Category Archives: Review

Live Review: Apocalyptica @ The Hi-Fi, Sydney – 31 August 2012

Review by Meghan Player
It’s been a long time coming for fans of Finnish band Apocalyptica to finally catch the band on Australian soil for the first time in their 16+ year career – and it was well worth the wait.

As the band take to the stage to a roar from the local crowd, the first thing you must remember is to forget everything you know about ‘traditional’ metal bands and their sound. Apocalyptica not only redefines what makes a great metal band, but the manner in how the sound is achieved.

Arming themselves with cellos [yes, cellos], the band whip through melodic frenzies of gorgeous noise – willing the crowd into an incredible sense of awe. The head banging, hair twirling spectacle doesn’t cease through the bands entire set – never disengaging, never boring, never predictable.
Continue reading Live Review: Apocalyptica @ The Hi-Fi, Sydney – 31 August 2012

Live Review: Kate Miller-Heidke @ The Hi-Fi, Brisbane with The Beards – 26 August 2012

Review by Lauren Sherritt
There is little more satisfying on a Sunday evening than experiencing some really top-notch live music, and the show put on by Kate Miller-Heidke and The Beards at Brisbane’s Hi-Fi last night did more than fill this need. Theatrical, funny, poignant and breathtaking, the two acts complemented each other perfectly to create an evening of bar-raising, quality music memories.

The Beards, who relatively shot (they are on their third studio album and already held a significant cult following) to fame late last year with song You Should Consider Having Sex with a Bearded Man, took to the stage first and blew the audience away. While at first appearance they might almost come off as a parody band, The Beards should not fool anyone with their all-about-the-beard appearance; these guys are seriously talented musicians.
Continue reading Live Review: Kate Miller-Heidke @ The Hi-Fi, Brisbane with The Beards – 26 August 2012

Live Review: SLASH @ Brisbane Riverstage – 23 August 2012

Thursday night saw the return of SLASH to our shores as he kicked off his Apocalyptic Love Australian tour.

Leading the way on stage, charismatic Myles Kennedy greets the Brisbane audience closely followed by SLASH ringing out the first notes of ‘Halo’. ‘Nightrain’ and ‘Ghost’ follow and the nights direction is set firmly on a collision course with pure rock & roll… and the crowd’s loving it!

For fans wanting an onslaulght of riffage, SLASH was more than happy to oblige with standout moments throughout the entire set but special mention to’ Slither’, Godfather Theme and ‘Paradise City’.

Bassist Todd Kerns was also given center stage to expose his vocal skills and quickly riles up the crowd with a explosive and frenzied ‘Doctor Alibi’ and ‘You’re Crazy’, kicking the crowd into top gear.

But it’s Myles Kennedy; who has proved to be a valuable band member over the years, his vocal talents and showmanship complimenting SLASH perfectly; that keeps the Slash swagger and groove on course, delivering a stellar performance.

Finishing off the night with crowd favourite ‘Paradise City’, a shirtless SLASH gave the crowd his best Chuck Berry duckwalk, coupled with yet another display of his guitar prowess. And Myles made more than a few punters happy by jumping into the pit, getting up close and personal with some eager fans.

Slash is firmly cemented in the book of guitar legends and given his performance at Brisbane Riverstage on Thursday night he will continue to be high on our radars for many a year to come.

Artist: SLASH
Venue: Brisbane Riverstage
Date: 23 August 2012


Click here to see all the photos from the night!

Setlist
Halo
Nightrain
Ghost
Standing in the Sun
Mr. Brownstone
Back From Cali
Beggars & Hangers-On
Rocket Queen
Not for Me
Doctor Alibi
You’re Crazy
Crazy Life
No More Heroes
Starlight
Guitar Solo / Godfather Theme
Anastasia
Sweet Child O’ Mine
You’re a Lie
Slither

Encore:
By the Sword
Paradise City

Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012

Review by Billy Geary
With the annual Splendour in the Grass festival letting loose in Bryon Bay, the sideshow circus around the country was in full swing. Co-headlining Splendour was the infamous Smashing Pumpkins, lead by vocalist/guitarist Billy Corgan with a new album in tow. In the lead up to Thursday night at Hisense Arena, there had been much speculation regarding the Pumpkins’ set. Corgan had previously stated that the band’s new album Oceania was to be played in full, aided by a ‘ground breaking’ spherical projection. The most striking thing upon entering the venue was how empty it seemed, with almost the entire top-level empty, as well as large chunks of the floor.

However, as the first few chords of ‘Quasar’ were played it became obvious for those who were there, that it would be a great show. Midway through Oceania, the more casual Smashing Pumpkins fans were getting impatient, with constant calls to play their old stuff. This only inspired the band to work harder, with Corgan visibly loving the opportunity to showcase the new record. Tracks like ‘The Chimera’ and ‘Pinwheels’ worked extremely well, with the former drawing the first large cheer for the night. Mention must be made of the image projection onto the giant sphere above the band as they played Oceania, it was a welcome addition that really gave an extra dimension to the songs that most weren’t too familiar with.
Continue reading Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012

Single Review: Art Of Sleeping – ‘Above The Water’

By Meghan Player
After the successful release of their single, ‘Empty Hands’, Brisbane 5-piece Art of Sleeping are about to release their latest single, ‘Above The Water’.

Not wasting any time, the track grabs your attention from the get go, with a wonderful, whimsical melody – beautifully complimented by frontman Caleb Hodges soulful, haunting vocals.

Drumming up comparisons to Grizzly Bear, the track progresses naturally, building into an achingly gorgeous chorus that grabs hold of your heart and mind. This is a band that not only grabs your attention, but deserve it.
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Album Review: Elliot The Bull – Elliot The Bull

By Meghan Player
With the local, and indeed international, alt rock/indie/folk sciences currently thriving thanks to the likes of Bon Iver, Grizzly Bear, Mumford & Sons and City & Colour – it was only a matter of time before the young Australian acts started enjoying some well-deserved attention.

Enter Central Coast quartet, Elliot The Bull.
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Live Review: The Tea Party @ The Hi-Fi, Melbourne with Georgia Fair – 14th July 2012

Review by Billy Geary
The Tea PartyOn the 13th of April last year, The Tea Party announced that they had reformed after a six-year break. A tour of their native country in Canada quickly followed and, as such, it was only a matter of time before the Reunion Tour made it to Australia. Saturday night at The Hi-Fi was the second show of the tour, the first being at Melbourne’s Palais the night before.

Lone support band Georgia Fair peddled their inoffensive indie/folk rock to a largely disinterested crowd. The pair soldiered on through their lively half hour set, eventually winning over a few early comers, despite the stark contrast in sound with the headliners. Newer track ‘Blind’ in particular managed to turn more than a few heads, however Saturday night was all about The Tea Party.
Continue reading Live Review: The Tea Party @ The Hi-Fi, Melbourne with Georgia Fair – 14th July 2012

Album Review | Breaking Orbit – The Time Traveller

Review by Billy Geary
Sydney four piece Breaking Orbit’s debut album The Time Traveller has been a long time coming, with a name change and some member shuffles preceding its release. The wait was certainly worth it, though. The Time Traveller has blown anything done by any other Australian progressively minded band out of the water, save for maybe Karnivool’s Sound Awake and Cog’s The New Normal. However, Breaking Orbit do things slightly differently, placing a heavy emphasis on the tribal and percussive elements in their sound. The result is a debut album of monolithic proportions.

The familiar amalgamation of heavy alternative and progressive genres is certainly apparent, however hints at tribal music and some dabbling in electronic samples ensure The Time Traveller stands out as a record in a vastly oversaturated scene. Opening track ‘Echoes’ is a slow burner with thudding bass guitar, soaring vocals and a distinct touch of post rock influence, immediately showing the band’s diversity. This trend continues throughout the record, with each track offering a different side of Breaking Orbit to the listener. Instrumental track ‘Machiguenga’ is the perfect example of this, featuring an array of tribal percussive instruments and flute passages.
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Album Review: Marilyn Manson – Born Villain

Review by Sibel Kutlucan
Born Villain is the eighth full length album from Marilyn Manson and has been deemed as the “comeback” and its fourteen tracks definitely reflect the reinvention. It is unique, catchy and offensive, all elements that definitely emulate the colourful frontman.

Born Villain is a great album, and I dare say one of the best from Marilyn Manson. The album tells a story and the fourteen tracks have a clear beginning, middle and end. It has the usual shock tactics so iconics of the band with confronting lyrics, such as Pistol whipped with “You look so pretty when you cry. Don’t wanna hit you but the only thing, between our love is a bloody nose/a busted lip and a blackened eye”. However some of the songs portrayed a more personal side and definitely had depth. ‘The Gardener’ which opens with Marilyn Manson whispering “I’m not man enough to be human but I’m trying to fit in and I’m learning to fake it” seems to be autobiographical and has a fantastic dance party on acid vibe.
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Album Review: Edward Sharpe and the Magnetic Zeros – Here

Review by Sibel Kutlucan
Edward Sharpe and the Magnetic Zeros have returned with their brand new second full-length album ‘Here’. The album is melodious, magical and yet sleep inducing. Having big shoes to fill after the popularity of their first album “Up from Below” (2009) and their hit single, “Home” they have made some distinct changes, some for the better and alas, some for the worst.

‘Here’ channels a relaxed 60’s vibe, with sing-a-longs, acoustic guitars and simple rhythms. It certainly hasn’t been as catchy for me as “Up from Below” and I was silently disappointed with how ‘tame’ it was mostly. With the opening track “Man on fire” frontman Alex Ebert singing “I want the whole damn world to come dance with me” and with the upbeat rhythm, I was anticipating an album that I could actually dance too or have something to really get into. Maybe it’s just me, but I did find it too smooth throughout after “Man on fire”; this wasn’t a particularly bad thing it just made more for background music and not something I would particularly go out of my way to listen to.

That being said they did have some high points for me, and ‘Mayla’ was definitely one. It was hypnotic and soothing, I just wanted to close my eyes and drift away. Its sweet ‘Kumbayah’ campfire sing-a-long quality was definitely something I could have on repeat if I just wanted to kick back and relax.

Jade Castrinos definitely has more of a primary singing position on ‘Here’, where she takes the lead on one of my preferred tracks, “Fiya Wata”. The track has more of a classic-rock sounding vibe in comparison to the rest of the 60s folk-rock sound on the album.

Ebert and co. have hinted at a third album coming out this year, and that the second release of 2012 with be the more ‘celebratory of the two’. Hopefully, we can expect another album with a bit more oomph. Edward Sharpe and the Magnetic Zeros are quirky and lovable, they may not appeal to the masses but ‘Here’ was pleasant sounding and didn’t have any ugly bits. I’d say I wasn’t completely won over but I’ll definitely have a listen to their upcoming material.

6/10.

Review by Sibel Kutlucan

http://www.facebook.com/themagneticzeros

Album Review: Cradle of Filth – Midnight in the Labyrinth

By Meghan Player
Cradle Of Filth have always been known for their signature take on the dark wave, gothic metal sound and grandiose theatrics. Latest offering, ‘Midnight in the Labyrinth’ – an orchestral selection of the bands first four albums – is no exception.

Opening with a glorious string section of sweeping, melodic sound ‘A Gothic Romance [Red Roses For The Devil’s Whore]’ pulls the listener into an album that not only celebrates the band, but reinvents the tracks that once pounded through your headphones.

‘The Twisted Nails of Faith’ sounds almost as if it has come straight from a melodramatic, theatrical musical – with striking strings, stirring vocals and choirs intertwining with frontman Dani Filth’s narrative growl.
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Album Review: The Delta Riggs – Talupo Mountain Music Vol.II

By Meghan Player
After the success of their break through track, ‘Counter Revolution’, The Delta Riggs bring their contagious and energetic take on rock & roll to their new EP, ‘Talupo Mountain Music Vol. II’.

Self-produced and cut in a single live session, the band blast through your speakers – from opener, [the aforementioned, ‘Counter Revolution’], to the downright funky, swinging sounds of ‘Used To Be My Baby’.

‘Money’ draws from the mid 60s, early 70s rock and roll that wouldn’t have looked out of place on a Led Zeppelin album. The infectious chorus and relatively simple tempo of the track would make any listener feel the need to get up and dance.

Following track ‘Mary’ blends a smoother, mellow and sexier sound than the previous offerings – demonstrating not only the bands unique style and personality, but their ability to transition and move between amazing sounds and melodies.
Continue reading Album Review: The Delta Riggs – Talupo Mountain Music Vol.II

Live Review: Simple Plan @ Hordern Pavilion, Sydney with We The Kings, The Never Ever – 1 June 2012

Review by Sibel Kutlucan
Simple Plan are well loved on Australian shores and for the last decade they have been dominant in the punk-pop scene. Fans young and old were in for a night like no other on Friday June 1st, when thousands of Aussies packed Sydney’s Hordern Pavilion in support of the French-Canadian quintet. I entered the venue as a 20-something year old music lover who once shared quite a strong love for their earlier music, and found myself leaving as my 13 year old self, excited and jittery. The night was a hot-bed of excitement, slightly naughty one-liners and infectious beats.

A quick glance at the line-up and you knew you were in for a night worthy of your funds and time with Simple Plan, We The Kings and local sensation The Never Ever! Teenage girls were practically frothing at the mouth right there! The Never Ever were a pleasant surprise; catchy, dancey and all that jazz. They even looked the part with vibrant clothing and slightly bizarre moves. The audience thriving around energetically enjoying their ‘Paramore’/’Cute is what we aim for sound’.
Continue reading Live Review: Simple Plan @ Hordern Pavilion, Sydney with We The Kings, The Never Ever – 1 June 2012

Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012

Review by Billy Geary
The OceanThe Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.

Upon descending the steps below Swanston Street, Sydney’s Lo! and their brand of chaotic hardcore was reverberating around the room and up the staircase. First impressions were good, with the quartet proving dynamic on the Hi-Fi’s stage. Front man Jamie-Leigh Smith screamed his way around the room, both on stage and off it and gradually won over an oddly surly audience over as their set progressed. Coming across as a mixture of Converge and Mastodon, the sludgy riffs from Carl Whitbread sounded huge over the PA, really driving the band’s sound into the punters present. At the conclusion of their set, it was more than obvious why they were hand picked by The Ocean to support the entire tour.
Continue reading Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012

Live Review: Dead Letter Circus + Fair to Midland + Twelve Foot Ninja @ Ferntree Gully Hotel – 17 May 2012

Review by Billy Geary
Trekking all the way out to Ferntree Gully for a gig is always an interesting experience and Thursday night was no different, with a line up boasting some of Australia’s and America’s best alternative rock bands. With Brisbane natives Dead Letter Circus having been on tour with Texan five piece Fair to Midland in the States for the past few months, it was time to bring the party (and Fair to Midland) back home for their own national tour.

Local staples Twelve Foot Ninja have been given the support slot for the entire tour, and clearly loving the experience. Opening with ‘War,’ one of the band’s heavier numbers, the audience was instantly engaged. The most impressive thing about Twelve Foot Ninja is their ability to move between genres with the flick of a switch, this trait exemplified through ‘FEAR’ and ‘Manufacture of Consent,’ both featuring plenty of heaviness with a dash of reggae and dub influences. Similarly, new track ‘Shuriken’ will be one to look out for on their forthcoming album showcasing vocalist Nick’s outstanding vocals and a smattering of samples. Twelve Foot Ninja’s set came to an end via a powerful rendition of ‘Clarion,’ reminding punters exactly why they’re known as one of the tightest live acts in Melbourne.
Continue reading Live Review: Dead Letter Circus + Fair to Midland + Twelve Foot Ninja @ Ferntree Gully Hotel – 17 May 2012