diversely mixed palate of classic gypsy-pop from YVES KLEIN BLUE; sweet pop-folk sensibilities of LISA MITCHELL; the 11-peice psychedelic-soul big band explosion from dynamite act KING KHAN AND THE SHRINES (Germany – First Ever Australian Shows); the rare multi-instrumentalism and indie-rock melting-pot of THE JOHN STEEL SINGERS; three sets of funky hands from the feel-good brand of obscure pulsating electro/pop from ART VS. SCIENCE and the lush, raw, emotive power from Townsville folk darling’s THE MIDDLE EAST. Plus, LOADS MORE LOCAL & INTERNTAIONAL ACTS to be announced
Continue reading Sunset Sounds 2010 First Line Up Announcement – Brisbane 6-7 January 2010
By: Elize Strydom
The clouds have cleared and it’s a sunny 21 degree-er in Byron Bay. I’m at Splendour In The Grass but there ain’t a lot of green stuff on the ground at Belongil Feilds. No matter, no one really comes to this festival to hang out on the lawn, right?
I make my way through the gates sans sniffer dogs and my friend and I head over to the Supertop. “Let’s watch Manchester United!” I enthuse.
“Um, okay.” He says, “Not sure who they’re playing this weekend. But I know Manchester ORCHESTRA are about to play on this stage.”
Uh, yeah, that’s what I meant!
Manchester Orchestra look nothing like I expected – and no, I wasn’t expecting a real orchestra. Lead Singer Andy Hull reminds me of Joaquin Phoenix post identity crisis – a massive mop of hair, unkempt beard and wild eyes. He and his four band mates play long rock jams (with two drum kits!) with minimal lyrics and not a whole lot of interaction with the audience. I’m way up the back and people around me are into it, despite the fact that for most this is the first they’ve seen or heard from the Atlanta quintet. When they break out with triple j fave ‘I’ve Got Friends’ the crowd goes wild. It’s pretty different from the rest of their set. The song has the distinct structure of a ‘single’. When it’s over a bunch of people clear out but I stick around to the end and am not disappointed.
Continue reading Review: Splendour In The Grass 2009 – Day 1
Now in its 9th year, SPLENDOUR IN THE GRASS returns on Sat July 25th and Sun July 26th at Byron Bay’s Belongil Fields to present its much anticipated annual mid-winter music celebration. With offerings from around the globe, the 2009 line-up packs a punch with a flock of Splendour first timers, festival favourites and exclusive one-off performances to boot.
TICKETS ON SALE
9.00am sharp on Thursday May 14th – Internet sales only – www.qjump.com.au
SPLENDOUR IN THE GRASS 2009
Sat July 25th and Sunday July 26th
Belongil Fields, Byron Bay
Continue reading SPLENDOUR IN THE GRASS 2009 – 1ST LINEUP
The Big O Festival 2009 @ UQ Brisbane, 28 February Photo Galleries
Photographer: Stuart Blythe for LifeMusicMedia
Click the image to view the gallery…
Cassette Kids, Yves Klein Blue, BlueJuice, Ben Lee, The Fratellis, The Music
St Jerome’s Laneway Festival Photos, Brisbane 31 January 2009
Photographer: Kristen Ashton – Stillpixels.com
CLICK HERE for full gallery
Elize Strydom gets friendly with Girl Talk, The Hold Steady and Architecture In Helsinki at the St Jeromes Laneway Festival in Brisbane.
I don’t think it’s possible to lose your posse at the St Jerome’s Laneway Festival. I just tried but then I bumped into them – literally – amongst the throng shuffling between No Age and the Temper Trap. The same thing happened during The Drones‘ set – I glanced behind to see who would be sharing the musical goodness with me and there they were. It’s just that kind of festival. Perhaps it has something to do with the fact that we’re squished into a few forgotten back streets behind Brisbane’s RNA showgrounds and not a barren ten acre field. I get the feeling that’s what Danny and Jerome had in mind for this fair little festival from the start. I don’t get the feeling they could have guessed what their baby would grow up to look like when they celebrated the first year of St Jerome’s Bar in Melbourne with a bangin’ street party for a group of discerning music lovers. Since then ‘Laneway’ has become a national event, this year adding Perth to the itinerary. It definitely has its own niche, more ’boutique’ than ‘big day out’, and you’re likely to catch bands you may have heard in name only. Most probably dropped in conversation by the coolest kid you know.
Bands like the John Steel Singers. Okay, okay, so I’m sure you’ve heard their fanciful falsettos by now, what with the triple j Unearthed Artist of the Year gong and all, but they haven’t been on the national scene for long. The aforementioned falsetto is one of the first sweet sounds I hear as I bustle through the festival gates.
‘Is that the John Steel Singers?’ asks my mate. ‘I think so. Are there ten of ‘em on stage?’ I reply. So there are six band members, not ten, but you get what I’m saying right? We head over to the Alexandria Street stage and there they are bouncing around, long locks flouncing around their heads as they belt out tunes featuring the wonderful Pete and his trombone, Ross on drums, Pat on bass and the others on whatever instrument they pick up. They’re having fun and it’s catching. Bodies are walking towards the stage as if being pulled by some magnetic force. Slowly their limbs start moving…are they? Yes people are dancing, what a wonderful world.
Safe in the knowledge that I’ve left the punters in good hands I bolt over to the Car Park Stage one song into Tame Impala‘s set. My expectations are high because, you know, these boys are obviously so hot right now. It takes two seconds to see why. Or should I say hear. Visually, they’re three barefoot boys wearing plain tees and old Nike sports shorts but aurally they’re taking me on a psychedelic journey and I feel like I’m being hypnotised and I can’t stop my eyes from closing and my sensory perception is overloading and what are you doing to me?! Maybe it’s Kevin’s languid phrasing or the guitar distortion or the way each song takes on a life of its own and goes exactly where I want it to go, but didn’t realise. Forty One Mosquitoes Flying in Formation, Skeleton Tiger and that cover of Blueboy’s Remember Me morph into long jams. That sort of thing has the tendency to come across as a little indulgent and, at times, a sure fire way to lose your audience, but not today. Jay, Dominic and Kevin launch into Desire Be, Desire Go and I realise the magic is coming to an end. I could have listened to them all day and looking around it’s clear I’m not the only one.
Back over on the Alexandria Street Stage Holly Throsby helps to break my fall. Her gentle, quiet and unassuming stage presence is like the cool relief that comes when the breeze blows through the trees and touches our sweat-damp faces. This girl has a little something that sets her apart from the multitude of sweet-voiced singer/songwriters. I think it’s because when she sings tunes like Making a Fire, Things Between People and A Heart Divided you know she’s telling the truth, both lyrically and in her performance. A diminutive soul, Holly doesn’t make a fuss and seems completely at ease strumming the guitar or sitting at the keyboard. Her bandmates – Bree and Jans aka the Hello Tigers – swap between the drums, accordion, glockenspiel and mandolin, cello and bass respectively. They fill out Holly’s subtle melodies and create a beautiful sense of simple delight.
The crowd strolls away and I spot dreamy smiles spread across glowing faces. Some look like they’re planning to take a little kip and reflect on the day so far. But then something catches their eye. Is that Jay, drummer from Tame Impala, sitting bare-chested on a platform above a tank full of water? Why, yes it is. This day’s going from strength to strength! I soon catch on that it’s one of those Hit ‘n’ Dunk games where punters peg a ball at a target and if they hit the bull’s eye the poor sod on the platform gets wet. There’s a list of ‘Dunk Times’ posted on the brick wall and I see that members of Cut Off Your Hands, the Temper Trap, Jay Reatard and Still Flyin’ will all take a seat on the Platform of Doom. Good sports huh? Plus all the money raised goes to charity. Everybody wins!
Indie darlings Yves Klein Blue aren’t on the list, they’re on stage. Slick hair, big hair, red hair – these poppy, punky, jazzy rockers have got it covered. Charles swaggers to the mic in his high wasted Ksubi’s with the arms of his button-up shirt rolled tightly over his biceps. He surveys the crowd and a huge grin spreads across his baby face before he counts in a rollicking yet-to-be released tune. They boys are treating us to a swag of new songs from their highly anticipated debut LP plus favourites like Silence in Distance and Polka. It’s obvious that despite the success they’ve achieved over the past few years they’re still as wide-eyed and appreciative as ever.
After Yves Klein Blue make a reluctant exit, the all hootin’, all hollerin’ Born Ruffians take to the stage. At first the Canadian trio remind me of Vampire Weekend but I soon hear distinct differences. There seems to be a real buzz surrounding these guys; a large crowd has gathered and there are even three girls in the front row dressed (and painted) in red, yellow and blue – the name of the band’s first long player. By the time they hit their strides with songs like Hummingbird and I Need a Life people are singing along with every word. To be honest, I’m a little surprised. What was I doing while everybody else was off getting into these rascals?
I think I was busy trying to figure out the Temper Trap. When these Melbourne lads dropped Sweet Disposition they had my full attention. But I didn’t want to declare my love too loudly ‘cos I got the feeling they were one of those bands who had been on the scene for years making outstanding records with a small but dedicated following. That’s kinda true but apparently the band has come in a few different forms and represented a diverse range of genres. As expected, a large crowd has gathered around the Car Park Stage to find out more about this mysterious five-piece. From the word go I was transfixed on Dougy, the enigmatic front man, and his captivating vocals. Throughout the set, singing duties are shared and soulful harmonies come as an unexpected delight. Sweet Disposition is the fourth song on the set list and I’m more than impressed. I get the feeling that I’m witnessing something special from a collective on the verge of something big. They close with a cover of Dancing in the Dark by none other than the Boss. What? Where did that come from?! It doesn’t matter, the Temper Trap can do no wrong.
Meanwhile there’s potential for things to go horribly wrong for New Zealanders Cut Off Your Hands. The security guards are setting up wheelie bins in the pit and filling them with water. Huh? As soon as the boys bound on stage it becomes clear: lead singer Nick likes to get close to his fans, either that or he’s just had a six-pack of Red Bull and needs to burn off a little energy. Which would be totally plausible; this is one fire-cracker of a guy! At this point I’m torn: I really want to stick around for songs like Happy As Can Be, Still Fond and Oh Girl but The Drones are about to start over in the Car Park.
The Drones win. I arrive halfway through the first number and am greeted by Gareth’s dark and dirty snarl. It took me a while to warm to the Melbourne rogues but now I won’t hear a bad word against them. Oh My and the Minotaur are clear standouts. The Drones seem to project a surly lawlessness and devil-may-care attitude which works in their favour on stage. Gareth literally spits his words and is so direct I feel that if I take my eyes off him I’ll suffer the frightening consequences. Like poor Michael who cops a snare drum to the head during one of the crazier moments of the set. Things seemed to take a turn at that point. Nothing wildly out of hand, just your garden variety of rock ‘n rollery, I guess. On the surface it doesn’t look like the band connect; it’s as if they’re all doing their own thing (especially Fiona who has her back to the audience for the majority of the set) but that must be a ruse because they couldn’t possibly produce such gold unless they were well and truly cohesive. The last few minutes are a wall of distortion that trails after the band as they stride off stage.
The next 40 minutes are spent darting back and forth between stages trying to catch snippets of Architecture in Helsinki and Brooklyn boys, The Hold Steady. Not the best way to experience what each group has to offer, I must say. I don’t feel I’m able to really sink my teeth into either of the sets.
That said, these two acts are strong contenders for the title of “Band that Has the Most Fun on Stage’– so who cares if I enjoy it or not! I haven’t seen AiH before but everybody talks up their live show….and I can see why. Still, I overhear a guy nearby say he’s seen them six times and this is by far their most subdued performance. Geez, if this is ‘subdued’ I’d like to see ‘on fire’! The Melbourne collective bound and bop and jump and hop all over the stage as they belt out newie That Beep as well as old favourites from their impressive back catalogue like Hold Music and Heart it Races. They swap instruments, take turns singing and generally dish out the good vibes in spades.
The Hold Steady are also on the good vibes train riding off the back of last year’s record, Stay Positive. How Craig Finn remembers the lyrics to all of his songs I will never know. These tunes are wordy. Don’t believe me? Try singing along. Musically it’s classic, riff-driven pop rock but lyrically it’s like a life story packed into three minutes and 30 seconds. That can be damn annoying but The Hold Steady has the chops to make it work. Even if the kids didn’t know all the words they certainly join in for numerous choruses, with gusto! Visually the band keeps us entertained. Finn is a fan of gesticulating and generally waving his spirit fingers about the place. He’s also a fan of yellow microphones. That’s lost on me. Maybe he explained it while I was over watching Architecture in Helsinki?
Okay, it’s time for Girl Talk (aka Gregg Gillis) and something is not quite right. The mood has changed. Sure, people are drunker but they seem angrier too. Not what I expected from punters about to enjoy a DJ (sorry, musician) who mashes Gwen Steffani, Jay-Z and Michael Jackson. They’re packed in and getting impatient. Phew, here he comes. Gillis runs on stage and does a few laps before whipping off his hoodie (no, it’s not the last item of clothing to go). He then takes his place behind a big desk and starts playing with all of his musical toys. And what’s this? A whole bunch of people fill the stage. It appears they’ve been hand-picked to bust some moves and create a party vibe but it seems all they’re doing is making everyone else jealous. Guys and girls make attempt after attempt to fend off the security guards and launch themselves up on to the stage to join the rent-a-crowd. Some make it, some don’t, and it’s entertaining but gets kinda distracting. I like the idea of Girl Talk, really, I do. It takes a lot of skill and persistence and talent to produce these mash-ups. They’re fun to listen to and I turn that stuff up when it comes on the radio, but something about Gillis’ is bugging me… or maybe it’s the drunk dude who just made it up to on stage and is proceeding to get the junk out of his trunk for all to see? Hmmm, I think it’s time to back away slowly then make a run for it in the hope of catching a little Augie March.
A little is right, like, the last line of the last song. But from all reports it was a mesmerizing set.
There’s a tap on my shoulder. Who do we have here? It’s my posse! I told you it’s impossible to lose them.
Review by: Elize Strydom
Related: SUNSET SOUNDS 2010 Articles and Galleries!!
Live Review: Sunset Sounds 2010 – Day 1
Live Review: Sunset Sounds 2010 – Day 2
Photos: Sunset Sounds 2010 – Day 1 by Matt Palmer
Photos: Sunset Sounds 2010 – Day 2 by Matt Palmer
Photos: Sunset Sounds 2010 – by Stuart Blythe
Sunset Sounds – Riverstage, Brisbane 7th January 2009
Day 1 Gallery
Photographer: Stuart Blythe
School’s out for summer, the craziness of Schoolies Week is over, and Christmas holidays are finally kicking in. Once the whirl of the New Year rolls around, it will be time to gear up for study again…but where to start? To edge all those students into university life, Secret Sounds is launching The Big O, an annual orientation week event to get your uni campus rocking.
The Big O will see The Music, The Fratellis, Ben Lee, Bluejuice, Yves Klein Blue and triple j Unearthed J Award nominees Cassette Kids hit the East Coast to welcome the school year. Coming to a campus near you, The Big O is a series of O Week events to be held in Melbourne, Sydney, Brisbane, Canberra, Wollongong and Newcastle. Tickets are available for both students and the general public. Please note these will be the only shows for headlining acts in each state! While The Big O is the official music celebration of O Week on campus, traditional initiation events will still be in full swing. Check your university website for full details..
In their last visit to Australia The Music danced up a storm, leaving the Splendour in the Grass tent bent at the seams and the crowd ballistic for more. Their headline shows sold out in minutes. Now, The Music look forward to returning to Australian shores in 2009. “It’s one of those places you look at when you are younger and can only dream about going to, so whenever I’m there I always feel privileged,” says frontman Rob Harvey. Their album ‘Strength In Numbers’ is out now. .
Glasgow guitar-slingers, The Fratellis are no strangers to the road. Having toured the UK and USA six times, the Brit Award-winning trio were one of the highlights of Splendour in the Grass 2008. Their second album ‘Here We Stand’ saw them go from indie stars to pop icons. Their sold out headline shows had venues shaking, bodies jumping, and punters shouting for more. .
Giving any crowd the warm and fuzzies is as easy as a smile and a tune for Ben Lee. The ex-pat Aussie returns home with a full band for the first tour of brand new material from his forthcoming album, “The Rebirth of Venus” due out on February 7th 2009. The ARIA Award-winning artist’s new single ‘I Love Pop Music’ has already elected Ben Lee the President of Pop. .
Who better to get a party started than Bluejuice? With a mandate to get people dancing with carefree abandon, the five piece pulls together a sweaty mix of rock, hip hop, electro and disco. Give them a little bit of vitriol on the dance floor at The Big O. .
Fresh out of the LA studio, Yves Klein Blue will be returning to their loyal Australian fan base. The Brisbane four-piece have been recording their debut album in Hollywood with Kevin Augunas (Cold War Kids, The Vandals). Yves Klein Blue caused a stir in 2008 with the release of their debut EP “Draw Attention to Themselves” which saw them embark on a national and international tour, with sold out shows from home-town Brisbane to London and New York. Their debut full-length album is due out in April 2009. .
Sydney’s Cassette Kids are the final addition to The Big O bill. On the cusp of something big, Cassette Kids have already earned a fierce reputation thanks to captivating vocalist Katrina Noorbergen. They have toured with The Presets and shared the stage with Ting Tings, New Young Pony Club, Van She and many more. .
Get some higher learning as The Big O schools students across the nation in the art of a good party throughout Orientation Week 2009!.
Secret Sounds and triple j proudly present The Big O Tickets on sale from 12pm on Friday, December 19th, 2008.
Thursday, 26th February: Monash University, Clayton Campus, Melbourne Supported by FasterLouder, Street Press Australia and Channel [V] Tickets available from www.qjump.com.au www.ticketek.com.au or 132 849 Polyester Records (Melbourne City, Fitzroy) Greville Records (Prahran) Missing Link (Melbourne City) Monash Student Association outlets For more information call (03) 9905 3035. This is an over 18’s event. Photo ID will be requested. .
Friday, 27th February: University of Sydney, Manning House Supported by FasterLouder, Street Press Australia and Channel [V] Tickets available from www.qjump.com.au www.moshtix.com.au or 1300 (GET TIX) 438 849 + Moshtix Outlets Including: Fish Records (Balmain, Leichardt, Newtown), The Music Shop (Bondi), Utopia (Broadway) Resist Records (Newtown) Red Eye Records (City) www.ticketek.com.au or 132 849 In person from The Access Centre (Level 1, Manning House) Ph: (02) 9563 6103 For more information visit www.manningbar.com or call 1800 013 201. This is an over 18’s event. Photo ID will be requested..
Saturday, 28th February: University of Queensland, St Lucia Campus Amphitheatre, Brisbane Supported by FasterLouder, Street Press Australia and Channel [V] Tickets available from www.qjump.com.au www.oztix.com.au or 1300 762 545 + Oztix Outlets Including: Butterbeats (City & Valley), Gooble Warming (West End), Rockinghorse Records, Moshpit Music (Maroochydore), Sunflower Music (Broadbeach) In person from UQ Union 2nd Hand Bookshop For more information please call (07) 3377 2259 This is an All Ages event. Photo ID will be requested to purchase alcohol..
Tuesday, 3rd March: Australian National University Bar and Refectory, Canberra Supported by FasterLouder Street Press Australia, BMA and Channel [V] Tickets available from www.qjump.com.au www.ticketek.com.au or 132 849 Landspeed Records (02) 6248 9220 For more information please call (02) 6125 3660 This is an over 18’s event. Photo ID will be requested..
Thursday, 5th March: University of Wollongong, The Great Hall & Uni Bar Supported by FasterLouder, Street Press Australia and Channel [V] Tickets available from www.qjump.com.au www.bigtix.com.au Redback Music (02) 4229 6169 Venue Unishop (02) 4221 8050 For more information please call (02) 4221 8000 This is an over 18’s event. Photo ID will be requested..
Friday, 6th March: Newcastle Uni, Bar On The Hill & Outdoor Surrounds Supported by FasterLouder, Street Press Australia, Reverb and Channel [V] Tickets available from www.qjump.com.au www.bigtix.com.au The Rock Shop (02) 4929 1856 Billy Hydes (02) 4965 4222 Uni Campus Outlets (02) 4968 3845 For more information please call Uni Campus Centre (02) 4968 3845 This is an over 18’s event. Photo ID will be requested..
Interview by: Harro for LifeMusicMedia
Harro: Yves Klein Blue are named after artist Yves Klein’s famous IKB, a blue paint that does not lose its brilliance over time, which is a metaphor for your bands aspiration to create music that will never weaken with age. Whose idea was it to pick Yves Kleins masterpiece as the name of the band?
Charles: Michaels. I blame it all on him. I must admit, the analysis for the bandname has come up in hindsight, but it still seems like a good idea.
Harro: How does it feel to be touring with The Holidays whom are one of the bands that you look up to the most?
Charles: It will certainly be an interesting tour. I mean we’re going to Perth and Adelaide! We’ve never been there before, though I think the Holidays have. They’re hardened road warriors.
Harro: Who came up with the interesting name of the tour Immaculate Confection? Continue reading “Genius isn’t it?” YKB’s lead guitarist Charles Sales tells Harro a few days before their Immaculate Confection Tour, October 2008
Australia’s hottest summer festival line-up heads north to infuse Brisbane in sonic goodness at Sunset Sounds this January. With tickets to The Falls Festival well and truly sold-out, fans need not despair as the cream of the crop have just been confirmed for a frolic in the park at Sunset Sounds. Brisbane’s Botanical and City Gardens will play host to this summer soiree over two blissful evenings as Sunset Sounds crafts its own stunning and spacious home by combining the Garden Stage in the Botanic Gardens and the Riverstage in the City Gardens. Whether you are enjoying a summer break or an après work beverage with a sound track to shake to, kick start your 2009 on January 7th & 8thin super fine style.
Bringin’ it on Wed 7th: monochromatic, dapper suited gents of THE HIVES (Sweden); hip-shakin’, smokin’ sets of THE CAT EMPIRE; burgeoning Brighton brood, THE KOOKS (UK); power-pop maestro’s, TEGAN AND SARA (Canada); the shimmy-tastic classy purveyors of modern Rhythm & Blues that have re-written the Dictionary of Funk & Soul, SHARON JONES & THE DAP-KINGS (USA); unchartered brilliance of GOMEZ (UK); bewitching voice of SOKO (France); mixed palate of classic gypsy pop from YVES KLEIN BLUE
Layin’ it down Thu 8th: Super sharp guitar stabs & exhilarating live show from great Glaswegian’s FRANZ FERDINAND (UK); dance-a-holic, shambolic interludes of THE GRATES; 24 carats topped with bling from Brooklyn’s own dance movement, SANTOGOLD (USA); blissed-out, good vibes of DONAVON FRANKENREITER (USA); bluesman ASH GRUNWALD; straight from the dust-bowls of the 1930’s comes countryfied-blues troubadour CW STONEKING; bright and catchy melodies of quirky indie-pop 3-piece, I HEART HIROSHIMA
When: Wed 7th & Thu 8th January
Where: Sunset Sounds combining the Garden Stage in the Botanic Gardens and the Riverstage in the City Gardens, Brisbane QLD
Tickets: First release Friday 3rd October with 1 night tickets $89+b/f, 2 night tickets $129+b/f available from Ticketmaster7 . 18+ event.
More Details: www.sunsetsounds.com.au