Formed amongst the heady days of the Gothenburg death metal scene in Sweden in 1995, Soilwork quickly became known as one of the most original and progressive bands in the genre. Their prolific work ethic has seen them release eight studio albums and tour the world relentlessly over the last 15 years. Their new album, ‘The Panic Broadcast’ continues to develop on their progressive talents by including elements of funk, pop rock and symphonic genres; yet the music never fails to pummel with sonic brutality.
Last time Guttermouth visited Australia, New Noise Agency took them to the major capital cities, alongside a visit to Toowoomba’s Eidican festival. These depraved genius legends of California’s Punk community sold out shows, shocked newcomers and far surpassed the expectations of faithful fans. All in a day’s work for one of the hardest working – and hardest living – bands in their genre.
Thirsty Merc takes new single Tommy & Krista to the road for a second round of Australian shows this October/November. Tickets on-sale NOW.
One of Australias most loved bands, THIRSTY MERC, has announced dates for their national SPRING Tour, which will see them play twenty-four dates through seven states and territories this October/November. Kicking off in regional New South Wales, the
“I’ve used the oven manual for the air conditioner and I’m roasting myself alive!”
Tommy Murphy is one of Australia’s most impressive playwrights: canny, dangerous and very funny. His plays include Holding the Man, one of the great success stories of recent Australian theatre with a very successful season in London’s West End earlier this year.
We’re thrilled to be co-producing his terrific new play with the legendary Company B Belvoir, directed by Australia’s finest director, Neil Armfield. Neil is fresh from his Broadway triumph with Exit the King, which starred Queensland’s Geoffrey Rush.
Gwen is 90. She woke up to discover that purgatory is sitting in a new house in a new subdivision, trying to work out if the remote in her hand operates the TV, the air-con or the fan-forced oven. As she muddles her way through the baffling technology, her family gathers around to battle over what’s going to happen next. Father Ezekiel is on his way to bless the house, so things are looking up…
“Full of laughs but also extremely emotional, Gwen In Purgatory is the best play to hit a Sydney stage this year.” The Daily Telegraph
“9/10…Melissa Jaffer is hilarious as Gwen, a feisty senior citizen with selective hearing and prone to misunderstandings, both real and deliberate. The comedy is truly Australian, pitched close to vintage ABC sitcom Mother and Son…Highly recommended” Sun-Herald
“Gwen is the story, I suspect, of every family. Or is it just mine?…Funny, very funny…I can’t think of another playwright who’s a keener, more insightful observer of Australian suburban life, let alone one who can document it so redolently…Gwen In Purgatory is a play for and about all of us. It is warm, funny, sad, tragic, poignant, moving and unsettling. Just like our lives. Life on the page, or stage, doesn’t get any better than this. This is the (very) real deal. A+” – Curtain Call
“Neil Armfield’s production is just about perfect, and exceptionally well cast. Melissa Jaffer combines radiance and dodderiness as Gwen. The bemused and homesick Nigerian priest Ezekiel (Pacharo Mzembe) and Gwen’s knockabout grandson, Daniel (Nathaniel Dean), are warmly drawn. Grant Dodwell is spot-on appalling as Gwen’s son, Laurie, and Sue Ingleton exhibits brilliant timing as the self-flagellating Peg.” Sydney Morning Herald
Production Credits
Director | Neil Armfield
Set Designer | Stephen Curtis
Costume Designer | Bruce McKinven
Lighting Designer | David Walters
Sound Designer | Paul Charlier
Assistant Director | Cristabel Sved
With | Grant Dodwell, Nathaniel Dean, Sue Ingleton, Melissa Jaffer and Pacharo Mzembe
Venue
Roundhouse Theatre, 6 – 8 Musk Avenue,
Kelvin Grove Urban Village
PERFORMANCE DATES
Preview 29 September
Opening Night 30 September
Season 30 September – 24 October
After Show Discussion Night 8 October
PERFORMANCE TIMES
Tuesday – Wednesday 6.30pm
Thursday – Saturday 7.30pm
Sunday 5pm
Matinees 11am 5, 12 & 19 October
2pm Saturday 23 October
DURATION
1 hour 45 mins, no interval
TICKETS
Preview $25
Opening Night $63 (includes VIP party)
Full Price $46
Concession $39
30 years and under $26
Group discounts $40 for 5+ (excludes group booking fee)
Following a handful of sold out shows in Melbourne in April, after a 10 year hiatus, The Paradise Motel will embark on their first official Australian tour this September/October.
The recent release of The Paradise Motel’s critically-acclaimed album Australian Ghost Story – based on the events surrounding the disappearance of Azaria Chamberlain in 1980 – will see the seven-piece outfit perform the
Review: Lana Harris
[Image courtesy Brisbane Festival]
Have you heard the one about the Spiegeltent? A girl and a guy walk into this travelling bar – a pointy topped sphere shaped by mirrors, wood and glass. Golden poles, blood red velvet curtains swooping overhead, low lighting and dancing shadows. Smoky. Drinks service on the curve, booths hugging the circumference. A big-top boudoir with an audience.
The girl and the guy start out cautious in this ringmaster’s playground. They clamber carefully onto the high wire – wobble and steady, wobble and steady. She wears a pair of lasciviously red heels as she teeters. The shoes return sporadically throughout the acts, as do the scene setting ukulele and tinkling pianola. Music through out invokes alternately past, present and future – offered in no particular order. Subject to whims and acrobatics, time periods depart and return often. Continue reading Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review→
Greg, middle-aged and middle-class, returns to his Upper West Side apartment in the late afternoon accompanied by Sylvia, a beautiful, frisky young blonde he has just picked up in the park. Greg sits in his favourite chair, worried about how Kate, his wife, is going to respond to Sylvia.
Sylvia doesn’t make things easy. Too excited to settle down, she moves around the room checking out the furniture. She turns to Greg. She obediently collapses onto the floor, resting her chin on his knee, while staring up at him with blind adoration. What man could resist?
A street-smart mixture of Lab and Poodle, Sylvia becomes a major bone of contention between husband and wife.
Melbourne singer-songwriter Michael Paynter played The Prince Bandroom for the launch of his new-ish EP, Love The Fall. Paynter took to the stage with gusto and vibrancy, eager to please his audience. His performance style was positive and honest, banter humble yet friendly, whilst his vocals were as much at home on ballads “Crave” and “Novocaine”, as they were on pop-rock tracks such as “Love The Fall”. Notable mention should be made of his frantic rock cover of Michael Jackson’s “The Way You Make Me Feel”, which maintained the energetic momentum of the show.
Zakk Wylde is known as one of the metal world’s best guitar players, particularly
when talking shredding abilities. He was Ozzy Osbourne’s guitarist for two decades, and didn’t let decadence overcome discipline – as well as working and touring with Ozzy, he completed an album a year from 1999-2006 with his side project, Black Label Society (BLS). BLS have their guitars firmly wedged in heavy metal/ hard rock – think Alice in Chains, a bit of Ozzy’s influence apparent in the vocals. But now Wylde’s no longer with Ozzy, and Order of the Black is the first album release by BLS in four years.
“Move over Green Day, Paramore have created their own epic” – Spin Magazine
“Few bands play punk-influenced modern rock as proficiently”; and with that glowing endorsement from Spin magazine we are thrilled to announce that RELIENT K have confirmed as support for the upcoming PARAMORE Australian tour.
Interview: Ben Hosking There aren’t many guitarists out there displaying as much originality and commitment to their craft as John 5.
Long known as the axeman behind such artists as Marilyn Manson and Rob Zombie, he’s also played with such luminaries as Rob Halford, David Lee Roth and Paul Stanley. When he’s not touring with Zombie, he’s playing session work with artists from a wide range of styles including Ricky Martin and recording his own solo albums; such as his latest effort, ‘The Art Of Malice’ which is available now. Continue reading Interview with JOHN 5 [Audio]→
Event: No Anchor w/ Fangs of a TV Evangelist @ Tempo Bar, Brisbane
Date: August 27, 2010
Venue: Tempo Bar, Brisbane
Acts: No Anchor, Fangs of a TV Evangelist
The first Music Festival in Nimbin for over 30 years.
Not since Aquarius has an event like this graced the serene rainforests of Nimbin.
The Festival features over 50 acts, with a mix of local and international artists, all headlined by the amazing Bob Log III, born and bred Nimbin girl Diana Anaid, the legendary Grant Walmsley and the Agents of Peace, and the ever inspiring, entertaining, boundary pushing aussie heros REGURGITATOR!
There aren’t many guitarists out there displaying as much originality and commitment to their craft as 
