Sydney Pop/R&B singer, Ryan Morgan is scheduled to release his debut single ‘Surrender’ on March 17 (2014).
Currently finalising the tracks on his forthcoming EP, ’Surrender’ is certainly enough to whet your appetite for Ryan Morgan and what will become his musical imprint. Written and self-produced by Morgan, ‘Surrender’ is a song about succumbing to your deepest passion. Working together with Director/Videographer Patrick Jaeger, Videographer Celia Yu, Editor Benjamin Hargrave and Australian model Cindy Carino, Ryan simultaneously debuts his music video for the single.
Continue reading Ryan Morgan dances on water for debut single ‘Surrender’ (Official Video)
Achoo! Bless You, a Sydney folk-pop duo comprising singer-songwriters Ashleigh Steel & Ross James Tipper, first came to light in 2012 with the debut EP No Island. Their lead single ‘Before We Say Goodbye’ caught the attention of FBi and triple j Unearthed at radio and saw them share stages with the likes of Passenger (UK), Slow Club (UK), Tim Rogers, Tiny Ruins (NZ) and most recently, The Trouble With Templeton on their Australian national tour.
Scottish rock band, Biffy Clyro, have announced that they will return to Australia in September for a national headline tour. Having just finished touring on Soundwave Festival with two SOLD OUT headline shows in Sydney and Melbourne, punters should move quick to see the band in all major cities.
“For our community of around 200 people there is one general store, one school, no mobile phone range and little access to the internet. But Ikuntji [aka Haasts Bluff, NT] is much more than the town itself – it’s the rocky hills, the red earth, the country of our Dreaming, our grandfathers’ country.” Tjintu Desert Band.
**** TOUR UPDATE ****
Anathema’s Australian fans have been waiting patiently for almost 25 years and your innumerable emails and requests have finally borne fruit – Anathema are making their long awaited first visit to our shores!
In the great lottery of the Sidewave venue scramble, Placebo must surely have pulled the short straw. Not that St Kilda’s Palais Theatre is generally anything to be disappointed with – its grungy dilapidation holds a special place in Melbourne’s rock vernacular. But when it comes to a furious set by one of the world’s best emotive post-punk purveyors, those torn leather seats are just woeful.
