 |
Following on from his critically-lauded debut “The Submarine”, Whitley returns with stellar follow up, “Go Forth, Find Mammoth”. Written and produced by Whitley, and engineered in a ramshackle studio on the Victorian Coast, the new album pushes the talented songwriter to his limits.
This well-realised follow-up picks up where his debut left off in it’s warmth, beauty and intimacy, however it carries a much bolder aspiration. “Go Forth, Find Mammoth” is an engulfing journey filled with flourishes and triumphs. Multiple harmony vocals, strings, pump organ, pedal steel, horns |
|
| and even a hammer and a bedroom door make up this album’s truly rich and exciting sonic palette. | ||
Continue reading Whitley ‘Go Forth Find Mammoth Tour’ November 2009
For many reasons, tonight’s offering is nothing short of spectacular. This is theater at its rawest and most natural without the star attitude. The performers are not paid actors, nor are they trained or would they be considered seasoned professionals. Karalbo is a collaboration between several well know Brisbane artists and youths from various cultural backgrounds trying to find their place in an ever-changing society. The motivation behind this project was to present, if only to a few, a stage and an audience to express valuable stories and somehow come to grips with the duality that invariably comes when you are born and raised within a cultural construct and grow up within another predominant cultural construct that will, try as it may, always see you as an outsider.
This rather cold Wednesday night presented itself as an interesting proposition from the start. It would have been safe to assume that if you had decided to set up a hair spray stall just outside the venue you would have made a handsome profit. Or perhaps spiked bracelets and belts may have also pocketed you enough for a six pack of beer. 
‘Buy the Ticket, take the Ride’ The Black Ryder‘s Scott Von Ryper (SVR) talks with Bek Grealy (BG)
