An Evening With ANBERLIN – Australian Tour 2011

  Destroy All Lines are pleased to announce that new Sony signing, Sydney pop punk quintet TONIGHT ALIVE will join Anberlin on their upcoming Australian headlining tour.

Having recently toured the USA, Indonesia and Singapore, appeared on the much-lauded Bamboozle lineup and supported major punk rock players A Day To Remember, No Fun At All and New Found Glory, Tonight Alive recently bunkered

down in California with producer Mark Trombino (Blink 182, Jimmy Eat World) to record their debut album. First single off the album, ‘Starlight’ can be found spinning on high rotation at Channel V and commercial radio.
Continue reading An Evening With ANBERLIN – Australian Tour 2011

City and Colour – ‘Little Hell’ | Album Review

Review: Billy Geary


Buy: City And Colour – ‘Little Hell’ CD
  Everyone has their own ‘little hells,’ whether it is losing a friend, body image or even just having a bad day. For Dallas Green, the man behind folk project City and Colour (and guitarist for post-hardcore act Alexisonfire), his little hells stem from his family and friends problems and his feeling of hopelessness. Thus, Little Hell is quite a dark exploration by Green into the darker parts of his life, his little hells, producing his most honest and compelling album to date.

Continue reading City and Colour – ‘Little Hell’ | Album Review

Royal Chant – ‘Raise Your Glass & Collapse’ | Album Review

Review: Billy Geary


Raise Your Glass & Collapse - Royal ChantRaise Your Glass & Collapse – Royal Chant
  Garage rock is nothing new in music, particularly in Australia, with bands such as British India and Jet playing it successfully for years. Due to its nature, bands don’t have a lot to work with when it comes to writing and playing garage and punk influenced music. Thus, more often that not a band’s success comes down to the energy found on the recordings and in live shows.

Despite being quite an enjoyable release, the downfall of Raise Your Glass & Collapse is that it is by no means ground breaking or original. This however, is not a problem as Royal Chant’s debut has energy by the bucket load which more than makes up for the inevitable lack of originality.

Continue reading Royal Chant – ‘Raise Your Glass & Collapse’ | Album Review

R.I.P. Motörhead Guitarist Würzel

The Guardian reports that Michael Burston, better known to the world as Motörhead guitarist Würzel, has died after suffering from heart disease. He was 61.

Würzel spent more than a decade in the ever-shifting lineup of the British cult metal band, a feat in itself. After serving in the British army, working as a builder, and toiling as an unknown guitarist, he joined Motörhead in 1984. Within the band, he became a fan favorite, acting as an antic counterbalance to Lemmy Kilmister, the band’s founder and longtime frontman. He played on nine of the band’s live and studio albums before departing in 1995. After leaving the band, he released an ambient solo album called Chill Out or Die and guested frequently at Motörhead live shows.

Below, check out a video of Würzel playing “Ace of Spades” with Motörhead on the British cult comedy show “The Young Ones”.

Article source: Pitchfork

Würzel (Michael Burston), guitar player, born 23 October 1949; died 9 July 2011

Take Five With… Dave Eastgate | Interview

By: Pepa Wolfe

  Life Music Media invites you to

Take Five With… Dave Eastgate

Whether it’s playing a support slot for Robin Williams, appearing on TV with Kathy Griffin: My Life on the D List or performing on live radio in fluent Japanese, Dave Eastgate is a true Jack of All Trades. Best known for his music-infused stand-up comedy, he’s also the audience warm up act for shows like X-factor and Australia’s Got Talent, and recently performed in Gaijin, a one man play/multimedia production, which he also co-wrote and co-produced.


Dave Eastgate stopped to chat with Life Music Media.


Tell us a bit about your current show – I Wish I Had A Band.
How would I describe it? I don’t know. It’s just balls out rockin’ thunder, basically. I’ve been described as the love-child of Jack Black and Kevin Bloody Wilson, so, if that gives you an idea. This was the first show that I took to the Melbourne Comedy Festival and Sydney Comedy Festival and I’m taking it to Edinburgh this year.

How would you describe your comedy?
My humour is… it’s just jokes. It’s just a bit of fun and I rock out and I have fun with the audience. Just high energy, escapist kind of stuff. I don’t really force issues of politics down people throats. That’s not to say I don’t have issues or politics, but I just like to have a laugh.
And audiences seem to like to laugh with me, so…

It’s so hard to answer those questions without sounding conceited.

You seem to sit, quite happily, at the crossroads between the rock music and the stand up comedy. How did you find yourself here?
Um, apart from being a failed rock musician? I just grew up on a healthy mix of comedy and music. I love my rock. I always played in bands in high school and uni. But I was also heavily influenced as a kid by Doug Anthony All Stars, and Kevin Bloody Wilson and later on, Tripod. Even Lano and Woodley were massively influential.

I Wish I Had a Band is also on CD. Was it independently produced?
Yes. We recorded it at the Sydney Comedy Store over a week and spliced it together. It’s 17 tracks plus a bonus track. There’s one studio track called What a Great Night and it’s a bit of fun as well. I recorded that with Tyrone Noonan from George.

At this stage it’s only available at gigs, but it will be available on iTunes soon.

:: Who is your favourite comedian? ::
(whistles) Tough one. There’s so many. And so many different styles.
The first comedian I ever heard was Bill Cosby, and I was such a huge Bill Cosby fan. Then I found Eddie Murphy, and everything changed. As a teenager I started getting into stuff that was a bit different. And Jimeoin’s show, back in the day, was the bomb. They did some really out there stuff.

:: Where do you find inspiration? ::
Where do you not find inspiration? It’s just everywhere. I find it in my life, in my friends, in other comedians. I find inspiration in seeing comedians that I hate. That inspires me to go, “I don’t want to be like that”.

:: What is your favourite type of heckler? ::
Oh… one that shut’s up! (laughs)
Yeah, hecklers are weird man. There’s some heckles which are great and they add to the show and then, that’s it. And then, there are some hecklers that try to take over the show.

Then they’ll come up to you afterwards and go, “Hey man. That was great, wasn’t it? I really helped you out there. You know, without me…” And you go, “What!? You ruined it. I hate you. Go away.” (laughs)


:: What is the most memorable production or performance you have seen?
Something that really inspired you. ::

Mike Keat is this Scottish comedian who just blew me away last year. His characters and his music and the way his show threaded together. The show was called The Lion, Bitch and the Wardrobe. It blew my mind. I went back and saw it three times. And that’s hard at Edinburgh because just taking the time to go and see a show takes a lot out of your day when you’re performing. He’s in a group called The Cuban Brothers who are awesome. Google the Cuban Brothers and laugh yourself stupid. They’re this Spanish break-dancing crew. It’s brilliant. And they wear lyrca.

:: Name a comic that you’d really love to support / tour with ::
Unashamedly I’d say, Jack Black. I do get compared a little bit to him, but that’s fine. When he came out I was like, “Hey man, that’s what I do!” And I have met Jack as well. I got to meet him last year when he was out and it was awesome. So yeah, I’d say if anybody in the world, I’d love to tour with Tenacious D, with Dave Grohl and everything. It’d be great.

:: Favourite recording artist? ::
Um… Guns N’ Roses.

:: Favourite album? ::
Appetite for Destruction. That wasn’t hard at all (laughs)

:: Favourite food? ::
Hmmm… Metamucil.

:: Favourite drink? ::
Metamucil.

:: Favourite place? ::
I grew up in Papua New Guinea and I would say it is my favourite place on earth. I think it’s one of the most fascinating countries in the world and not enough people know about it. And it’s right on our doorstep. It’s one of those subjects that, if it comes up, you can’t stop me. I will go on and on about it.

:: Favourite season? ::
Summer. Hands down.

:: Recommend a book ::
The Autobiography of Steven Adler. My Appetite for Destruction: Sex & Drugs & Guns N’ Roses.

:: Recommend a film ::
Favourite film! (laughs) Um, fuck. It’s one of those ones that I’ll walk away from saying, “Why didn’t I say that!?” I just go with something silly: Xanadu.

:: Words of wisdom ::
(thinks)
Always leave the tag on your shoes so you can take them back.

What’s next for Dave Eastgate?
The Edinburgh Festival in August. I played there last year with Brendan Burns. It was good to get an introduction there, but this year I’m back on my own, doing my own show. I’m kind of throwing everything at that.

Then the next six months I’m going to be overseas, LA and then going back to London.

And is that comedy work, or is that also theatre or…?
No it’s comedy and possibly some TV stuff. I did a short film with my girlfriend called Fully Famous, and we got into the LA Comedy Festival with it. And we got into the Hollyshorts Film Festival. So we’re also pitching that.

– Pepa Wolfe


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Caro Emerald – ‘Deleted Scenes from the Cutting Room Floor’ | Album Review

Review by: Victoria Nugent


Deleted Scenes from the Cutting Room Floor - Caro EmeraldDeleted Scenes from the Cutting Room Floor
  If you have a penchant for cheery swing, 40s style jazz and sultry vocals, chances are you are going to love Caro Emerald. It’s easy to compare Emerald to Amy Winehouse, Adele, Eliza Doolittle, Duffy and other artists of that ilk, but in this album Emerald shows a versatility and range that suggest that merely pigeon holing her would be unjust.

The Dutch jazz vocalist’s debut album is bursting at the seams with catchy tunes, rich vocals and clever production to make a collection of music that is reminiscent of the jazz era without being stale.

Continue reading Caro Emerald – ‘Deleted Scenes from the Cutting Room Floor’ | Album Review

Backsliders – New Album and Tour Dates

Backsliders – New Album and Tour Dates

Australia’s favourite blues group bring their ‘delta blues wall of sound’ to East Coast venues and festivals with new album: Starvation Box

Named by Doug Mulray in 2003 as “the best acoustic blues band in the country”, and with an abundance of career awards including ‘Band of the Year’ (Rolling Stone), ‘Best Live Australian Blues Act’ (Blues on Air Magazine) and ‘Blues Album of the Year’ (Rhythms Magazine), Backsliders are leaders and virtual pioneers in their own genre: the ‘delta-blues wall of sound’.
Continue reading Backsliders – New Album and Tour Dates

SLEEPMAKESWAVES Album Launch @ TONE, Surry Hills NSW – 21 July 2011 | Gig News

  Sydney based instrumental rockers SLEEPMAKESWAVES are set to release their debut album ‘…and so we destroyed everything’ in July 21st 2011. The first single from the release is a driving melodic anthem titled ‘(HELLO) CLOUD MOUNTAIN.’

The track is a dramatic showcase for the band, focusing on a glittering melodic hook that is embossed by Dax Liniere’s lush production and the band’s heaving

musicianship. With a memorable climax and unique arrangement, (hello) cloud mountain signals the band’s continued desire to push into new musical territory.
Continue reading SLEEPMAKESWAVES Album Launch @ TONE, Surry Hills NSW – 21 July 2011 | Gig News

Sleeping With Sirens – “Let’s Cheers To This”

Review by: Sibel Kutlucan
Wow! It is fair to say with Let’s Cheers To This, Sleeping With Sirens have came a LONG way since their first album release, With Ears to See and Eyes to Hear, which was released just last year, and definitely wasn’t the best way to break into the scene. I was ready to give up on the American post-hardcore band, hailing from sunny Florida, however with a deep breath and a strong cup of coffee I was ready to tackle Let’s Cheers To This and boy was I surprised.
Continue reading Sleeping With Sirens – “Let’s Cheers To This”

Blind Guardian ‘At The Edge of Time’ Australia Tour 2011 | Sep/Oct 2011

  Rockstar Productions, in conjunction and association with Metal Massacre Online, Blasphemy, Metal Obsession, and Riot Entertainment proudly presents ‘Blind Guardian – At The Edge of Time Australia Tour 2011’.

Performing to an all age show in Sydney for the very first time ever on Friday 30th September 2011 and then heading to Melbourne for their last show in Australia on the 2nd of October.

The band’s latest release, ‘At The Edge of Time’ leaves absolutely no doubt that BLIND GUARDIAN still prevails as a leading protagonist in the Melodic/Prog genre. In the late ‘80s and early ‘90s, Germany’s BLIND GUARDIAN conquered the hearts of the worldwide metal community with their releases “Battalions Of Fear” (1988), “Follow The Blind” (1989), “Tales From The Twilight World” (1990), and “Somewhere Far Beyond” (1992). On their first tour of Japan they played to a captivated 4,000-member Japanese audience. To commemorate this amazing experience, BLIND GUARDIAN recorded “Tokyo Tales Live” (1993). Not only did the releases “Imaginations From The Other Side” (1995), “The Forgotten Tales” (1996) and “Nightfall In Middle-Earth” (1998) go on to receive great support from fans and critics despite harsher conditions in the music industry; even more triumph was waiting. While they attained ‘mega-star’ status in South America, they also became regular guests and headliners at esteemed festivals such as Bloodstock in the U.K. and Bang Your Head! & Wacken:Open:Air in Germany.

The concept album “Nightfall In Middle-Earth” (1998) – based on the book “The Silmarillion” by fantasy icon J.R.R. Tolkien (“Lord Of The Rings”) – reached #7 in Germany and stayed in the upper single-digit ranks for two months. 2002’s “A Night At The Opera” and 2006’s “A Twist In The Myth” (which showcased the talents of new drummer Frederik Ehmke) were both in the Top 5 and secured BLIND GUARDIAN’s reputation.

Four years in the making, “At The Edge Of Time” is the title of the new BLIND GUARDIAN master work. Once again, the focus is on the bright sound of their signature orchestral compositions which do not need any synthetic enhancements. “At The Edge Of Time” combines song writing excellence, distinct character, and high-class musicianship into one.

“With every release, we want to define ourselves on a new level”, states main man Hansi Kürsch. After all the worlds BLIND GUARDIAN has taken us to since 1988, few would believe there are still new lands to discover in their music. “At The Edge Of Time” frees us all from the concept of “terra firma” and carries us into the dimension of time, where imagination knows no limits, where all worlds exist at once, and where all existence is drenched in song for all time.

Performing tracks off their recent smashing chart topping album and with the assurances of the band playing the fan favourites stemming back from 1988 until now, there is no other live show like BLIND GUARDIAN. Supported by Australia’s premiere power metal band, ‘Black Majesty’ along with Australia’s premiere Power/Prog act, ‘Eyefear’, coincidentally marking that acts new album release, this will not be another live show where band members stand around a stage, this will be an experience that will be etched into your memories forever and a day.

If you missed them last time around, DO NOT miss them this time; you may just miss your last opportunity to see BLIND GUARDIAN in Australia!

BARDS WE ARE! BARDS WE WILL BE!

www.blind-guardian.com

TOUR DATES:

Fri 30 Sep 2011 – Factory Theatre NSW
Sun 2 Oct 2011 – Billboard The Venue, VIC – BUY TICKETS HERE
Mon 3 Oct 2011 – Billboard The Venue, VIC – BUY TICKETS HERE

Bhagavad Guitars – ‘Unfamiliar Places’ | Album Review

Review: Billy Geary

  Reforming bands after a long time away from playing can be tricky business. There’s a plethora of questions that need to be asked – Will the band’s new material stand up to their back catalogue? Does the band have the same passion for music they once did? Will the band’s original fan base still exist after so long out? More often than not, it is these things that result the failure of any attempted come back by most bands – think the increasing irrelevance of The Smashing Pumpkins or the disaster that was Guns and Roses’ Chinese Democracy. Sometimes, it just isn’t meant to be.

Continue reading Bhagavad Guitars – ‘Unfamiliar Places’ | Album Review

The Snowdroppers – ‘RUN YOU DOWN’ | Video Clip

The Snowdroppers


The Snowdroppers at Byron Bay Bluesfest 2011


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Continue reading The Snowdroppers – ‘RUN YOU DOWN’ | Video Clip

Stone Parade – ‘Stratosphere’ | Album Review

Review: Billy Geary

  Stone ParadeStratosphere

Decent, straightforward rock music is becoming increasingly hard to find in Australia of late. With the recent break up of Silverchair and Powderfinger, arguably the country’s biggest rock bands, there is a huge void to be filled. Since the release of their sophomore album, Stone Parade have shown that they have the potential to fill that void. Chock full of outstanding instrumentation and hard hitting hooks; Stratosphere should by all rights shove them right into the spotlight.

Coming across as the devil child of The Killers and Incubus, Stone Parade have mastered the art of infusing subtle experimentation in to short, sharp and catchy alt rock. Opener and lead single ‘Paranoia’ is a testament to this, with Greg Byrne’s slick vocals cutting through the chunky guitars and percussion. Its off kilter sound is somewhat misleading when compared to the rest of the album, which is by no means a bad thing. In fact when the band venture into more straightforward territory they excel also. ‘Children of the Lost Empire’ and ‘Desert Rain’ are perfect examples of this.

Elsewhere, ‘Mr Spaceman’ could have been taken straight off The Killers debut, complete with a smattering of keyboards and one of the more infectious choruses on the album. ‘Black Dove White Heart’ follows the same trend, coming across as the bastard child of Muse and Incubus.

The title track features one of the better choruses on the album, with vocalist Greg Byrne seemingly channelling Brandon Boyd, which is by no means a bad thing. In fact, one of Stone Parade’s biggest assets, particularly on Stratosphere are Byrne’s vocals. This is particularly prevalent on tracks such as ‘Paranoia’ and epic 7 minute closer ‘August Tide.’ Complete with strings and an array of other instruments, the more experimental closer is one of the best songs on the album, if just for the fact that it shows they can branch out their sound and still remain interesting.

Where Stratosphere’s true strength lies is in the fact that while it is made up of what seems like straightforward rock songs, under the surface there is quite a bit of experimentation. What this does is ensure Stone Parade stands out from the crowd, particularly on tracks such as ‘Paranoia’ with it’s off kilter melodies and the very impressive ‘Indian Wolves’ where the band make use of a didgeridoo to outstanding effect. It is in these songs that the five-piece show their true talents, maintaining an errant catchiness and remaining ever interesting to listen to.

With the quality to be found on Stratosphere, Stone Parade definitely have the potential to become one of the bigger rock bands in Australia. Writing a few more songs like ‘Paranoia’ is going to see them get there pretty damn quickly. Stratosphere truly announces Stone Parade as the kings of Australia’s young breed of rock, showing bands like Birds of Tokyo and Gyroscope that they’ve got some competition coming at them pretty damn fast. Stratosphere is an outstanding record from one of Australia’s most promising up and comers.

Review: Billy Geary

Stratosphere - Stone ParadeStratosphere – Stone Parade


** Have you heard the album? Leave a comment below… we’d love to hear your thoughts!


Related:
* Take Five With… Stone Parade frontman Greg Byrne
* Stone Parade – ‘Paranoia’ – Video Clip

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* Search for articles by Billy Geary…