Category Archives: Review

CD Review: John Butler Trio – One Way Road

Review by: Lana Harris

One Way Road   John Butler Trio have been injecting mainstream consciousness with a social conscience since 2001. Along the way, John Butler has added fans, lost the dreads, changed the line up, but kept the message the same. The unique voice, more likely to sing about the heartbreak caused by cruel, heartless companies rather than a cruel, heartless lover, has played both Woodford Folk Festival and the Big Day Out, a testament to the diversity of hearts strings twanged by his 12 string banjo.

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Live Review: The Fumes @ The Zoo, Brisbane 12 December 2009 w/ Marshall and the Fro

Author: Hannah Collins
It’s Saturday night at The Zoo, time to kick back, get your hat on, and knuckle down for the rockabilly blues ensemble that is The Fumes.

Venue not even at half capacity, making stage front space an easy grab, 3 piece Marshall and the Fro introduce us to a very fun filled evening. With influences like Dallas Frasca, Blue King Brown and Tool, the bluesy rock set saw everybody’s feet sliding backwards and forward’s in time with the drums. Bass player Tracy Stephens looked great in a little red and white pokerdot dress, her bass pumping blues down the spines of eager onlookers. Their unique light rock, beefy but slow with it’s rockabilly undertone seemed to really intrigue.
Continue reading Live Review: The Fumes @ The Zoo, Brisbane 12 December 2009 w/ Marshall and the Fro

Live Review | Lamb Of God @ Riverstage Brisbane 11 December 2009 w/ Devildriver, Shadows Fall and High on Fire

Author: Lana Harris
Lamb Of GodThe afternoon brought with it dark clouds that took away the light but not the heat, and those of us wrapped in black shuffled through the cyclone wire fence that surrounds Riverstage dripping with something a bit more corporeal than anticipation.

High on Fire began as soon as the gates opened, which meant they finished while I was still trying to fuel up on full strength beer before entering Riverstage’s mid-strength terrain. High on Fire are rumoured to have a huge sound, structurally destructive to smaller venues, and I had been keen to watch that sound explode in the open air of Riverstage. But with four bands scheduled, and only four hours to fit them in before Riverstage’s 10pm curfew, I should have known better.

Shadows Fall were second up, and put on a short, powerful set which showcased the blistering guitar solos the band are known for.

Continue reading Live Review | Lamb Of God @ Riverstage Brisbane 11 December 2009 w/ Devildriver, Shadows Fall and High on Fire

Live Review & Photo Gallery: Fergus Brown w/ Richard in Your Mind, Wim, Sherlock’s Daughter and Brian Campeau @ The Oxford Art Factory – 10 December 2009

Author: Vittorio E.
Photographer: Arfy Papadam

click image to view gallery
Fergus Brown
[Photo: Arfy Papadam]
  The first trip to the bathroom reveals that we’re in for a longer night than we could have possibly expected. It’s a Thursday night – a school night, I stress – and the bill on the door leading to the toilet declares that there will be five bands on the night. The last Fergus Brown is to start at a quarter to midnight, and will be filmed for the forthcoming feature film, LBF.

Brian Campeau is up first, and he’s brought one quarter of his band, The Common Misconceptions, along for support. She, a certain Elana Stone, accompanies on accordion and vocals. Brian Campeau is a folk singer – or at least what he does is grounded in folk; the reality is that the music is a little spacier than all that. It’s partly the reverb and partly his inventive guitar playing style, in which the rhythm is supplemented by harmonics, trills, hammer-ons and surprisingly inventive tapping. He sings four songs, she sings two, and the crowd is entranced.

Continue reading Live Review & Photo Gallery: Fergus Brown w/ Richard in Your Mind, Wim, Sherlock’s Daughter and Brian Campeau @ The Oxford Art Factory – 10 December 2009

Live Review: Mono, laura, Del Toro @ The Hi-Fi, Brisbane 6 December 2009

Reviewer: Denis Semchenko

Mono
[Photo: Stuart Blythe]
  Concluding my adventures in Hi-Fi (Brisbane) (to paraphrase an R.E.M. album title) for the week – Sia on Thursday, Jarvis Cocker on Saturday – is a Sunday night event with a bill that looks like post-rock lover’s wet dream: Japanese celestial noise giants Mono, sublime Melbournians laura and Brisbane’s own math soundscapists Del Toro. In contrast with the packed earlier shows, there’s room to move and the alcohol-fuelled rowdiness, frequent at “name” gigs, is absent: everyone’s here to listen to MUSIC.

Continue reading Live Review: Mono, laura, Del Toro @ The Hi-Fi, Brisbane 6 December 2009

Live Review | Dream Theater @ Brisbane Convention Centre 3 December 2009 with Pain of Salvation

By: Hannah Collins

With the Majesty symbol out in force, The Brisbane convention centre slowly begins to fill as fans old and new await a set of mammoth proportions.

Dream TheaterThe venue is still relatively empty as support act, Pain Of Salvation (Sweden) begin to play. The 5 piece, consisting of Daniel Gildenlöw (vocals/guitar), John Hallgren (Backing vocals/Guitar) , Fredrik Hermansson (synthesizers) Léo Margarit (drums/backing vocals) and Per Schelander (bass guitar/backing vocals) announce themselves as “A Swedish band, with a French drummer… somewhat like Meshugga, but with notes”… an interesting analogy.

Their sound comprises of powerfully accentuated guitar work, progressive yet full, with a large and differential vocal range, being contributed to by the excessive use of backing vocals from three different members of the band. Although submitting to be a backup vocalist only, Hallgren seems to have a larger more substantial vocal sound, not only contributing to backup but taking whole sections of songs to claim as his own with his husky larger than life undertones.
Continue reading Live Review | Dream Theater @ Brisbane Convention Centre 3 December 2009 with Pain of Salvation

Live Review: Aria Awards 2009 Red Carpet Wrap up

The Aria’s Red Carpet
By: Bek Grealy
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[Photos: Stuart Blythe ]

36 degree heat blistered the red carpet as an entourage of stylish Limousines followed suit to the entrance of the red carpet. The fans eagerly awaited their stars, one hand grasping their digital cameras in anticipation, the other holding a makeshift fan and the odd shout of “Robbie or Keith” could be heard from a distance.

As the stars made their way up the red carpet, photographers, Television production crew and journalists fought their way to the front to capture the moment.
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EP Review: Tara Simmons – All You Can

Review: Lana Harris

Tara Simmons   There are very few musicians about today who can craft such an accurate visual portrait of their music as Tara Simmons has done with her new EP, All You Can. The cover depicts a childish collection of objects – colourful magnetic letters, a doll with a crocheted dress, plastic representations of party foods, but on closer inspection… there are dismembered doll limbs in display jars on the wall, an unconscious hamster lying inert on the worn table. The tainted innocence portrayed fits Tara’s music on All You Can all too well. Track three, ‘Rosemary’ begins as a gentle folky song before swelling to a dirge like chorus and revealing itself lyrically as the deconstruction of a discourteous woman. Track one, ‘The Fundamentalist’, has reverential overtones, with its choral back up vocals and organ chords, but I wonder if Tara is playing with her

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Live Review: Karnivool, Regular John, Coerce @ The Tivoli, 25 November 2009

Karnivool
[Photo: Stuart Blythe]
  Karnivool, Regular John, Coerce @ The Tivoli, 25.11.2009
By Denis Semchenko

Having successfully escaped my Pearl Jam fan-invaded neighbourhood, by the time I get to The Tivoli openers Coerce have already finished. From a friend’s account, the UK combo played a solid set of angular prog-rock with At The Drive-In leanings, which would have by all means made for a decent listening experience for this writer. For the time being, though, Sydneysiders Regular John will do – and they do it with gusto, cranking up heady garage-rock riffs and pentatonic licks and flailing the ‘70s long hair. Some post-2002 Grinspoon echoes are heard throughout but the quartet’s overall feel is that of the ballsy vintage rock & roll, somewhat incongruous given the headliner’s complex, emotion-drenched oeuvre, yet fun nonetheless.

Continue reading Live Review: Karnivool, Regular John, Coerce @ The Tivoli, 25 November 2009

CD Review: Hungry Kids of Hungary – Let You Down

Review: Lana Harris

Hungry Kids Of Hungary   Flutes have a fairy tale history of hypnotising the impressionable – think of the Pied Piper of Hamelin leading the children from the city, and the forest dweller Pan and his pipes that make maidens dance until sunrise. Is it just a coincidence that a trilling flute introduces Hungry Kids of Hungary’s new single ‘Let You Down’? The song is the first taste of the ‘Kids debut album, due out in 2010. Prolific bunch – the release follows straight off the back of Mega Mountain, released just this year, and home to Triple J rotated singles ‘Old Money’ and ‘Set it Right’.

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CD Review: The Boat People – Echo Stick Guitars

Review: Lana Harris

The Boat People   Are The Boat People benefiting from all the media coverage of a certain method of arrival upon our land girt by sea? Like the refugee boats, they’ve recently taken a new direction, ending up in previously unexplored waters. The audio land about turn has definitely benefited The Boat People. Previously an Indie pop band, the new single ‘Echo Stick Guitars’ presents the four piece as Australian electro pop. The song made me feel like I was joyfully stumbling through a fluro hued platform game, the lack of depth made up for by the easy accessibility
to a steady beat that bounces you along. Robin Waters (who penned the tune) says he came up with the chorus (hey champions, hey violins, hey echo stick guitars) by stringing together heroic sounding words in a Tasmanian gorge at night. I’m wondering which other spooky Australian landscape inspired the velodrome reference later on.

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Live Review: Cloud Control and Leader Cheetah at the Annandale Hotel, Sydney 21 November 2009

By Natalie Salvo

The Sydney music scene has received a number of heavy blows with the closure of the Hopetoun Hotel; Purple Sneakers vacating the Abercrombie; and talk of legal quibbles between the Annandale Hotel, local council and residents. Sure, a lot of people have shown their support, but its not much help without actual audience numbers. Hang your heads in shame, Sydney, because the Annandale Hotel was only half-full for Cloud Control and Leader Cheetah’s all-ages matinee show on Saturday. What you missed was two up-and-coming bands putting on a really enjoyable afternoon of entertainment that was worth far more than virtual signatures in the sky.
Continue reading Live Review: Cloud Control and Leader Cheetah at the Annandale Hotel, Sydney 21 November 2009

Live Review + Photos | Kate Miller-Heidke @ Enmore Theatre, Sydney 20 Nov 2009

Review: Patrick Harrison
Kate Miller-HeidkeThe mosh pit at the Enmore theatre was packed out from wall to wall before the support acts – had even left the stage, and the seats quickly filled up. As soon as Kate Miller-Heidke hit the stage, the excited hubbub exploded into a minute’s solid applause. She lived up to her usual image – with freshly dyed hair and a dress made out of purple frills and silver tinsel. And, as soon as she started playing, everyone in the house knew they were in for something special. The whole crowd fell dead silent to hear her open with “Our Song”, a honest and emotional performance that Kate starts over her partner Kier Nuttal’s guitar before the rest of the band comes in.
Continue reading Live Review + Photos | Kate Miller-Heidke @ Enmore Theatre, Sydney 20 Nov 2009

Live Review | Hungry Kids of Hungary @ The Zoo, Brisbane with Deep Sea Arcade and Ball Park Music – 14 November 2009

Photo and Words: Elize Strydom

Hungry Kids Of HungaryThe Zoo is filled with fresh faced lasses in floral dresses and boys with floppy hair and dance pants. As soon as the six members of Brisbane’s Ball Park Music hit the stage to room is on its feet and inching closer to the stage. It’s like were being sucked forward by the gloriously poppy sounds and irresistibly jangly guitars. And the trombone. How can anyone resist a trombone? This collective of shiny, happy young’uns have spent much of the year gigging around the city and attracting a little pack of supporters. They released an 8 track debut “Rolling on the floor, Laughing ourselves to sleep” early this year and some of the tracks have come to the attention of triple j heavyweights.
Continue reading Live Review | Hungry Kids of Hungary @ The Zoo, Brisbane with Deep Sea Arcade and Ball Park Music – 14 November 2009

Live Review | ARCH ENEMY @ HI-FI Brisbane 7 November 2009 with Winds of Plague (USA) and Suffocation (USA)

Review: Hannah Collins

Arch EnemyHaving spoken with Michael Amott re their most recent Album launch and subsequent tour schedule only last month, I can’t wait to see one of today’s most sought after guitarists in action!

Just 10 minutes after doors opened at the venue, we hear the drum beats blast into the night air as the building we’re in and those surrounding begin to vibrate in time with the pressing percussion seeping out through the walls of Brisbane’s Hi Fi Bar; a whole block away!

My heart misses a beat, and my conscious won’t forgive me if I miss ANY of tonight’s gig, so off we run. We’re greeted at the door by an almost empty line up, all the smart kids got inside a while ago. A sea of black awaits, a room full of metal heads all wearing their favorite bands most recent album cover, pressed on casual tee’s and worn over classic ink….. it doesn’t get any more metal than this!
Continue reading Live Review | ARCH ENEMY @ HI-FI Brisbane 7 November 2009 with Winds of Plague (USA) and Suffocation (USA)