Tag Archives: live review

WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

Review by: Pepa Wolfe

West Side Story, the classic piece of Musical Theatre inspired by Romeo and Juliet and conceived by Jerome Robbins, hit Brisbane this week in a flash of movement and colour.

Director Joey McKneely brings a wealth of experience to the Australian production, reimagining again as he has done around the world, this story of star-crossed lovers and feuding gangs on the streets of 1950s New York.

The rear projection of a grainy black and white still of New York City located the piece, surrounded by tiers of iron balconies, the simple scope of the design hinting at the grand scale of the drama that was about to unfold.

A vibrant production, of swirling movement, soaring vocals and rolling accents all buoyed by the full swell of the 19 piece orchestra, West Side Story maintains an intense energy during the group numbers, but wanes a little during the solo pieces. Both Josh Piterman as Tony and Julie Goodwin as Maria were in fine voice, but the outstanding choreography easily stole the show.
Continue reading WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

Halloween Monster Mash @ Metro Theatre, Sydney 30 October 2010 featuring Dappled Cities, Spod, Last Dinosaurs, The Laurels, Guineafowl and Magnetic Heads – Live Review

Review: Natalie Salvo

Burlesque dancers, sword-swallowing freaks, fire-breathing entertainers and a human vending machine – there was all this and a bunch of coffins, jack-o-lanterns, cobwebs, skulls, fake axes and faux blood from similarly false severed limbs at the Halloween Monster Mash on Halloween Eve at the Metro Theatre. The event was a surreal presentation that was not strictly a concert, kind of like a mini-festival but with better costumes and greater audience participation.
Continue reading Halloween Monster Mash @ Metro Theatre, Sydney 30 October 2010 featuring Dappled Cities, Spod, Last Dinosaurs, The Laurels, Guineafowl and Magnetic Heads – Live Review

Metallica @ Brisbane Entertainment Centre 16 October 2010 – Live Review

Review: Stephen Goodwin

Click here to view gallery.
  James Hetfield and Kirk Hammett sear the air with the frenetic dual guitar solo that concludes One. Wedged between them, man-mountain Robert Trujillo crouches over his massive bass.

Three abreast and in-your-face, Lars Ulrich pulverising his kit directly behind them, the hulk and bulk of their physical presence as they shred away inspires awe.

And it’s precisely what’s been absent for much of the 40 minutes since Metallica opened their first Brisbane performance with the Ennio Morricone-inspired bombast of Ecstasy of Gold.

Continue reading Metallica @ Brisbane Entertainment Centre 16 October 2010 – Live Review

Cloud Control, Seekae and Deep Sea Arcade @ The Metro, Sydney 15 October 2010 – Live Review & Photos

Review: Natalie Salvo
This was a farewell gig of sorts for Cloud Control as the Blue Mountains-via-Sydney band are temporarily relocating to the UK ahead of the overseas release of their debut album. Starting off with more of a fizzle than a bang, 7:00pm had been listed as the start time yet the punters (mainly young teenage girls in florals and itsy bitsy shorts vying for the “ indie cred” tag) were left whiling away the time listening to Blondie’ s greatest hits. It wasn’t all bad though; because we were treated to watching some rather animated bartenders dancing along to Ms Harry and Co.
Continue reading Cloud Control, Seekae and Deep Sea Arcade @ The Metro, Sydney 15 October 2010 – Live Review & Photos

The Bohemian Masquerade Ball @ The Old Museum, Brisbane 9th October 2010 – Live Review

Review: Victoria Nugent
Photos: Charlyn Cameron

It wasn’t a typical night out, but as the Old Museum in Bowen Hills came alive for the Bohemian Masquerade, it promised to be a spectacular evening. The event was spread out over two large rooms and a verandah, with decadent costumes and masks adding to the amazing atmosphere.

The first room started out with house music, before transitioning into a range of DJs and bands which got the crowd dancing. Continue reading The Bohemian Masquerade Ball @ The Old Museum, Brisbane 9th October 2010 – Live Review

Matt Corby @ Melt Bar, Sydney w/ Daniel Lee Kendall : 14th October 2010 – Live Review and Photos

by: Elize Strydom

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[Photos: Elize Strydom]
  I heard Daniel Lee Kendal on the radio a few weeks ago. At the time, I didn’t know it was him nor did I know the tune was called ‘Lost In The Moment’. It was a song that stopped my conversation and drew me in. I was careful to listen to the presenter back announce the song and I jotted down the guy’s name. It was a name I saw on a gig poster soon after, next to Matt Corby’s name.

Continue reading Matt Corby @ Melt Bar, Sydney w/ Daniel Lee Kendall : 14th October 2010 – Live Review and Photos

A Taste of Lilith @ Palais Theatre, Melbourne : October 6th 2010 – Live Review

By Naomi Rahim www.auroradesign.nu

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[Photo Credit: Naomi Rahim]
SarahSarah McLachlan
  The resurrected Lilith Fair music festival, co-founded by Canadian musician Sarah McLachlan in North America made its way to Australia in the condensed version – A Taste of Lilith. In contrast to the usual male-dominated bills of most music festivals, Lilith Fair celebrates female singer-songwriters and female-fronted bands across a variety of genres with the aim of breaking the artists into new markets. From each ticket sold, $1 is donated to the Ovarian Cancer Research Foundation in Australia.

A Taste of Lilith got off to a bumpy start amid date changes and major act Court Yard Hounds dropping off the bill. Melbourne’s line-up included Sarah McLachlan, Kate Miller-Heidke and The Verses (formerly Killing Heidi). One international act from the North American lineup (to replace Court Yard Hounds) would’ve rounded out the show, Miller-Heidke and The Verses appeared more like support acts to McLachlan’s star. The rescheduling and possibly Melbourne’s freak monsoon affected the turnout, but the dramas were all but forgotten by McLachlan’s eager fans who waited 5 years to see her perform in Australia again.
Continue reading A Taste of Lilith @ Palais Theatre, Melbourne : October 6th 2010 – Live Review

Regurgitator supported by DJ Krush @ The Tivoli, Brisbane – 18 September 2010 – Live Review

Review: Jose Eduardo Cruz.

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[Photo: Matt Palmer]
  So once again Regurgitator had decided to hit the road for a run of shows. I have to confess that I grew up with this band; all through high school “the gurge” always made the playing list at our parties. So to see them live again was quite nostalgic for it brought back many memories of years gone by. DJ Krush had been brought along for the ride.

For the second time this week I saw DJ Krush warming up a crowd. I managed to see him on Friday at Valentino Up Late while I looked at art pieces and thought “hmmm that sounds pretty good can’t wait to hear him play his set tomorrow”.

I always found it fascinating that one person can control the energy of an entire room. The beginning of his set seemed a bit messy and you could tell by the response in the crowd. It appeared as if everyone was wondering around aimlessly trying to figure out what was being played on the stage.

Continue reading Regurgitator supported by DJ Krush @ The Tivoli, Brisbane – 18 September 2010 – Live Review

Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review


[Image courtesy Brisbane Festival]
  Review: Lana Harris

Young and old wait in the shadows for the outsiders. Excited and unsure about what to expect from these strangers, from this contemporary dance troupe from the other side of the world, the other side of governance. Their entrance: a few members trickle onto the stage, in silence and unadorned.

Continue reading Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review

Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Review: Lana Harris

  The performance starts in enmeshed innocence, dancer wrapped around dancer, cheek to cheek, limb to limb, ebbing and flowing into one another. Behind these demonstrations of closeness sits a man alone in a chair. Far away from him is a woman in a lounge room setting – flickering lamp, thick rug, and a lonely expression. They both ignore the blatant yet playful seduction occurring in front of them. The dancers too, are oblivious to these others: wrapped up in the intensity of their unfolding romance, their focus remains themselves and their explorations. There is no question we are watching the beginnings of love.

Continue reading Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

Review: Pepa Wolfe

  Sylvia By A.R. Gurney
Directed by David Bell

With: Karla Deane, Michael Civitano, Natasha Kapper, Jill Brocklebank, Kate Hawkins.

There was a decidedly pleasant mood at the Brisbane Arts Theatre on Saturday, as people gathered for the opening night performance of A.R. Gurney’s Sylvia. Promoted as a comedy about the relationship between Man and “Man’s best friend”, the play’s title character is in fact a dog – a precocious little mut, played by Karla Deane.

Continue reading Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

Bullet For My Valentine, Bring Me The Horizon, Cancer Bats @ Brisbane Riverstage – 11 September 2010 – Live Review

Review: Hannah Collins


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[Photos: Stuart Blythe]
  Summer’s on the way, the festival season is almost upon us. Beginning September 11 2010, the first of many Soundwave Touring showcases hits Brisbane’s Riverstage on a perfectly tempered spring eve. The temporary fences are up, the box office open, lights are on and 1000’s of patrons begin the seemingly endless walk up the gardens path toward the peak of gardens hill. A most anticipated entry. In conjunction with announcements of Side Waves; the world’s most sought after bands to be frequenting our shores over the next few months, Soundwave Touring paint a new metal face on 9/11.

What will tonight bring? Could these hardcore brethren breathe the fire of the riff across so many receptive faces? An audience of youth seeps out of the shadows, girthing the ever familiar grassy knolls of Riverstage and creeping toward the stage front where the grass gives way to stone.

Glancing left and right there’s nothing abnormal about the sea of black that rises and falls beneath us. The odd white shirt is ever-present and distracting like a pseudo rose in a field of poppies. Poppies that if you plucked from the soil, stripped of their seeds and ground to a pulp; would taste like a smoky blended tea called Bring Me Cancer Bullets.


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[Photos: Stuart Blythe] Continue reading Bullet For My Valentine, Bring Me The Horizon, Cancer Bats @ Brisbane Riverstage – 11 September 2010 – Live Review

Jeff Lang @ East Brunswick Club, Melbourne – 11 September 2010 – Live Review

Review: Ben Connolly
Photo: Amy Skinder
Jeff Lang was not always the teller of disturbed tales accompanied by face-melting blues guitar shredding. There was time – in the heady post-grunge days – way back at the beginning of this 15-year-long and counting career, that Lang appeared to fancy himself as a bit of a fringe-rock crooner. His then long locks and fresh face even graced morning television and he seemed always just on the verge of tipping into the mainstream proper.

While his blues-folk-roots-rock brethren (The John Butler Trio, Xavier Rudd, et al) watered down their origins after initially making the cross-over and opting for the high-exposure, high- sales paths, Lang instead maintained a steady personal path of discovery through the back alleyways which make up his self-described ‘disturbed folk’.

Along the way there have been excursions into deep south blues, rousing sea shanties, psychedelic-laden folk-pop and, more recently, ‘world music’ (with a collaboration with Malian kora player Mamadou Diabante and Indian tabla player Bobby Singh). His latest album, Chimeradour, stayed true to its Greek- mythology based namesake and married them together, but with subtle nod back to the earlier straight-rock days with some crunchy numbers laying a solid base layer.
Continue reading Jeff Lang @ East Brunswick Club, Melbourne – 11 September 2010 – Live Review

Sutra @ The Playhouse (Brisbane Festival), 8th September 2010 – Live Review

Review: Lana Harris

[Image courtesy Brisbane Festival – Photo Credit: Hugo Glendinning]

Bodies twirling through the air, gravity defying leaps and rod straight limbs in perfect turns: the Shaolin monks have come to town. Part of a new contemporary dance performance, their fighting skills are being used to story tell and entertain in another’s vision.

Artist Sidi Larbi Cherkaoui is the man who has married the martial with the contemporary, travelling to China to live with and learn from the monks. His involvement in the temple life must have been deep and overwhelmingly positive: not only has Cherkaoui managed to capture the monks centuries old, tradition honed skills and use them effectively in a modern, western performance style, he convinced them to leave their Buddhist temple and to perform as part of the Brisbane Festival.
Continue reading Sutra @ The Playhouse (Brisbane Festival), 8th September 2010 – Live Review

Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review

Review: Lana Harris

[Image courtesy Brisbane Festival]

Have you heard the one about the Spiegeltent? A girl and a guy walk into this travelling bar – a pointy topped sphere shaped by mirrors, wood and glass. Golden poles, blood red velvet curtains swooping overhead, low lighting and dancing shadows. Smoky. Drinks service on the curve, booths hugging the circumference. A big-top boudoir with an audience.

The girl and the guy start out cautious in this ringmaster’s playground. They clamber carefully onto the high wire – wobble and steady, wobble and steady. She wears a pair of lasciviously red heels as she teeters. The shoes return sporadically throughout the acts, as do the scene setting ukulele and tinkling pianola. Music through out invokes alternately past, present and future – offered in no particular order. Subject to whims and acrobatics, time periods depart and return often.
Continue reading Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review