Tag Archives: Review

Splendour In The Grass 2010 – Festival Review

Review by: Hannah Collins

Another year gone by, another 20 odd festivals down and yet nothing could prepare you for the 3 day onslaught that has been 2010’s annual epicentre of music extravaganza.

SITG photos here…

Splendour In the Grass, is as its name suggests and a culmination of some of the best local and international acts the current mainstream music scene has to offer. Selling out in record time… four months before the gates crashed open on a feature of the most sought after bands on the international circuit; and turning the page on it’ first decade amidst the front line of dramatic competition that encompasses the Australian festival rotation, the Splendour team were proud to announce that for 2010… the overwhelmingly ecstatic crowds could grace Splendours presence in the outlandish setting of Woodfordia, better known as the home of the Woodford folk Festival.
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Goldfrapp @ The Tivoli, Brisbane on 30 July, 2010 – Live Review

Review by: Stephen Goodwin

Click the image to view the photo gallery
Goldfrapp

[Photo: Charlyn Cameron]
  The only thing missing was the mirrorball.

It’s no secret that, since their lush and elegant 2001 debut Felt Mountain, synth-pop act Goldfrapp has embraced an increasingly dancefloor-driven sound.

Ninety minutes with the UK five-piece reinforces this transition in a brilliant whirlwind of keytar-driven glam and disco moments that ABBA and Olivia Newton-John might envy.

But first, Tim & Jean entertain a slim crowd of earlycomers with a sound that sits squarely at the intersection of the heavily processed drums-guitars-sequencers crossroads long since popularised by the likes of M83. Around the heavy beats, synths blip, bleep, whine and shimmer with the

Continue reading Goldfrapp @ The Tivoli, Brisbane on 30 July, 2010 – Live Review

Dweezil Zappa “Return of the son of…” – Album Review

Review: Hannah Collins


DweezilDweezil Zappa
  Ian Donald Calvin Euclid, AKA Dweezil Zappa, paramount rock guitar legend, composer, actor and more, has released to the public a new work. A two disc composition, of the most insane “lounge” music I’ve ever heard! There’s not much in the title, yet “Dweezil Zappa, return of the son of…” is an exciting, entailing and esoteric ride from the opening riff to Dweezil’s “Thank you people good night” that outs the last entry. Unfortunately for Dweezil, the shadow cast by his Father has followed him throughout the duration of his 30+ year musical career, still keeping DZ in somewhat of a box like a tight cast actor. Return of the son of is no exception, and is more of an expansion, addition and extortion of some his fathers earlier works, than an

individuals attempt at breaking the mould. Charismatic although it is, and had me giggling my way through the first listen; all two and half hours of it! Whether listening while driving in the car or sitting or the lounge, the moment my attention waned (which others may relate to during the elongated jazz progressions linking sections of verse) I’d be hit with another installment of a completely off the wall story, that began to make some sense by the end of the piece. Continue reading Dweezil Zappa “Return of the son of…” – Album Review

Blue King Brown “Worldwize” Album Review

Review By Jose Eduardo Cruz

  After what has seemed like an eternity, almost four years, Blue King Brown finally drop a new album. The wait was definitely worth it because instead of one album BKB dropped two albums. Northside, a roots/reggae dancing compilation. Southside, a dub driven experience.

Recorded in the legendary Jamaican studio Tuff Gong which now houses the Bob Marley museum, this album has the genuine feel of a legitimate modern reggae album. It may have been the surroundings in which it was made or it could just be that BKB have now truly established themselves as international stars.

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PEARL “Immaculate Little White Fox” – Album Review

Review: Hannah Collins


LittleLittle Immaculate White Fox
  If you dig classic rock, and idolise the genre’s greats, you’ll find this album utterly intriguing.

Pearl Aday‘s first solo production brings with it over two decades of influence from some of rocks finest performers. She’s toured with Motley Crue, Meat Loaf, featured with Filter, hung out with Slash and jammed with Jerry Cantrell. Immaculate Little white Fox is full of grungy riffs, classic rock solos, and intricate lyricism. The shifting track listing rolls like waves and is neither stagnant nor boring. Pearls vocal ability, has been rounded and refined over the years, as she’s moved from stage hand to backup singer and finally found her place, as a stage front performer, bringing all her experience together, in her first singular application.

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My Fiction supported by Numbers Radio and Judy Dolls @ The Zoo, Brisbane 16 July 2010 – Live Review

Review by: Jose Eduardo Cruz


[Photo: Jose Eduardo Cruz]
  National coverage through Triple J and Rage builds the anticipation on My Fiction’s album launch tonight and the question on everyone’s head is whether the album will deliver what this band has long promised.

I missed the opening support act so I apologise for not arriving earlier at the venue. I did however make my way there on time to catch Numbers Radio’s show in its entirety. I am a big fan of these guys.

This is the second time that I have seen them since their debut album was released and they just continue to grow as a band every time. Continue reading My Fiction supported by Numbers Radio and Judy Dolls @ The Zoo, Brisbane 16 July 2010 – Live Review

Timothy Carroll “The Deepest Dive” EP Review

Review: Victoria Nugent


TimothyTimothy Carroll
  After listening to The Deepest Dive, I couldn’t help but be slightly disappointed, but not because of the quality of the music. Rather, it’s a bit sad to think that this EP will be the last we hear from Timothy Carroll for a while, thanks to his impending move to Sweden.

The Deepest Dive comes a year after the release of Carroll’s debut album For Bread & Circuses and is full of laidback folk tunes, all tying into the theme of change and moving on. It’s a lush listening experience, with the EP boasting exceptionally pretty cover art to boot, taken from a set of French tarot cards.

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Rock for the Regent! 2 @ The Globe Theatre, Fortitude Valley – Saturday 10th July 2010 [Live Review]

Review: Pepa Wolfe
There was a great turnout at the Globe theatre on Saturday night, with Brisbane music fans coming together to support fundraising efforts to save the heritage of the Regent Theatre in the city.

While many may have come to see the headline act Wolfmother, the crowd was happy and buzzing all night, showing support for the variety of genres on display. And the outstanding Brissy line-up didn’t disappoint.

Swanky rockers Princess Rodeo were up first, and set the night off at a cracking pace. The dynamic three-piece and their charming blend of indie rock, played through a high energy set of catchy melodies and serious riffs. Their soon to be released single “Alternate Colours” makes you want to sing along, while the bassy groove of “Compelled to Crawl Under Your Thumb” and the heavier “Skeleton” pleased Wolfmother fans. They made an impressive start to the night, setting the tone for an evening of fun, dynamic, melodious rock, with soaring vocals and intricate guitars. If you didn’t get there in time to catch Princess Rodeo, be sure to check them out.
Continue reading Rock for the Regent! 2 @ The Globe Theatre, Fortitude Valley – Saturday 10th July 2010 [Live Review]

Steve Vai “Where the Other Wild Things Are” CD Review

Review: Ben Hosking

  Being a huge Steve Vai fan, it’s hard to confess that we reckon the Great One’s latest CD falls a little flat. A live CD, recorded at the State Theatre in Minneapolis, the vibe of the whole album leaves you feeling a little unsatisfied.

As usual, the performances are perfect – Vai’s choice of backing musician is always spot on. The set list was well paced; including classics like ‘The Audience is Listening’, ‘Liberty’ and ‘For the Love of God’ from his groundbreaking 1990 album ‘Passion and Warfare’. But for the most part, it all just feels a little dead.

Continue reading Steve Vai “Where the Other Wild Things Are” CD Review

Melvins “The Bride Screamed Murder” LP Review

Review: Lana Harris

  More than 25 years making music, the Melvins are credited with influencing scores of bands (including Nirvana and Soundgarden) but no one sounds just like them. Their creations are grungy, often slow but still powerful and slide into sludgy metal territory occasionally. They have two drummers in what is currently a four member outfit (got to expect a few line up changes in two and a half decades) who have been together for three albums now.

On The Bride Screamed Murder the Melvins are, if not experimental, at the very least non traditional in their music arrangements. There’s never a sense of

bowing to any kind of convention in the music. When voice is used, it’s as an instrument itself, not as a way of conveying opinion or an observation set to music, and they don’t stick to one time signature or tempo. If you’re unprepared for this, the way the songs play out is disorienting. My first listen of The Bride Screamed Murder, particularly the first two tracks, left me wondering what was going on. ‘Evil New War God’ comes to an almost dead stop before changing direction. I thought it had skipped to track three but it was still the same song. Continue reading Melvins “The Bride Screamed Murder” LP Review

The Bank Holidays “Sail Becomes A Kite” CD Review

Review by: Victoria Nugent

  When listening to sophomore album Sail Becomes A Kite by The Bank Holidays, I couldn’t help but smile. The Perth band, made up of Nat Carson and Bekk Crombie on guitar, James Crombie on bass and Stuart Leach on drums, clearly has a talent for producing delightful indie pop. The songs on Sail Becomes A Kite are largely reflective and sweet, with buoyant moments shining through as well. There’s a reason why this band are considered Perth’s pop darlings, producing some amazing, highly enjoyable music.

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Five Star Prison Cell “Matriarch” LP Review

Review: Lana Harris


MatriarchMatriarch
  Based in Melbourne, Five Star Prison Cell began destroying young people’s hearing in 2005. They’ve since completed an impressive array of tours including supporting Bloodduster in Oz and Dillinger Escape Plan in the US. Matriarch represents the third album for the four piece line up which includes vocalist Adam Glynn, guitarist Mark Holain, bassist Cameron MacDonald and drummer Marc Whitworth.

Their sound is often described as ‘math metal’ (which refers to the group’s use of complex rhythmic structures and structuring songs using unusual time signatures), and the tracks contain a lot of syncopated sounds. But beneath these labyrinthine twists and turns in the songs is enough

good, strong riffage to impress upon those of less technically inclined the fact that Five Star Prison Cell also makes tracks you can bang your head to easily.

As soon as the album starts, you are hit on all sides by the power of drummer Marc Whitworth. He drills the sounds into your mind from every direction simultaneously, forceful, but more layered and interesting than just a wall of sound. The momentum he starts during opening track ‘I Curse This Vessel’ just keeps building until ‘Modus Operandi’, which appears just before mid way on the album. This was the stand out track, a mountain of sound, a blistering explosion that would crack apart even five star cell walls. As it finishes, its hard not to wonder where it could go from there, how the pace could be maintained. Then ‘Paramountain’ begins, and the band takes a step back, providing a space in which to rebuild and change direction, a space whose intro is narrated in Greek.

Having made some room, the second half of the album provides for more appreciation of other band members. This is particularly evident on ‘Loss of Gravitas’ which is a tremendous display of the power of Glynn’s vocals, an exploration in low range growls amidst strong screaming, and also on ‘Forlorn’, which brings MacDonald into the spotlight and strange as it sounds, provided some groove elements to the track, demonstrating the band’s commitment to creating interesting music by doing things differently. Although lyrics throughout are not easily distinguishable, an exception is found in the final track ‘Lamia’ on which the amusing sentiments can easily be deciphered (but they’re not really suitable for printing!). Matriarch was an enjoyable album and one which those not versed in the sub genres of metal can still enjoy as a good dose of satisfyingly heavy music.


MatriarchMatriarch – Five Star Prison Cell

Related:
Dillinger Escape Plan + Maylene and the Sons of Disaster @ The Hi Fi, Brisbane 25 May 2010 [Live Review]
Review: Dillinger Escape Plan @ The Metro Theatre – Friday May 21, 2010
Interview: Ben Weinman – The Dillinger Escape Plan
Audio Interview: Ben Weinman – The Dillinger Escape Plan *The Audio version*
The Dillinger Escape Plan – Australian Tour – May 2010 (TOUR DETAILS)

The Dillinger Escape PlanBuy: The Dillinger Escape Plan from iTunes


Dan Parsons – “Firestarter” LP Review

Review: Lana Harris


DanDan Parsons
  When writing about music, there’s a variety of words to use in order to avoid saying ‘song’ over and over again. For the most part, these words are interchangeable – the exact meaning matters little. Dan Parsons’ music took exception to this and the word ‘ditty’ just kept springing to mind. The exact meaning of ‘ditty’ is a short simple song, a poem intended to be sung, and this description fits his musical style like a ripped pair of skinny jeans fits indie pop.

The tracks on Firestarter are all short pop numbers, hanging around the three minute mark and taking inspiration from the catalogue of relationship

experiences that pop loves to work with. Parsons’uses a reflective, ruminative style to shape his words, which invoke images from the time of life found in the space after school, drifting past innocence but having not yet arrived anywhere else.
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Rolo Tomassi – “Cosmology” [CD Review]

  Review: Ben Hosking

For the uninitiated, young UK group Rolo Tomassi (named after a character from the movie LA Confidential) is a scary listening experience. Hell, they’re still a scary listen even after a few rotations of their 2008 debut album ‘Hysterics’.

Fronted by diminutive blonde ingénue Eva Spence, the group play what has been affectionately termed as punk-jazz, whilst on occasion thrown in with the mathcore crowds.

Continue reading Rolo Tomassi – “Cosmology” [CD Review]

Clutch – “Live at the 9:30” – DVD Review


Click here to Buy the DVD.
  Review: Ben Hosking

Perhaps the biggest thing to make or break a live music DVD is the audio mix. Some nail it while so many others fall by the wayside with weak, muddy, uneven or noisy mixes.

Thankfully for Clutch – 20 year veterans of the ‘stoner’ rock genre, or whatever it is you may like to call it – it’s immediately obvious that ‘Live at the 9:30’ is going to be a genuinely enjoyable watching experience.

While it’s so easy to lumber Clutch in with the rest of the stoner crowd, their style boasts too many other elements to keep it restrained to such a narrow pigeon hole. It’s also – more often than not – too energetic and vibrant to properly fit. Existing fan or not, watching this two DVD set will certainly go far to leaving you with an entirely new perception and appreciation of the Maryland four piece. Continue reading Clutch – “Live at the 9:30” – DVD Review