Album Review: Karnivool – Asymmetry
Asymmetry is likely to be the most rewarding, innovative release of the year.
Asymmetry is likely to be the most rewarding, innovative release of the year.
By the time John Lydon (aka Johnny Rotten) had made it to Melbourne’s Palace Theatre, the walking headline had left in his wake a storm of controversy…
Soundwave. Yes, it’s that time of year again. Where, for two weeks rock fans across the country come out of the woodwork to celebrate all things heavy, following one of Australia’s biggest travelling music festivals around the country.
The last time Periphery played in Melbourne, back in 2011, they sold out the Hi-Fi Bar weeks in advance, highlighting just how popular the band is in the land down under.
After being thrust a handful of earplugs upon entering the venue, due to My Bloody Valentine’s famed loudness in the live arena and the band meandered their way on stage a little after 10, all trepidation quickly disappeared…
The evergreen Red Hot Chili Peppers played a mostly outstanding set that traversed the entirety of their back catalogue.
As is the case with many bands that are somewhat lesser known, despite being critically acclaimed and possessing a stellar live sound, British four piece 65daysofstatic have taken quite a while to finally make it down under.
Let’s start this off by stating the obvious, The Living End are one of Australia’s most loved rock bands.
The reformation of Swedish punk icons Refused back in April sent fans world wide into a frenzy.
It’s a remarkable achievement for a festival barely two years old, succeeding in delivering a wonderful layout and some truly special music. I might as well buy my 2013 ticket now.
Their debut album, Silent Machine shows the same tendency, with added heaviness and polish.
Having made the trip out here for last year’s infamous Counter Revolution festival,
Seeing Clint Boge in a smaller venue and decidedly less serious than his time in The Butterfly Effect was more than refreshing, showing a completely different side of the singer. It was a great gig, suggesting Boge’s solo career is definitely full of promise.
With the annual Splendour in the Grass festival letting loose in Bryon Bay, the sideshow circus around the country was in full swing. Co-headlining Splendour was the infamous Smashing Pumpkins, lead by vocalist/guitarist Billy Corgan with a new album in tow.
Saturday night was an absolutely outstanding return from a band dearly loved by Australia. The break has clearly worked wonders for The Tea Party, the three-piece looking completely revitalised and ready play music together for a long while yet.