Review: Lana Harris
The Break was formed from three of the previously in-your-face-political pub rockers Midnight Oil (Rob Hirst, Jim Moginie and Martin Rotsey) plus the bassist (Brian Ritchie) from the grungy, always a bit teen-angst Violent Femmes. The love child spawned is nothing like its parents. Instead, it is a fun loving, apolitical coast dweller called The Break.
‘Cylinders’ is the pre release, first impression of the new creation. What is presented is a three and a half minute instrumental surf rock track. Surf rock? If you have ever seen a movie with teens at a beach shack party, circa 1960’s, you’ve heard surf rock. Remember ‘Wwwwwwwwipeout!’ Surf rock. It was repopularised for a while in the 1990’s – the opening credits to Pulp Fiction are overlaid with a revamped version of surf rock in the form of song ‘Misirlou’ and put the genre back into the population’s consciousness.
The Break’s postmillennial take on the genre has a heavier, deeper feel. Darkness washes across the laid back and loose vibes from the sixties, as though a man with sinister intentions is hiding amongst the palms that surround the beach shack party. There is a strong energy to the track, which explodes in your face like salt spray from a crashing wave. The Break thump straight into up-tempo, driving, full band participating music that ebbs and swells as the song progresses. The beach theme and vibes will continue with debut album Church of the Open Sky (released by Bombora Records) promising to be a mostly instrumental surf rock record with tracks named after famous surf breaks.
– The Break available at iTunes
– Midnight Oil available at iTunes
– Violent Femmes available at iTunes
Photographer: Mel Hone
Click image to view photo gallery
Soundwave Festival 20 February 2010, Brisbane
Review: Hannah Collins
Click image to view photo gallery [Photo: Stuart Blythe] |
For the many festival’s we’ve attentively followed in the last year or so, I hope I’m not going to cop to much backlash for saying that Soundwave is now, pretty much, the festival to be at, particularly if you indulge in music of the ah, heavier nature. They’ve marked their territory well, and will be hard to compete with in coming years after continually displaying such high levels of organization and forward planning, with larger than life line ups to match, last year |
featuring headliners Nine in Nails, and Alice in Chains, this year the newly reunited outfits Jane’s Addiction and of course, Faith No More.
Ticket sales at the door had prices marked up by over 50 dollars from the original price, but it didn’t see people back away from the queue. With a line up like today’s, I wouldn’t have been backing away from those prices either, had I’d have been stupid enough, not to buy a ticket during one of the previous releases.
Walking the streets of Brisbane’s fortitude valley on the morning of the event is galvanizing. The streets are flooded with waves of charismatic show goers of all age’s shapes and sizes. The crowd’s equal to what you may see before the opening day of the Ekka; Brisbane’s annual Royal show.
Continue reading Live Review: Soundwave Festival 2010 – Brisbane
The Lost Weekend festival, set to host the likes of Dinosaur Jr, The Drones and Brian Jonestown Massacre at the Riverstage in Brisbane on March 6-7, has been cancelled.
The statement on the website reads:
The Lost Weekend has been cancelled.
After moving from Ivory’s Rock to the Brisbane River Stage, The Lost Weekend has had insufficient time to achieve critical mass and we have been left with no choice but to cancel the event.
As local promoters it was our dream to run an event similar to other regional events like Meredith in Victoria and to bring such an event to SE QLD.
This is one of the saddest and most difficult decisions we have ever had to make.
We apologise to the real music fans that have supported The Lost Weekend and purchased tickets.
A FULL REFUND will be available to all of you from the point of purchase next week.
We also apologise to the bands who had committed to our dream.
All other information has been removed from the website.
www.thelostweekend.com.au
Brisbane Powerhouse Presents
Rock And Roll: An Exhibition Of Music Photography By Stephen Booth
Since the mid 1990s, Stephen has been a fixture at literally hundreds of live shows, capturing the excitement and energy through his lens. All up, he’s taken more than 30,000 images and, throughout March 2010, his favourite 50 will be on display at Brisbane Powerhouse as part of a unique exhibition simply called “Rock and Roll”. There’s no doubting that over the past few decades Brisbane has grown into a true music town. And few people have been there to see the city’s evolution quite like acclaimed music photographer Stephen Booth. Since the mid 1990s, Stephen has been a fixture at literally hundreds of live shows, capturing the excitement and energy through his lens. All up, he’s taken more than 30,000 images and, throughout March 2010, his favourite 50 will be on display at Brisbane Powerhouse as part of a unique exhibition simply called “Rock and Roll”. The photos featured in this very special show range from intimate gigs in long lost venues, through to huge stadium extravaganzas – from a punk show in a car park to U2 in an enormodome. “Rock and Roll” will rekindle those musical memories we all have. Don’t miss it.
Continue reading Rock And Roll: An Exhibition Of Music Photography By Stephen Booth
TEN THOUSAND PEOPLE STRONG!
A massive rally by the Melbourne music loving community got together in a show of strength to protest against the out of touch state government’s liquor licensing laws. On the 34th anniversary of the famous ACCA-DACCA, “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)”, the famous music clip was recreated again on the back of a truck with the Rockwiz Orchestra and the original bagpipe players of the classic video. – Location: Swanston & Bourke Streets, Melbourne, Australia
CARBIE was there to capture the event!
Photographer: CARBIE – http://www.carbiewarbie.com
Click image to view the photo gallery
[Photos: CARBIE]
Review: Elena Gomez
Down The Way, second album from beloved folksy duo Angus & Julia Stone, sees the siblings put on their Producer hats and travel the globe, touring and recording with the likes of Martha Wainwright and Brad Albetta. They’ve sacrificed their memorable melodies and the arc that seemed to form their debut album, A Book Like This. But what they lose in melodious offerings, they make up in having a much more polished sound. Where A Book Like This was a home movie filmed in sepia, filled with character-forming crackles and perfect imperfections, Down The Way has been steered more professionally. Its homey elements are still present but they have been muted.
– Angus & Julia Stone available at iTunes
The album opens with “Hold On”, in Julia’s fragile voice, and it’s clear from this point that the energy has been amplified, possibly a result of having a three year gap to progress and grow in their sound. There are lulls and swells in Down The Way that make for less passive listening. A little less of ‘round the campfire with last pair of clean undies’ and a bit more of ‘coasty road trip in a car with air-con and an icy-pole’.
Continue reading CD Review: Angus and Julia Stone – Down The Way
Yes they are – they’re back – not just back after a four year absence but back….to reclaim the dance floor.
It’s funny that after fifteen years of existence (and well over 10 million records sold) Faithless have never been more relevant; think Calvin Harris’ recent number 1 or the countless tracks with a house groove, riff and rapper, Faithless’ signature sound adopted by many, bettered by none. Name checked by everyone from Hadouken to Tinchy, this band is legendary, but they are also on tip-top form: Continue reading FAITHLESS ARE BACK
Review: Lana harris
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This second single release from The Boat People is just as surprising as the first single ‘Echo Stick Guitars’ was. ‘Echo Stick Guitars’ showed an electronic, hip-hop side of the Brisbane based quartet. Anticipation and assumptions regarding future singles led to thinking that more of the same would naturally follow. Thwarting expectations, ‘Soporific’ is nothing like its predecessor. ‘Soporific’ is an aptly named track, mellow, laid back indie pop |
with words that had me reaching for the dictionary a couple of times. A break from the lyrics, where guitarist Charles Dugan is given the limelight and solos forth, allows his technical capabilities to shine and gives the track a more complex feel.
The single comes with two B-sides, ‘Flower Water’ and ‘Stereo Pair’. ‘Flower Water’ flows even gentler than ‘Soporific’. It’s a song about waiting for someone who has left, and the questioning and emptiness that comes with it. The music echoes the lyrical content. It is instrumentally sparse, delicate, imbibed with cascading electronic tinkling through the chorus.
Continue reading CD Review: The Boat People – Soporific Single
Photo Gallery: Good Vibrations Festival 2010 – Gold Coast, QLD
 [Photo: Cody Alexander] |
Review by: Cody Alexander Gold coast Parklands once again played host to the Good Vibrations Festival and all its followers this February. The party had already begun before the gates opened; with crowds of revellers sipping away on their hip flasks and discussing their plans of attack for the day ahead. |
With the gates open the party officially kicked off with a cruisy set from the aptly named Cool Calm Collective on the Roots stage. Continuing the relaxed start to the day were Tijuana Cartel on the main stage where a large crowd gathered, in all their costumed glory, to witness a set that evolved from an impressive acoustic flamenco demonstration to a full blown aussie hip-hop act. Such a diverse act couldn’t have been more appropriate for such a diverse and amped crowd; leaving everyone buzzing in anticipation for Bluejuice.
Continue reading Live Review: Good Vibrations Festival 2010 – Gold Coast
Photographer: Andrea Jankovic
Click image to view photo gallery
SoCo Carnivale – The Polyphonic Spree with The New Orleans Bingo! Show 19 February 2010, Brisbane Powerhouse
– The Polyphonic Spree
Related:
SoCo Carnivale Fancy Dress Party with The Polyphonic Spree – February 2010
Judith Wright Centre and Top Shelf Productions present DJAN DJAN
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FEATURING MAMADOU DIABATE KORA, MALI) BOBBY SINGH (TABLA, INDIA) JEFF LANG (GUITAR, AUSTRALIA) Brisbane audiences will be treated to an “intoxicating” fusion of Indian, Australian and African world music when virtuosic trio Djan Djan launches its new self-titled album at Judith Wright Centre on Friday 19 March 2010. |
Embarking on a month-long tour of Australia and New Zealand (including performances at WOMAdelaide), Djan Djan comprises Mali’s Mamadou Diabata (kora), India’s Bobby Singh (tabla) and Australia’s Jeff Lang (guitar).
Continue reading World Music Supergroup To Perform In Brisbane – 19 March 2010
