Review by Ben Connolly
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Rock can be such a bitch of a game. One day you’re the toast of the town, an EP in the shops, a film clip on Rage and some choice words thrown your way from the national youth music broadcaster. Then you decide to cram all your gear into a van and tumble a thousand kilometres south only to be greeted by a mid-week pub, almost empty apart the other bands on the bill and a few uneager passers-by; shitty sound only adds to the drama. And that’s where it all goes pear-shaped for Sydney-siders Only The Sea Slugs with its recent gig at Melbourne’s Yah Yah’s. |
Continue reading Only The Sea Slugs @ Yah Yahs, Fitzroy – October 27, 2011 | Live Review
The meteoric rise of Dead Letter Circus in the past 18 months is no secret. Having quickly moved from the small, intimate feel of the Espy to regularly selling out the substantially bigger HiFi Bar and touring the UK and America, its fair to say that DLC are doing all right. Back in Melbourne for yet another jaunt around Australia, this time for their “No Fracking Way” Tour, Brisbane alternative rock darlings Dead Letter Circus were at the top of their game on Wednesday night.
The Evelyn Hotel is one of the best smaller scaled venues in Melbourne, with many a band’s careers having kick started at the pub. Even band’s like Muse have played there before they found stardom. Therefore it was the perfect place for some of the country’s better young rock bands to show their wares to a decent sized crowd.
On Sunday night in Melbourne; Periphery, Tesseract and Twelve Foot Ninja claimed gig of the year. It’s that simple. Upon arriving 20 minutes before the doors opened, in order to get barrier spots, the line to get in was already stretching 75 metres down Swanston St, causing that idea to be promptly dismissed. To put it in perspective, the other shows on this tour were at venues with capacities of 400-500 people and only Sydney managed to sell out. 
“Singing in an unfaltering voice, and projecting an exuberant air, Mr. John behaved more like a master of ceremonies than a guest of honor. His patter between songs was affable enough to defy the dimensions of the arena.” New York Times 
