Reviewer / Photographer: Wezzy Cruze
Friday, November 28th, 2014 marked a great day for rock n’ roll enthusiasts.
With the highly anticipated release of ‘Rock or Bust’, the 16th release from AC/DC hitting the shelves of stores worldwide, it was in Brisbane, Queensland that the locals were treated to a one of a kind performance being put on by one of Australia’s greatest pub rock bands, The Choirboys, as they performed the classic AC/DC album, ‘High Voltage’ in its entirety.
The Choirboys were doing a six date tour over three different cities, with ‘High Voltage’ being preformed on the Friday night, and ‘Highway To Hell’ on Saturday evening. Each album’s set was also followed by a great hour long performance consisting of classic hits from The Choirboys back catalogue.
Continue reading Live Review | The Choirboys perform AC/DC’s High Voltage @ New Globe Theatre, Brisbane – November 28, 2014
The Church were greeted to a nostalgic roar last night as a jam-packed Mullumbimby High gym leapt to it’s collective feet in near 40-degree heat to welcome the Eighties legends to town.
Within seconds of the first chords of AWOL, the lead track off Augie March’s return opus Havens Dumb, one thing is abundantly clear: just how large the Augie March-sized hole in the Australian musical landscape had become.
In the past decade, there’s been a dynamic shift in the way the music industry works. With more music based reality television shows taking the primetime slot, and contestants being handed record deals like they’re going out of fashion, we’ve seen the indie bands being placed on the back burner – some going bust, some barely hanging on. So one question remains: Whats the key to an indie band staying afloat in a world dominated by generic, autotuned, reality show produced popstars?