Review by Ben Connolly
Photos by Annie Wilson
In the great lottery of the Sidewave venue scramble, Placebo must surely have pulled the short straw. Not that St Kilda’s Palais Theatre is generally anything to be disappointed with – its grungy dilapidation holds a special place in Melbourne’s rock vernacular. But when it comes to a furious set by one of the world’s best emotive post-punk purveyors, those torn leather seats are just woeful.
Seated gigs are sometimes just the pits, with often fickle gig-going punters varying between reckless abandon and a studied aloofness, meaning that on any given night you can find yourself jumping to your heart’s content surrounded by fellow revellers, or having to reign in your exuberance or suffer the fate of a thousand daggers shot your way.
Continue reading Live Review | Placebo @ Palais Theatre, Melbourne – February 27, 2014
In the middle of the Soundwave hype, three bands united to put on an exhilarating show at the Metro Theatre in Sydney. From the outcome of the show, it was clear that this combination of bands pulled off an adrenaline induced show.
Gig talkers are just the pits aren’t they? The bane of any true fans, their inanities strike at the most inopportune of moments, ruining a classic heart on the sleeve moment or a strained high-note, in spite of the daggers of ice being shot across the room, or even the indignant ‘shushing’ from those more forthright in their opinions. Things get a little swayed, however, when those interrupting the moments are three fully grown lions displaying their pleasure/displeasure in no uncertain terms.
It almost seems absurd that a chart-topping US rock band like Alter Bridge should be playing a venue as small as Sydney’s HiFi. So, it makes sense that tonight’s show – a Soundwave sideshow – should be completely sold out. Indeed, the line of punters stretches from the front door, around the side and turns back on itself to the front door. The Tremonti (AB’s guitarist) tattoo taking one guy’s entire lower leg tells us that he’s probably been here most of the day waiting.
What a freakin’ line up! Tonight’s Soundwave sideshow has sold out Luna Park’s Big Top and had punters lining up around the venue since 9am. It’s hardly surprising when you have Nu Metal legends Korn and comic super villain Rob Zombie headlining the same bill.
The streets leading into Brisbane’s RNA Showgrounds were flooded with excited fans eagerly waiting for the gates to open to this years Soundwave festival. As far as the eye can see were show goers of all age’s shapes and sizes proudly wearing their favourite band moniker or dressed in attention seeking costumes. The gates open, the crowd spills in and the day begins. 
It begins… The first Soundwave Sidewave shows hit Sydney’s venues in earnest, with Maryland, USA nitro-charged rockers Clutch getting into the swing of things early at Sydney’s Metro Theatre. Supported by Melbourne four-piece Don Fernando, it’s the first time the rock royalty have visited our shores since 2010 and as vocalist/preacher Neil Fallon and his beard proclaim, “Let’s make up for lost time!”
This is apparently the first time US Southern Rock giants LYNYRD SKYNYRD have ever toured Australia in their 40+ years as a band! Judging by the number of tour T-shirts in the crowd from the past 20 years, many of the audience had seen them elsewhere!
Walking up Enmore Road to the venue, thinking about the 20 or more years since the two massive Live albums had left their mark on adult, contemporary rock music, and noting the ticket prices, there was a thought that this might be a somewhat “intimate” show – shows how switched on I must be – the Enmore was packed at 8.30pm enjoying the solo guitar ballads of Anita Lester from Lester The Fierce.
Even before Animals as Leaders take to the Metro stage, the venue is rapidly filling with excited, guitar-crazy punters. There are scores of Periphery shirts circulating and it’s almost impossible to find more than one of the same design – a testament to the band’s proactive approach to merchandise and self promotion. 
When The Jezabels’ released their debut LP Prisoner in 2011 it quickly received critical acclaim. The success of Prisoner elevated the band to new heights, and with that raised success came extensive touring – both nationally and internationally.
Come Australia Day, traditionally there will be a BBQ set up in the backyard with the Hottest 100 playing all afternoon. Or rather than that the family will be taken out for some inspiring journey to revitalize the bunch after the recent holiday celebrations. Though, while others were off to their own devices, many faithful punters attended the Sydney Showground in preparation for BDO. With fans as varied as the artist playing today. This day out offered its signature range of music genres to accommodate for everyone’s taste in music.
There was already a significant amount of water flowing under the bridge by the time Flemington’s famous iron gates were flung open for this year’s Melbourne chapter of the Big Day Out. With ownership wrangling continuing into a second year, a buy-out by one of Australian music’s most polarising characters, a line-up to end all line-ups only to be tarnished late in the day by the pull out of Blur, and now speculation that the national festival will once again be curtailed by Perth’s inability to get its shit together as a cultural collective. In some ways, 11am on the Friday before the long weekend was a welcomed event, if only to end the continual news feed of the daily life of Australia’s biggest orgy of rock.
From the opening strums of Wesley Shultz’s guitar, the old-timey crowd that had packed out the Tivoli was mesmerized. The stage was scattered with instruments – folksy staples like the mandolin, cello, glockenspiel, accordion, kick drum – with a large black and orange piano sitting front and center. The Lumineers sauntered onstage to thunderous applause, opening the night with a mildly popular, but incredibly catchy song, “Submarines”. This was quickly followed by “Ain’t Nobody’s Problem”, which, like most of the setlist, was unfamiliar to the audience but had a chorus that was repetitive enough for the audience to sing along with mild direction from Schulz. From there, the band was a seamless delight of instrument swapping suspender snapping and fedora twirling. Halfway through the set, Schultz requested that the audience “put away your cellphones”, trying to evoke a feeling of “all-togetherness” as they prepared to play their signature tune “Ho Hey!” As Schultz crooned the first verse, the audience, eyes closed, sang along. Couples held each other, rocking together, cell phones stowed away.
Arriving at the Hordern Pavilion early it was clearly already abuzz with a large groups of excited fans dancing along to and being drawn in by support band Gang of Youths. The band performing an excellent set, preparing the crowd and setting expectations high for the main act, Vampire Weekend.