Emerging from the dark city lights and distance of Perth, Fait is multi-instrumentalist Elise Higgins, releasing the second cut Slow Glow from her forthcoming debut EP Atmosphere, recorded with producer Darren Lawson (MBV, Editors).
Starting from the lonely echo of reverb-drenched guitar and sparse drum beats, Slow Glow burns bright as it builds layer-by-layer, second-by-second, surging from ebb to flow with wisps of beguiling synth and dreamlike layers. The instrumental track is pure cinematic atmosphere, crafted to mask your eyes and pull you into a world of sound, deep and fathomless.
Continue reading Fait unveils new track ‘Slow Glow’ (Music Stream)
Sydney Pop/R&B singer, Ryan Morgan is scheduled to release his debut single ‘Surrender’ on March 17 (2014). 
Achoo! Bless You, a Sydney folk-pop duo comprising singer-songwriters Ashleigh Steel & Ross James Tipper, first came to light in 2012 with the debut EP No Island. Their lead single ‘Before We Say Goodbye’ caught the attention of FBi and triple j Unearthed at radio and saw them share stages with the likes of Passenger (UK), Slow Club (UK), Tim Rogers, Tiny Ruins (NZ) and most recently, The Trouble With Templeton on their Australian national tour.
Scottish rock band, Biffy Clyro, have announced that they will return to Australia in September for a national headline tour. Having just finished touring on Soundwave Festival with two SOLD OUT headline shows in Sydney and Melbourne, punters should move quick to see the band in all major cities.
**** TOUR UPDATE ****
Anathema’s Australian fans have been waiting patiently for almost 25 years and your innumerable emails and requests have finally borne fruit – Anathema are making their long awaited first visit to our shores!
In the great lottery of the Sidewave venue scramble, Placebo must surely have pulled the short straw. Not that St Kilda’s Palais Theatre is generally anything to be disappointed with – its grungy dilapidation holds a special place in Melbourne’s rock vernacular. But when it comes to a furious set by one of the world’s best emotive post-punk purveyors, those torn leather seats are just woeful.