Category Archives: Review

Status Quo “In The Army Now 2010” [LP Review]

Review: Natalie Salvo
Status Quo are a group of Englishmen known for their brand of boogie rock and have gotten a lot of mileage over the years from power chords and the furious sounds of fighting. Now it seems the band are giving a little something back by releasing a charity single titled “In The Army Now”. This release serves as part teaser to their forthcoming studio album, “Quid Pro Quo” and support for the British Armed Forces with profits from its sale going to the British Forces Foundation and Help For Heroes charities.

The Quo covered this track back in 1986 and scored a hit on the UK singles chart.

The 2010 version sees the lyrics get a revamp (to be more pro-army) plus an update to the music. But rest assured, there are still power chords aplenty and a chorus of angry young men (as the band are assisted by The Corps of Army Music). But strangely there are also hints of the atmospheric and in particular (and I kid you not) Phil Collins’ “In The Air Tonight”.

This mini-LP comes with the two 2010 versions of the title track including full length and radio edits. There are also two studio rarities “I Ain’t Wasting My Time” and “One By One” and five live Quo numbers taken from shows performed in England in 2008 and 2009. These include their classics “Caroline,” “Whatever You Want” and “Down Down”. There are also videos for the title song and “Beginning Of The End”.

Quo fans won’t be disappointed with this collection of music as it showcases more of their boogie rock with big beefy guitar riffs that hint at AC/DC, Black Sabbath and Deep Purple, but all while having an added rock and roll bent – almost like what would happen if Little Richard did his musical thing but replaced his piano with an arsenal of guitars. With the speed of a freight train, energy of a battalion and the heavy firepower of modern artillery, Status Quo prove they’ve still got the chops to go into battle and take a stand for what they believe in. Basically it’s three power chords and the rock uncouth.

Title: In The Army Now 2010
Artist: Status Quo
Status QuoStatus Quo

Review by: Natalie Salvo


Related:
More article by Natalie Salvo:
* Smoke on the Water – The Metropolis Sessions [CD/DVD Review]
* Cloud Control, Seekae and Deep Sea Arcade @ The Metro, Sydney 15 October 2010 – Live Review & Photos
* Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele – EP Review
* The Magic Numbers “The Runaway” – [Album Review]
* The Drums “The Drums” – [EP Review]
* All articles by Natalie Salvo…


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Status Quo: Just Doin' it Live – 40 Years of Quo

Buy It Now!
  40 Years of Quo Classics filmed Live at Birmingham NEC, England, May 21st 2006.Album DetailsRelease Date: 2007-01-12Genre: MusicRating: MAudio: Dolby Digital 2.0 StereoContents: 1 disc

Sparkadia @ The Hi-Fi, Brisbane – April 08, 2011 [Live Review]

Review by: Lauren Sherritt
I headed to Sparkadia’s show on Friday April 8 at the Hi Fi in Brisbane with much the same feeling of trepidation that I had on hearing that the band was releasing a new album in March this year. Technically, I knew that the songs on the record were superb, just as I knew that the hype building about the The Great Impression tour and Sparkadia’s new live show had to mean something. I was troubled, though, by clear memories of a gig on the eighteenth of September in 2008 that had changed the way I viewed live music and made me worried that there was only disappointment to come by way of comparison.
Continue reading Sparkadia @ The Hi-Fi, Brisbane – April 08, 2011 [Live Review]

My Own Pet Radio – Unidentified Flying Collection of Songs [Album Review]

Review by: Lauren Sherritt

Unidentified Flying Collection of Songs is the first album released by My Own Pet Radio, the name under which Brisbane artist Sam Cromack works solo. The bedroom recorded, experimental album is a solid example of decent, hard worked music created by a passionate and hard working musician.

Cromack, also known as the front man for indie rock/pop band Ball Park Music, really goes to town on the album cutting samples, employing effects and layering instruments, all played by himself, with intricate and distinct lyrics. The songs collectively move through various styles, bluesy influences sitting alongside poppy rock and folksy, lilting acoustic pieces. Carefully crafted to fit together as a whole album, the spectrum of styles in the songs speaks of the years of work gone into developing Cromack’s skill, and the album transcends the hyped world of sale figures and radio play stats to sit as a thought provoking piece of artwork.
Continue reading My Own Pet Radio – Unidentified Flying Collection of Songs [Album Review]

Tim Barry @ Rosies, Brisbane – 02 April 2011 w/ Wollard and Burns, Jud Campbell [Live Review]

Review by: Stephen Goodwin

  Some invisible barrier seems to prevent punters from encroaching closer than five metres from where local Jud Campbell is punching out a solid set of folk-punk. Maybe he has cooties, because a little later everyone is crowding the stage’s edge as if to hear every muted note and whispered vocal in Wollard and Burns’ back-porch set.

Stage’s edge is still too distant for Tim Barry. Early on, the American drops the lead from his acoustic and plays unplugged amidst the crowd, harnessing their enthusiasm for a sing-along full of roaring voices and grinning faces.
Continue reading Tim Barry @ Rosies, Brisbane – 02 April 2011 w/ Wollard and Burns, Jud Campbell [Live Review]

Smoke on the Water – The Metropolis Sessions [CD/DVD Review]

Review: Natalie Salvo
Title: Smoke on the Water – The Metropolis Sessions
Artists: Various
A devastating earthquake rips through the city leaving tens of thousands dead and hundreds of thousands homeless. No, I’m not writing about any one of the natural disasters to have plagued our planet over the last year or so. Sadly, history has a way of repeating itself and Mother Nature is one cruel bitch.

The year was 1988 and a 6.9 magnitude earthquake tore through Armenia. International charity campaigner, Jon Dee was there working at getting coverage of the devastation and he was so horrified by what he saw (particularly the images of people carrying child size coffins) that he felt compelled to do something and hence, “Smoke On The Water-The Metropolis Sessions” was born. It was to be a reworking of the Deep Purple classic, a song that is almost instilled into our brains at birth and certainly one that any aspiring guitarist worth his weight will work through at some point.
Continue reading Smoke on the Water – The Metropolis Sessions [CD/DVD Review]

Myles Mayo – Myles Mayo [Album Review]

Review by: Ben Connolly


Buy the CD here
  First albums can be tricky beasts to get right. For some they’re cringe-worthy telegraphs of earnest naivety best left uncovered, for others they signpost a highpoint never again attained. For most, however, they are a hotch-potch of eagerness and ideas, often with so much crammed into short hard-won studio time or crazy experiments trying to find their way around a myriad of home recording equipment.

Myles Mayo’s self-titled debut release falls into the latter “trying to cram everything in” category which, while certainly interesting and intriguing, often comes across as a curious iPod playlist at times, rather than a cohesive narrative.

Mayo is the front-man of Adelaide pop-rock band Special Patrol who’s found just enough internal artistic drive to branch out on his own.
Continue reading Myles Mayo – Myles Mayo [Album Review]

Femi Kuti – Africa For Africa [LP Review]

Review by: Ben Connolly


Buy the CD here
  I’ve always been fascinated by the anthropology of musical styles – the evolution of a distinctive style and sound based on many factors, but often described easiest by geographic boundaries. Take, for example, Memphis blues with its jug-band country feel, as opposed to the Detroit blues and it’s altogether grubby and gritty undertones. While both evolved from the same musical stirrings (and both served as underpinning styles of modern blues and rock n roll), their sounds are geographically distinct and unmistakable. You can hear the swamps and sandflies in Memphis blues, and you can almost sense the grease under the fingernails plucking the Detroit blues guitars.

Heck, there’s no musical style so underpinned by geography than slow, languid, feisty and hot reggae which, no matter where it’s played, evokes the Jamaican countryside to a tee.
Continue reading Femi Kuti – Africa For Africa [LP Review]

The Go! Team – Rolling Blackouts [Album Review]

Review By Helen Brown


Rolling Blackouts (Bonus Track Version) - The Go! TeamRolling Blackouts (Bonus Track Version)
  Rolling Blackouts, the third release from British band The Go! Team, can be best described as a breath of fresh, salty sea air. The tracks are energetic and empowering, the kind of album you would take with you on a short road trip adventure. The Go! Team exhibit undertones of Regurgitator’s electronica phase, circa 1997 to 1999.

Their first song, ‘T.O.R.N.A.D.O.,’ is a hip hop-laced number about moving your body to the beat. It is punchy right from the start with no soft introduction to ease you in. The tracks ‘Secretary Song’ and ‘Bust-Out-Brigade’, sound very much like theme songs from sitcoms and crime shows with the use of cheerful clap-along beats and synthesised siren sounds respectively.

The vibe throughout the album is generally to be happy within yourself, enjoy life and have fun with the people around you.
Continue reading The Go! Team – Rolling Blackouts [Album Review]

Album Review | Ben Ottewell – Shapes and Shadows

Review by Bianca Martin
It has apparently been five years in the making, but Gomez frontman Ben Ottewell has finally released his debut solo album Shapes and Shadows. Gomez fans need not worry though, this release shouldn’t be seen as a departure from Ottewell’s main project but instead as an expansion on it. Easily the most recognizable vocalist from the English indie rockers, his unique voice remains the focus here. Ottewell’s vocals are perfect for this classic acoustic soft rock, bordering on folk at times, style. Distinctive and naturally emotional, his voice is a little gritty and rough around the edges but mournful and somber at just the right moments.
Continue reading Album Review | Ben Ottewell – Shapes and Shadows

Buddy Miller- Majestic Silver Strings [Album Review]

Review: Victoria Nugent

  American country singer Buddy Miller’s latest offering Majestic Silver String feels like less of an album than a country music compilation with an extensive roster of guest vocalists filling out the tracks.

There’s a bit of a throwback to 70s style country, with the whole album coming across as mellow and somewhat prairie sounding in places. This is country music that is undeniably American, with strains of bluegrass and yodelling permeating the album.

Buddy Miller has teamed up with other country guitarists Bill Frisell, Marc Ribot and Greg Leisz to create the solid, if occasionally tired instrumentals that form the backbone of most of the tracks.

“Cattle Call” starts off with an extended instrumental that is pure bluegrass, lonesome and twangy, with the eventual addition of Miller’s mellifluous vocals and a tinge of yodelling.

In “No Good Lover”, Miller teams up with Ann McCrary for a duet with bite, focusing on the demise of a relationship, with McCrary’s bold vocals the true focal point for the song.

“Meds” is a melancholy lament founded on sweet but slightly bland vocals from Lee Ann Womack. Chocolate Genius’ cover of “Dang Me” has a distinctly soul edge which seems slightly incongruous.

“Bury Me Not On The Lone Prairie” with deep vocals from Marc Ribot is dark, edgy and a little on the raw side. “That’s The Way Love Goes” is sweet and tender with finely honed vocals from Shawn Colvin.The instrumental version of “Freight Train” comes across as light and charming, yet thoroughly accomplished.

Ultimately, this is a very mild album, and I couldn’t help but wish that things would spice up occasionally. All the same, the tracks are fairly easy to listen, with nothing too unpleasant in the way of instrumentals or vocals, apart from a slight want of pizzazz.

Album Track List:
1. Cattle Call (Buddy Miller sings)
2. No Good Lover (Buddy Miller & Ann McCrary sing)
3. I Want To Be With You Always (Buddy Miller & Patty Griffin sing)
4. Barres De La Prison (Marc Ribot sings)
5. Meds (Lee Ann Womack sings)
6. Dang Me (Chocolate Genius sings)
7. Bury Me Not On The Lone Prairie (Marc Ribot sings)
8. That’s The Way Love Goes (Shawn Colvin sings)
9. Freight Train (Instrumental)
10. Why I’m Walkin’ (Emmylou Harris sings)
11. Why Baby Why (Buddy Miller & Marc Ribot sing)
12. Return To Me (Lee Ann Womack sings)
13. God’s Wing’ed Horse (Buddy & Julie Miller sing)

Review: Victoria Nugent


More articles by Victoria Nugent:
* Rocketsmiths “The Bones” – Album Review
* Angus and Julia Stone @ The Tivoli, Brisbane – 25 September 2010 with Luluc – Live Review
* Bonfire Nights “Bonfire Nights” EP Review
* Bec Plath “At The End of the Night” – Single Review
* More article by Victoria Nugent

Soundwave 2011 – Brisbane [Live Review]

Soundwave 2011; A culmination of metal bands from around the globe unite and embark on a tour to end all others as the sun sets on Australia’s summer festival season. One year on, Soundwave organisers have again outdone themselves arranging all aspects of such a high scaled event to ensure all are satisfied with the days experience.

Situated once more at Brisbane’s RNA showgrounds the venue area this year is enlarged as additional stages have been added. There are 8 in total this season allowing for a very broad ranging choice in bands available to be viewed at any given time of day.
Continue reading Soundwave 2011 – Brisbane [Live Review]

Roxy Music, Cameras @ Brisbane Riverstage – 1st March 2011 [Live Review]

By Denis Semchenko


View Photo Gallery
  After the first day of autumn in Brisbane discouragingly turned out to be another stifling experience, the evening breeze is a welcome reprieve. The Riverstage is an unusual sight – half the hill is lined with seats in stark contrast with how the place looked last time I attended a show there (trying to balance myself on a slippery slope at the rain-sodden Sunset Sounds).

Considering the vast majority of tonight’s crowd are baby boomers, young Sydney six-piece Cameras fall on largely indifferent ears with their moody, echoey indie-rock. Influenced by the same doleful post-punk sounds from the late ’70s/early ’80s northern England as Interpol (the bass player even looks like a younger version of Carlos D: smart black shirt and jeans, knee-level Fender P), they give it their all despite muted response. Tunes like Defeatist and Kreuzberg are steely and brooding in equal measures; I make a mental memo to catch the band at a venue gig in the future.

Continue reading Roxy Music, Cameras @ Brisbane Riverstage – 1st March 2011 [Live Review]

Social Distortion – Hard Times and Nursery Rhymes [CD Review]

Review: Ben Hosking

  Social Distortion has managed to create an aura around themselves over the last three decades that has placed them into the realms of punk rock royalty. Perhaps it’s the ice cool, slicked hair, hotrodder image of Mike Ness but more likely it has more to do with the band’s uncanny knack for writing sweet, sweet country-infused, rockabilly punk rock.

It’s been a number of years between drinks for ‘Social Distortion. Their last album was 2004’s ‘Sex, Love and Rock’N’Roll’ – a stunning disc that no doubt left the guys wondering if they could ever top

themselves. The extended pause could also be the result of Mike Ness’ various other distractions like the aforementioned custom cars and his other musical projects including the awesome countrified Mike Ness Band.
Continue reading Social Distortion – Hard Times and Nursery Rhymes [CD Review]

Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

Review: Amy Lee Freshwater

  Being a Jack’s Mannequin fan, and an even bigger Something Corporate fan, I was eagerly looking forward to seeing frontman Andrew McMahon perform a solo show at the Metro this year. Notably, so were quite a few others as the Metro was packed to its borders with people ready to sing their night away in one massive choir, which is exactly what they did…

All equipped with a beautiful black grand piano, a corona and a small budda sitting on top and Bobby Anderson assisting on acoustic guitar and backing vocals. McMahon began the evening with a Jack’s Mannequin song contrary to an audience members request of ‘The Lion King’, a comment which McMahon was quite amused by. We heard As You Sleep, followed by Crashin’ and then Swim, which by now had both McMahon and the crowds vocal chords well and truly warmed up.

Continue reading Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Live Review]

Review: Amy Lee Freshwater


[Photo Credit: Amy Lee Freshwater]
  It’s not surprising The Getaway Plan sold out two shows in one day at the Metro Theatre, they were at the height of their career when the announcement was made that they were breaking up, and the anticipation to see whether they still rock built up a big response to this reformation tour. Joining them on tour were Melbourne friends Secrets In Scale and Sydney band Tonight Alive.

Managing to catch the end of Secrets In Scale, general consensus from the crowd was that they played a decent set and really got everyone pumped for the remainder of the night.

Tonight Alive took to the stage to a loud and excited audience. Rarely do I witness such enthusiasm for a support band, but Tonight Alive took it right in their stride and used that energy to their advantage pushing the same amount of energy, if not more, right back out at the audience in order to create an incredibly impressive set. They played something to please everyone, old song, new song, love song, heavy song, sing-a-long song. Tracks included My Favourite Thing, Revenge and its Thrills and closed out with Wasting Away, but the highlight for many was a cover song ‘In My Eyes’, the original by band Rufio. A notable set from this fitting support act who in no time will be headlining venues such as the Metro I’m sure.

Seeing the audience during the changeover time between bands reminded me of being a little mosh teenager sweating it out at the front just to be in a good spot for my favourite band. Even though this was the over 18’s show, people were going nuts pushing and shoving during the whole half hour trying to be front and centre for The Getaway Plan. Expecting them to come out and smash us with a hit, the set began with the melodic ‘Move Along’, a new song, that somehow super-fans already knew the words to. Soon enough they did break out into songs ‘Streetlight’, ‘Sleep Spindles’ and ‘New Medicine’ from their album Other Voices, Other Rooms. Four tracks in and the stage backdrop lit up with fairy lights, it was a bit of an ‘aww’ moment.

It was clear by now that The Getaway Plan were enjoying playing together again, and that their time apart doing other projects has massively improved their dynamic as a band. Noticeable improvements both musically and performance wise from guitarist Clint, who has been playing with The Amity Affliction whilst being on a break from TGP. The announcement from singer Matthew Wright that the band are in the process of recording a new album received an overwhelming response from the crowd, only fueling the fact that their popularity is going to increase second time round. The set built in intensity throughout the show, ‘Red Flag’ was a definite highlight with Wright getting his scream on and the band breaking down that song and just ripping like I’ve never heard them before. Another new song made it into the setlist and Wrights voice may have been tiring from the former song, as he introduced back onto the stage the singer from Tonight Alive to lend her killer vocals to this one. The band closed out the set with an old favourite ‘Where The City Meets The Sea’ which triggered a loud sing-a-long, to the point where Wrights voice was almost unheard. Inspired by the ever-waiting audience, TGP returned to the stage for a two song encore comprising of two more from their debut album, ended the night perfectly.

This band has reaffirmed their place in the Australian music scene, and no doubt their next record will take off as their first one did, lets hope they stick together for the long run this time round.


Related:
The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Photo Gallery]