featuring Joanne Shaw Taylor – Dolly Dagger – Molly Payton – Goodbye June – Tyler Bryant & The Shakedown – Sam Fischer – unpeople – Letters Sent Home – Matt Ward –
The Milk Men are: Adam Norsworthy (The Mustangs)on guitar, Jamie Smy on vocals, Lloyd Green (son of Mick Green – Johnny Kidd & The Pirates) on bass guitar, and Mike Roberts (from the excellent Pirates) on drums. The guys have been rocking around the UK for the past 14 years, with an exhilarating live show, and Holy Cow is their fifth studio album release.
Any Joe Bonamassa show is something of an event, and the now fairly regular occurrences at the Royal Albert Hall are on another level. This was the 11th show here in 15 years, and the first of two nights, and the local musician network was out in force to watch one of the masters at work. The lights dim, and the intro tape gets overtaken by the band, and then Joe hits the stage in sharp suit, shades and sneakers, and we are off and running.
A vigorous end to the 35th Bluesfest was had with Californian band Infectious Grooves powering up the Mojo with unprecedented levels of exhilaration and raw energy. Front man Mike Muir (also from Suicidal Tendencies) spoke between songs, espousing living life your own way and the benefits of abstaining from alcohol. Hardcore motivational speaking between funk/metal masterpieces that are a rare treat stylistically for Bluesfest. Festival director Peter Noble was down the front enjoying the final night’s headline act. Clearly his passion for music across a diverse range of genres is what makes his musical curation such a success year after year. Bassist extraordinaire Rob Trujillo (current Metallica and former Suicidal Tendencies) brought his signature heavy yet deeply funky basslines to the show, and towards the end of the set his son TyeTrujillo (current Suicidal Tendencies) also a bass player of phenomenal skill, joined the band on stage for double delivery of bass brilliance.
Great to witness some new to Bluesfest artists performing
over the weekend. The Jambalaya was alive with powerful female vocalists this
easter Sunday. Fresh Australian talent WILSN blew everyone away with the
beauty and clarity of her tone. Citing a few years living in Nashville as
seminal in her song writing development. She is back in Australia now sharing
her contemporary soul music with new audiences. Don’t miss the opportunity to
see her emerging brilliance 5pm today at the Delta stage.
Big bands and big personalities were the flavour of Saturday
night. Age is no impediment to pulling a crowd at Bluesfest. Tom Jones had
the lion’s share of the festival crowd donning portable camp chairs at the
Crossroads, while he sang Sex Bomb and other hits to the largest audience so
far at this year’s festival. At 83, women are still throwing their underwear at
him. The Blind Boys of Alabama joined him on stage for a few songs
making the one man show a more collaborative experience. With that much love in
the room for one man he must be able to float to his next show. An aeroplane is
probably unnecessary.
With recent seminal festival cancelations front of mind, celebrating 35 years of Byron Bay’s Bluesfest really is a remarkable achievement. In a press conference yesterday Peter Noble announced that the 36th Byron Bay Bluesfest will be a four rather than a five day event next year, to help ease music industry pressures and ensure continued delivery of the regions premiere world class music event.
The 2024 iteration started in glorious sunshine and good
vibes. The thinner crowds of Thursday night enabled friends to find each other
easily amidst a sense of being in a magical place for a marathon of music. The
sunset obliged filling the sky with golds and reds, illuminating the feelings
of happiness oozing from the venue.
Featuring : Girl and Girl – St. Vincent – The Vulcan Itch – Slash feat. Brian Johnson – Ruel – DMA’S – Letters Sent Home – Tiny Habits – This Space Is Ours – Sum 41
Featuring The Bankes Brothers – Joan & The Giants – Orianthi – Joe Bonamassa – Marcus King – Otis – The Butterfly Effect – Philip Sayce – Bex Marshall – Jack J Hutchinson
WALTER TROUT – BROKEN PROVOGUE RECORDS / MASCOT LABEL GROUP Release Date – 1st March 2024
All of us are broken. But no-one is beyond repair. It’s a philosophy that Walter Trout has lived by during seven volatile decades at the heart of America’s society and blues-rock scene. Even now, with the world more fractured than ever – by politics, economics, social media and culture wars – the fabled US bluesman’s latest album, Broken, chronicles the bitter schisms of modern life but refuses to succumb to them.