By Natalie Salvo
thenewno2’s debut album sounded more like Beck than the output of Beatle progeny. The comparison to the Fab Four was inevitable as the project is the brainchild of Dhani Harrison (son of George Harrison). And while Dhani looks and sounds like his famous father, the music actually falls on the opposite end of the musical spectrum. Again, Harrison has teamed up with his friend and famed engineer, Paul Hicks (son of The Hollies’ Tony Hicks) and it’s clear the two share their tastes in modern music.
Their sophomore effort, thefearofmissingout is generation Y to a tee. The concept is a contemporary problem used to describe an individual’s restlessness at wanting to do it all (no doubt a product of seeing their friends on Instagram and Facebook at exotic locations and doing all sorts of exciting things). It means you don’t want to miss a thing, whether it’s going to the next party or meeting the next guy or gal and this often manifests itself as an awful lot of indecision.
Continue reading Album Review: thenewno2 – thefearofmissingout
The art of blending hip hop with a multitude of genres is on the rise and has recently been done by Bliss & Eso and East Londoner Plan B. The latest to be inducted into the fold is 
Guitar genius Joe Robinson has a list of credentials that would make most musicians three times his senior envious. Playing stages at prestigious gatherings like Bonnaroo Music Festival; being named Best New Talent in Guitar Player Magazine’s Readers Poll and making the Top 50 Best Guitarists list in Australian Guitar to name a few. 
“Blow Your Own Trumpet – A Musician’s Guide to Publicity & Airplay” is a book for self-managed artists, budding music managers and music industry students, written by Stacey Piggott; publicist and director of Two Fish Out Of Water. Life Music Media caught up with Stacey for a chat…
It’s been a busy year for Sydney duo 
Just about every time you think music is becoming stale, over-saturated or downright boring, there’s always a band ready and waiting to put your faith back in music. Twelve Foot Ninja are one of those bands. Forming in 2007, Twelve Foot Ninja quickly rose to prominence, releasing two EPs packed with genre bending moments of reggae, metal, funk, dub and hardcore, sometimes within the same song. Their debut album, Silent Machine shows the same tendency, with added heaviness and polish.
Australian death metal fans generally aren’t quite as lucky when it comes to high-profile gigs like their brethren who enjoy less-heavy strains of metal. You could probably blame the state of the music industry for the lack of international death artists all the way over here to our little patch of dirt in the middle of nowhere.
Tonight’s all-ages gig meant it was an early start for punters hoping to check out all four bands playing The Big Top at Sydney’s Luna Park. While the eager crowd wrapped its way around the Luna Park grounds in serpentine fashion, patiently waiting for the doors to open, it seems as though most of the other press outlets missed the memo on playing times, with the photo pit looking rather barren for opening act, 
On a darkened stage and with little fanfare, a pretty and bespectacled 
It’s been a busy year for singer/songwriter 