Review by Billy Geary
This time of year in Melbourne, there’s only one thing on anyone’s mind in terms of music – Soundwave. This week, Australia’s biggest travelling festival rolled into Melbourne, bringing with it a whole host of sidewaves before the big day on Friday. On Tuesday night at Billboard, it was English stalwarts Enter Shikari, bringing with them Letlive. and Your Demise.
I’m just going to start off by saying American hardcore quintet Letlive. are good. Really f###ing good. Having not seen much of them other than a few Youtube videos prior to the night, they absolutely blew away myself and everyone else in the room with their energy and conviction to their music. Vocalist Jason Butler is an absolute maniac, hurling himself into the crowd within 30 seconds of the start of their set and continuing in the same fashion throughout, all the while screaming and singing to perfection. If anything, the only negative of their set was the mix too often drowning out Butler’s vocals. However, this just gave the punters in the front row the chance to sing and scream along even louder. letlive’s set was an absolute master class in how hardcore punk should be done, combining emotion and energy with perfection.
Continue reading Enter Shikari, Letlive. @ Billboard The Venue, Melbourne – 28th February 2012 | Live Review
Twenty-three years ago, on the week I was born, 
What is the collective noun for a group of fuzzed-out guitars? Is it a gaggle? Maybe a cacophony is more apt? Perhaps it could have been a murder, if it weren’t already taken by those pesky crows. I reckon it’s a joy of fuzz, as that’s certainly the feeling you get when confronted with a wail of tricked out pedal-laden guitars, as was the case at 
It’s fair to say that over the years Californian natives 
A cabaret show written about arguably the world’s most infamous and off the rails pop starlet, Britney Spears The Cabaret does not fail to deliver in any sense. Comic genius is coupled with unsettling and well timed truth-telling, while a masterful cabaret performance makes the show count as top notch entertainment.
With 20 years under its belt and a major crisis in confidence, 
M.C.U.D (Hed’s Jahred Gomes) stops to briefly meet and greet fans at the back of the line before piling into a minivan and fleeing the scene, permitting the venue doors to slide open.
Celebrating 20 years since the first ever 
With a long developed reputation of class and French charisma, you could guess that tardy is not high on the list of characteristics organisers of the famed So Frenchy So Chic touring shows would want it to be associated with. Forty-five minutes after the last show of the 2012 tour was supposed to begin, however, Brisbane audiences could have been excused for thinking it while they waited outside the closed doors of the theatre.
Big Day Out – it’s not just a music festival. It’s a fashion show, the latest summer clothes coming out to play (2012 including girls shortest short shorts, guys screen printed singlets and a whole lot of hair on everyone). It’s a test of the strength of boyfriends’ spines as they hoist their girlfriends high above the crowds on their shoulders. It’s a feat of endurance, a challenge put to the elements that no kind of weather can stop the show, a day of sunscreen and sunburn, of thrills, friendship and fried food. And yes, there is some excellent music as well.
In a day and age where music is being created at such an alarming rate world wide, it is rare to find music of a quality that literally stops you in your tracks. It is even rarer to find said music being created by five humble individuals in your hometown, however, 
On the night, Lindsay McDougall (aka Triple J’s ‘The Doctor’) introduced the concept well: “a show celebrating one of Australia’s music legends by the showcasing of new, young Australian talent”. Triple J’s tribute to Nick Cave, a series of concerts played around the country entitled Straight To You, remarkably achieved both of these objectives.
There’s a buzz in the air tonight – a full house and the Ball Park Music headlining debut album launch tour tends to give out a special vibe. And it’s been a long, well-worn track to get to this point: singles and free downloads leading to early Triple J recognition, signing to a supportive management company and releasing one of them most anticipated EPs of recent memory, seemingly tour after tour as the perpetual bridesmaids before finally knuckling down to carve out the first full-length offering.