Photographer: Charlyn Cameron


[Photo: Charlyn Cameron]
Washington @ The Zoo, Brisbane – 2 September 2010
Continue reading Washington @ The Zoo, Brisbane – 2 September 2010 – Photo Gallery
Photographer: Charlyn Cameron


Washington @ The Zoo, Brisbane – 2 September 2010
Continue reading Washington @ The Zoo, Brisbane – 2 September 2010 – Photo Gallery
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“Move over Green Day, Paramore have created their own epic” – Spin Magazine
“Few bands play punk-influenced modern rock as proficiently”; and with that glowing endorsement from Spin magazine we are thrilled to announce that RELIENT K have confirmed as support for the upcoming PARAMORE Australian tour. |
Continue reading PARAMORE announce RELIENT K as support for their 2010 Australia Tour
Review: Victoria Nugent
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This soft single is the latest release from Brisbane vocalist Bec Plath, best known for her vocals with local band The Bloodpoets. At The End of The Night follows Plath’s 2009 debut EP Unrequited, and gives a taste of what we can expect from her next EP.
The single starts with a smooth yet strong piano intro with guitar kicking in shortly before Plath’s melodious vocals. During the chorus, Plath’s vocals take on a slightly sharper edge, building in intensity before softening again for the verses. The piano remains a subtle but constant presence throughout the song, which flows effortlessly through key |
changes which add to the track’s originality. Plath’s lyrics are introspective comments about living in a stressful world to which many people would be able to relate. Her vocals are imbued with both honesty and a sense of heart that makes listening seem like a deeply personal act. The music meanders for a while, almost seeming a bit lengthy, before coming to a powerful crescendo towards the end of the track, and then fading out softly. At The End of the Night is a slow-burner with a lot of emotion, and worthy addition to any compilation.
Bec Plath – At The End of the Night is available at iTunes:
– Bec Plath
![]() – Regurgitator
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After dipping toes in the bubbling grease of contemporary dance for Rockshow in Nov 2009 they dropped the strainer in the chip fryer, frittered away on some new years festival appearances along with a few shows in the past few months. Back in their classic 3 piece mode, after approaching Rockshow in this guise, and with Seja embarking on her own solo career they recently played some stand out performances (including Seja’s last keyboard stand with them) at the Brisbane Powerhouse 10th birthday… and sold out shows in Sydney and Melbourne. |
Back on the fries… they saturate the wrapper with new recordings, new tourings and a new soundtrack to cult classic Akira.
Continue reading Regurgitator National Tour 2010 – September 2010
Parklife organisers have announced that the Gold Coast festival on Saturday 25th September will be moved back to the Brisbane Botanic Gardens.
Photographer: Stephen Goodwin
Photographer: Stephen Goodwin
Event: No Anchor w/ Fangs of a TV Evangelist @ Tempo Bar, Brisbane
Date: August 27, 2010
Venue: Tempo Bar, Brisbane
Acts: No Anchor, Fangs of a TV Evangelist
Click to see more images![]() [Photo: Stuart blythe] |
Review: Hannah Collins
Bringing together some of Australia’s most notable and long standing metal acts; Astriaal , Pod People and Blood Duster ; The Globe Theatre opened their doors on Bastardfest last Saturday to let the shred ignite the stage and appease those curious enough to have been lined in entry. Punters of all shapes and sizes graced the venue and packed the bar, but although The Globe seemed full up, it was more of an illusion caused by the tinned sardines hovering in the foyer when in reality we were quite short of a sell out. Numbers may be have been lacking but it contributed only, to make the experience more personal. |
Continue reading Bastardfest @ The Globe Theatre, Brisbane – 28 August 2010 – Live Review
Review: Victoria Nugent
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It may have been mid-week, but that didn’t deter the crowd at The Tivoli who flocked to see The Cat Empire perform on their Cinema tour.
As the evening kicked off, Clairy Browne and the Bangin’ Rackettes warmed up the crowd with their soulful stylings. Clairy Browne had a powerful presence as frontwoman, with an Amy Winehouse |
style beehive and a deep, dulcet voice. The three Bangin’ Rackettes crooned backing vocals at the side of the stage and the band provided old style soul music to flesh out the sound, with punctuating saxophone. Champagne featured bright keys, rounded saxophone beautifully melodious verses and a less polished but more upbeat chorus. The band’s unique cover of Bang Bang from Kill Bill was a standout song, with the tempo slowed right down, giving it a more mournful sound than one would think possible. One memorable moment was the duet between Browne and her sister Natalie (one of the Bangin’ Rackettes) about not letting a man treat you badly, the classy soul punctuated by more modern one fingered gestures. T he group’s sultry sensual cover of a Tina Turner number, complete with red lit silhouettes further emphasised the band’s great range. Browne was at her powerfully smooth voiced best with Stephanie, a bitter song about the dangerous woman trying to steal your man. Clairy Browne and The Bangin’ Rackettes make music that is purely intoxicating, combining dirty doo-wop with sultry soul, slow hips and unison fingersnapping.
Click the image to view the photo gallery

[Photos: Cody Alexander]
Continue reading The Cat Empire @ The Tivoli, Brisbane with Clairy Browne and The Bangin’ Rackettes – 25 August 2010 – Live Review
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NO SLEEP TIL FESTIVAL… Make sure you’re sitting down before you read further… |
Leading the charge for this historic event is seminal thrash-metal act MEGADETH, who will be performing their now-classic release RUST IN PEACE in its entirety! Those lucky enough to witness Mustaine and co in action when last here in 2009 will attest that Megadeth are in their career best form, making this a once in a lifetime experience you don’t want to miss!
Continue reading NO SLEEP TIL FESTIVAL 2010 – December 2010
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Betrayal – By Harold Pinter
Overview: Could you keep an affair secret for ten years? Would you start an affair if you knew how it would end? Harold Pinter’s Betrayal explores these questions and more as it shows a passionate love affair told in reverse, starring Paul Bishop, Sibylla Budd and Hugh Parker. Robert and Jerry share many things – they work in publishing, have long lunches together and are both in love with Robert’s wife Emma. |
Continue reading Betrayal By Harold Pinter @ Cremorne Theatre, Brisbane – 6 Sept-9 Oct 2010
Photographer: Warren Jopson Photography for http://www.fashionscene.com.au/
Click here for FULL gallery
Photographer: Warren Jopson Photography for http://www.fashionscene.com.au/
Continue reading Glamorous Life by Joanne Rahn and Lovebirds Australia – Brisbane Mercedes Benz Fashion Festival 2010
Review: Denis Semchenko
As is the rule with The Zoo on school nights, there’s only a handful of people inside the room by the time AXXONN – aka Brisbane electronic music artist Tom Hall – announces his appearance by producing a series of bleeps from his keyboard and laptop. Not deterred by lacking crowd numbers, he quickly fills the sonic space with heady drone-electro, hitting one cutting, heavily-sustained synth chord after another. As the kick drum gets more insistent and bassy, the lucky few listeners in the room begin to “get into it”, rewarding each track with progressively louder applause. Hall’s one-man show may not involve much antics to ensure an enthralling viewing experience, but the music itself makes for an excellent listen.
Continue reading PVT (Pivot), Seekae, AXXONN @ The Zoo, Brisbane 19 August 2010 – Live Review
Review: Lana Harris
Rocking great guitar riffs fill the sold out venue, slow notes trembling across the grey walls of a ruined cathedral set, preparing the audience to receive the voice of Tod Strike. As Judas, he opens the narrative by launching into ‘Heaven on Their Minds’, a song which allows Strike to demonstrate a truly commanding voice and worthy of one of the lead roles in this production.
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This reimagining of the original production of Jesus Christ Superstar (first performed in 1971) has a pared back, post apocalyptic set that doesn’t change, and puts the focus on the singing, as does the score – which tells the whole narrative by using more than 20 songs to move the story forward. Not a single piece of dialogue is presented without a backing melody. The basic storyline is easy to follow – easier if you’re familiar with the story of Jesus, because even though this is a post apocalyptic version of a musical first performed in the seventies based on an interpretation of a book written centuries ago, the plot is still the basic biblical storyline of Jesus gets famous, Jesus is betrayed by jealous best friend, Jesus is crucified as a result of the backstabber.
The post apocalyptic setting of this tale makes it easy to draw parallels between this and the lives of modern day celebrities. The scenes where the supporting cast forms a mosh pit as Jesus sings boost the resemblance. |
Continue reading Jesus Christ Superstar @ Playhouse Theatre, 20th August 2010 – Live Review
ROBIN WILLIAMS – AWARD-WINNING ACTOR AND COMEDIAN TO EMBARK ON HIS FIRST-EVER STAND-UP COMEDY TOUR OF AUSTRALIA!
This November, Robin Williams will bring his critically acclaimed new stand-up comedy tour, entitled “Weapons of Self Destruction”, to Australia. The high-energy show will highlight Williams’ trademark free associations and riffs on social and political absurdities. The show, which toured the US in 2008 and 2009, sold out venues across the country as well as in the UK and Canada and earned the comedian spectacular reviews. Williams last American comedy tour was in 2002 when he returned to the stand-up scene after a sixteen year hiatus.
Continue reading Robin Williams “Weapons of Self Destruction” Australian Tour – November 2010