Daniel Lee Kendall, (DLK) a young outstanding singer songwriter from the Central Coast of New South Wales wooed crowds at the prestigious Big Sound Festival in Brisbane, that performance kicked off a short run of introductory live intimate performances by this newly discovered independent artist. The exceptionally talented singer song writer will be revealed nationwide via his debut EP ‘Lost In the Moment’ (out on Redcat Sounds via MGM on October 1st).
Discerning music lover’s ears are already primed with the title track from the EP added to the national youth broadcaster triple j last week. Daniel was Unearthed by triple j in July this year, and as part of the Unearthed program he won a spot on the popular Coaster Festival which takes place in Gosford later this month. Continue reading Daniel Lee Kendall… will have you ‘Lost in the Moment’→
The Armor All Gold Coast 600 promises to be a motorsport and music extravaganza! Gold Coast, QLD 22-24 Oct 2010
The Hard Rock brand has once again confirmed its support for international and Australian artists, announcing its support of ‘600 Sounds’ – part of the Armor All Gold Coast 600 – today.
The music festival will feature 16 international and Australian acts including Ian Carey, international legends the Beach Boys, Empire of the Sun and Sneaky Sound System at the Broadwater Parklands across three nights October 22-24 as part of the Rock N Race format of the Armor All Gold Coast 600. Continue reading HARD ROCK PRESENTS 600 SOUNDS TO THE GOLD COAST→
Review: Ben Connolly
Photo: Amy Skinder Jeff Lang was not always the teller of disturbed tales accompanied by face-melting blues guitar shredding. There was time – in the heady post-grunge days – way back at the beginning of this 15-year-long and counting career, that Lang appeared to fancy himself as a bit of a fringe-rock crooner. His then long locks and fresh face even graced morning television and he seemed always just on the verge of tipping into the mainstream proper.
While his blues-folk-roots-rock brethren (The John Butler Trio, Xavier Rudd, et al) watered down their origins after initially making the cross-over and opting for the high-exposure, high- sales paths, Lang instead maintained a steady personal path of discovery through the back alleyways which make up his self-described ‘disturbed folk’.
Along the way there have been excursions into deep south blues, rousing sea shanties, psychedelic-laden folk-pop and, more recently, ‘world music’ (with a collaboration with Malian kora player Mamadou Diabante and Indian tabla player Bobby Singh). His latest album, Chimeradour, stayed true to its Greek- mythology based namesake and married them together, but with subtle nod back to the earlier straight-rock days with some crunchy numbers laying a solid base layer. Continue reading Jeff Lang @ East Brunswick Club, Melbourne – 11 September 2010 – Live Review→
Katy Perry and Taio Cruz hold on top of the ARIA Charts
Katy Perry’s album “Teenage Dream” holds for a second week at the pinnacle of the ARIA Album Chart, comfortably staving off Eminem’s “Recovery” which makes another surge towards the top of the chart, moving up from four to two. Taio Cruz’s “Dynamite” chalks up three weeks at number one with sales in excess of Platinum on this week’s ARIA Singles Chart, where the top four singles hold firm from last week.
Highlights from this week’s ARIA Album Chart include the highest top 40 debut coming from The Killers’ front man Brandon Flowers, who lands at #5 with his solo debut “Flamingo”. The Killers have had four top 10 results, including their number one debut with “Hot Fuss” in 2005. American band Stone Sour slides in at #6 with “Audio Secrecy”, their second ARIA top 40 result after “Come What(ever) May” peaked at #21 in 2006. After twenty six weeks in the top 40, Angus & Julia Stone continue to enjoy strong sales with “Down The Way”, moving up two places to #7. Fellow Aussies Birds Of Tokyo move back in to the top 10 at 10, with Lady Antebellum just behind them at #12, jumping a massive 22 places with their former US smash, “Need You Now”. Train also enjoys some strong momentum, up from 23 to 14 with “Save Me, San Francisco” and Usher lands back in the top 20 at #19, up from 26 with “Raymond V Raymond”. Taylor Swift moves back into the top 40 for the 74th week with the five times platinum success, “Fearless”, at #37, with AC/DC’s “Iron Man 2” following suit at #38 and Jason Derulo’s self-titled release re-entering at #40.
Silence, with its lack of apparent weightiness, is often the hiding place for what we don’t want to acknowledge. Guilt, fear and secrets hide in silence, and so it is fitting that silence plays a pivotal role in a tale which features these elements of duplicity.
Presented by the Queensland Theatre Company, Betrayal is Harold Pinter’s tale of a love triangle. The narrative reveals itself through scenes played out in a stream opposite to the usual: the end at the beginning, flowing through to the beginning at the end. Emma (Sibylla Budd) is married to Robert (Hugh Parker) but commits to an affair with Jerry (Paul Bishop), who is also Robert’s best friend. Emma’s betrayal of her husband is not the only disloyalty. At various points, each pair are pitted against the third person and in doing so, betray not just the others but themselves too.
While on the surface it reads like a tabloid scandal or a soap opera plot, Pinter’s treatment of this uncomfortable subject is both poignant and powerful. We are invited into intimate pivotal moments, witnesses to calculated weavings of pretended innocence and voyeurs of collapsing secrets, the awkward truth bursting illusions. The strength of the acting in these scenes forces the audience to forge emotional responses to these events – responses which seep out as nervous laughter or a sick feeling in the stomach. Parker, in particular, plays his character well, demonstrating a raw and believable portrayal of the cuckold’s agony coupled with a darkly amusing resilience.
Pinter leaves the why of affairs largely untouched, with no hints of moralising. Betrayal is more a sign-posted journey through the features of love, both illicit and sanctioned. Apparently, the play has echoes of Pinter’s own life in it (he was ‘Jerry’) and so it was with first hand experience that Pinter has clearly depicted the chase for devotion and satisfaction.
A great tension soaks Betrayal, with what’s not said often meaning just as much as what is uttered. It is in these moments that the silence of the theatre becomes the most important player on the stage. Realisations occur and each person in the room is aware of the silent roar of intense feeling. At such moments, it was so quiet you could hear the truth sink in. Betrayal’s surreptitiousness proves riveting.
After a short, sharp national tour throughout July, leaving a growing legion of rather amazed fans in his wake at a string of sold out venues (as well as supporting Mumford and Sons at their sold out Sydney shows), Matt Corby is proud to announce that he will be returning to Melbourne and Sydney for two special event shows in October.
The shows will coincide with the release of Matt’s second EP, Transition to Colour, on October 8, and serve as a taster for a broader national EP tour later in the year, as well as Matt’s 2011 scheduled debut album.
Review: Lana Harris
[Image courtesy Brisbane Festival – Photo Credit: Hugo Glendinning]
Bodies twirling through the air, gravity defying leaps and rod straight limbs in perfect turns: the Shaolin monks have come to town. Part of a new contemporary dance performance, their fighting skills are being used to story tell and entertain in another’s vision.
Artist Sidi Larbi Cherkaoui is the man who has married the martial with the contemporary, travelling to China to live with and learn from the monks. His involvement in the temple life must have been deep and overwhelmingly positive: not only has Cherkaoui managed to capture the monks centuries old, tradition honed skills and use them effectively in a modern, western performance style, he convinced them to leave their Buddhist temple and to perform as part of the Brisbane Festival. Continue reading Sutra @ The Playhouse (Brisbane Festival), 8th September 2010 – Live Review→
Formed amongst the heady days of the Gothenburg death metal scene in Sweden in 1995, Soilwork quickly became known as one of the most original and progressive bands in the genre. Their prolific work ethic has seen them release eight studio albums and tour the world relentlessly over the last 15 years. Their new album, ‘The Panic Broadcast’ continues to develop on their progressive talents by including elements of funk, pop rock and symphonic genres; yet the music never fails to pummel with sonic brutality.
Last time Guttermouth visited Australia, New Noise Agency took them to the major capital cities, alongside a visit to Toowoomba’s Eidican festival. These depraved genius legends of California’s Punk community sold out shows, shocked newcomers and far surpassed the expectations of faithful fans. All in a day’s work for one of the hardest working – and hardest living – bands in their genre.
Thirsty Merc takes new single Tommy & Krista to the road for a second round of Australian shows this October/November. Tickets on-sale NOW.
One of Australias most loved bands, THIRSTY MERC, has announced dates for their national SPRING Tour, which will see them play twenty-four dates through seven states and territories this October/November. Kicking off in regional New South Wales, the
“I’ve used the oven manual for the air conditioner and I’m roasting myself alive!”
Tommy Murphy is one of Australia’s most impressive playwrights: canny, dangerous and very funny. His plays include Holding the Man, one of the great success stories of recent Australian theatre with a very successful season in London’s West End earlier this year.
We’re thrilled to be co-producing his terrific new play with the legendary Company B Belvoir, directed by Australia’s finest director, Neil Armfield. Neil is fresh from his Broadway triumph with Exit the King, which starred Queensland’s Geoffrey Rush.
Gwen is 90. She woke up to discover that purgatory is sitting in a new house in a new subdivision, trying to work out if the remote in her hand operates the TV, the air-con or the fan-forced oven. As she muddles her way through the baffling technology, her family gathers around to battle over what’s going to happen next. Father Ezekiel is on his way to bless the house, so things are looking up…
“Full of laughs but also extremely emotional, Gwen In Purgatory is the best play to hit a Sydney stage this year.” The Daily Telegraph
“9/10…Melissa Jaffer is hilarious as Gwen, a feisty senior citizen with selective hearing and prone to misunderstandings, both real and deliberate. The comedy is truly Australian, pitched close to vintage ABC sitcom Mother and Son…Highly recommended” Sun-Herald
“Gwen is the story, I suspect, of every family. Or is it just mine?…Funny, very funny…I can’t think of another playwright who’s a keener, more insightful observer of Australian suburban life, let alone one who can document it so redolently…Gwen In Purgatory is a play for and about all of us. It is warm, funny, sad, tragic, poignant, moving and unsettling. Just like our lives. Life on the page, or stage, doesn’t get any better than this. This is the (very) real deal. A+” – Curtain Call
“Neil Armfield’s production is just about perfect, and exceptionally well cast. Melissa Jaffer combines radiance and dodderiness as Gwen. The bemused and homesick Nigerian priest Ezekiel (Pacharo Mzembe) and Gwen’s knockabout grandson, Daniel (Nathaniel Dean), are warmly drawn. Grant Dodwell is spot-on appalling as Gwen’s son, Laurie, and Sue Ingleton exhibits brilliant timing as the self-flagellating Peg.” Sydney Morning Herald
Production Credits
Director | Neil Armfield
Set Designer | Stephen Curtis
Costume Designer | Bruce McKinven
Lighting Designer | David Walters
Sound Designer | Paul Charlier
Assistant Director | Cristabel Sved
With | Grant Dodwell, Nathaniel Dean, Sue Ingleton, Melissa Jaffer and Pacharo Mzembe
Venue
Roundhouse Theatre, 6 – 8 Musk Avenue,
Kelvin Grove Urban Village
PERFORMANCE DATES
Preview 29 September
Opening Night 30 September
Season 30 September – 24 October
After Show Discussion Night 8 October
PERFORMANCE TIMES
Tuesday – Wednesday 6.30pm
Thursday – Saturday 7.30pm
Sunday 5pm
Matinees 11am 5, 12 & 19 October
2pm Saturday 23 October
DURATION
1 hour 45 mins, no interval
TICKETS
Preview $25
Opening Night $63 (includes VIP party)
Full Price $46
Concession $39
30 years and under $26
Group discounts $40 for 5+ (excludes group booking fee)
Following a handful of sold out shows in Melbourne in April, after a 10 year hiatus, The Paradise Motel will embark on their first official Australian tour this September/October.
The recent release of The Paradise Motel’s critically-acclaimed album Australian Ghost Story – based on the events surrounding the disappearance of Azaria Chamberlain in 1980 – will see the seven-piece outfit perform the
– Lost In the Moment – EP
Jeff Lang was not always the teller of disturbed tales accompanied by face-melting blues guitar shredding. There was time – in the heady post-grunge days – way back at the beginning of this 15-year-long and counting career, that Lang appeared to fancy himself as a bit of a fringe-rock crooner. His then long locks and fresh face even graced morning television and he seemed always just on the verge of tipping into the mainstream proper. 
