Review by Billy Geary
With the annual Splendour in the Grass festival letting loose in Bryon Bay, the sideshow circus around the country was in full swing. Co-headlining Splendour was the infamous Smashing Pumpkins, lead by vocalist/guitarist Billy Corgan with a new album in tow. In the lead up to Thursday night at Hisense Arena, there had been much speculation regarding the Pumpkins’ set. Corgan had previously stated that the band’s new album Oceania was to be played in full, aided by a ‘ground breaking’ spherical projection. The most striking thing upon entering the venue was how empty it seemed, with almost the entire top-level empty, as well as large chunks of the floor.
However, as the first few chords of ‘Quasar’ were played it became obvious for those who were there, that it would be a great show. Midway through Oceania, the more casual Smashing Pumpkins fans were getting impatient, with constant calls to play their old stuff. This only inspired the band to work harder, with Corgan visibly loving the opportunity to showcase the new record. Tracks like ‘The Chimera’ and ‘Pinwheels’ worked extremely well, with the former drawing the first large cheer for the night. Mention must be made of the image projection onto the giant sphere above the band as they played Oceania, it was a welcome addition that really gave an extra dimension to the songs that most weren’t too familiar with.
Continue reading Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012
The Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.
As Melbourne’s Soundwave week continued into Wednesday night, it was time to head to the beautiful Forum Theatre for a taste of some of the most original music the massive line up had to offer.
It’s fair to say that over the years Californian natives 
There’s a buzz in the air tonight – a full house and the Ball Park Music headlining debut album launch tour tends to give out a special vibe. And it’s been a long, well-worn track to get to this point: singles and free downloads leading to early Triple J recognition, signing to a supportive management company and releasing one of them most anticipated EPs of recent memory, seemingly tour after tour as the perpetual bridesmaids before finally knuckling down to carve out the first full-length offering.
The meteoric rise of Dead Letter Circus in the past 18 months is no secret. Having quickly moved from the small, intimate feel of the Espy to regularly selling out the substantially bigger HiFi Bar and touring the UK and America, its fair to say that DLC are doing all right. Back in Melbourne for yet another jaunt around Australia, this time for their “No Fracking Way” Tour, Brisbane alternative rock darlings Dead Letter Circus were at the top of their game on Wednesday night.
The Evelyn Hotel is one of the best smaller scaled venues in Melbourne, with many a band’s careers having kick started at the pub. Even band’s like Muse have played there before they found stardom. Therefore it was the perfect place for some of the country’s better young rock bands to show their wares to a decent sized crowd.
On Sunday night in Melbourne; Periphery, Tesseract and Twelve Foot Ninja claimed gig of the year. It’s that simple. Upon arriving 20 minutes before the doors opened, in order to get barrier spots, the line to get in was already stretching 75 metres down Swanston St, causing that idea to be promptly dismissed. To put it in perspective, the other shows on this tour were at venues with capacities of 400-500 people and only Sydney managed to sell out. 