Category Archives: Album Review

Album Review : The L.A. Maybe – Dirty Damn Tricks

Review by Peter Coates –

Released – March 26 2021

The L.A. Maybe is a 6-piece rock ‘n’ roll band hailing from the southern heat of the Carolinas.  If you’re a fan of Guns N’ Roses, AC/DC, or Van Halen, with a touch of Lynyrd Skynyrd and the Black Crowes then you will feel right at home adding these guys to your record collection. 

Continue reading Album Review : The L.A. Maybe – Dirty Damn Tricks

Album Review : The Treatment – Waiting For Good Luck

Review by Peter Coates –

Waiting For Good Luck
Released – April 9 2021

Waiting For Good Luck is the fifth full-length album from British hard rockers The Treatment, who have now cemented their position in the rock world in their own right, over the past 12 years and 4 previous album releases. Showcasing an intense sonic power only hinted at thus far, the band is truly firing on all cylinders now with the 2021 release.  

Continue reading Album Review : The Treatment – Waiting For Good Luck

Album Review : Chez Kane – (Self-Titled Debut Album)

Review by Peter Coates –

Released – 12th March 2021
Frontiers Music

A talented, young vocalist who fronts, with her two sisters, the UK melodic rock band Kane’d, Chez Kane was brought to the attention of the label after conversations with Danny Rexon of Crazy Lixx about the possibility of him scouting and producing some exciting new talent. Subsequently, Danny started working on some demos with Chez and the label did not pass up the opportunity to collaborate on this solo album as a songwriter and producer, that also happened to mastered by one Erik Mårtensson from Swedish AOR monsters, Eclipse.

Continue reading Album Review : Chez Kane – (Self-Titled Debut Album)

Album Review : THE DUST CODA – Mojo Skyline

Review by Peter Coates –

THE DUST CODA – Mojo Skyline

Release Date – 26th March 2021

The Press Release for The Dust Coda‘s forthcoming album Mojo Skyline tells us that it was recorded at Modern World Studios with the multi-platinum, award-winning producer Clint Murphy (Manic Street Preachers, Thunder, Devilskin), and offers a plenitude of tracks that leap across the spectrum of rock’n’roll, containing half a decade’s worth of the band’s raw soul and innermost demons. 

Continue reading Album Review : THE DUST CODA – Mojo Skyline

Album Review : Joel Hoekstra’s 13 – Running Games

Review by Peter Coates –

Released – 12th Feb 2021

Running Games is the follow up to the Dying to Love album that was the opening Joel Hoekstra’s 13 record – as a full band line-up rather than the instrumental solo records he released prior to that. 

Continue reading Album Review : Joel Hoekstra’s 13 – Running Games

Album Review : THUNDER – All The Right Noises

Review by Peter Coates –

All The Right Noises
Released – March 12th 2021

Thunder may be the band who will just never give up – having been a fan from the earliest Terraplane days, and having been lucky enough to be present at the 10th Anniversary “farewell” tour in 1999, and the 20 Years & Out show at Hammersmith Odeon in 2009 (despite moving to Australia in 1998) and even getting to shoot the sold-out Hammersmith show in March 2015, we felt thrilled to get the band to Australia in 2017 for some intimate, but very raucous club shows.

Continue reading Album Review : THUNDER – All The Right Noises

Album Review : Jim Kirkpatrick – Ballad of a Prodigal Son

Review by Peter Coates –

Ballad of A Prodigal Son
Released – Oct 2020

I bought this album when first released – Jim Kirkpatrick is currently the lead guitarist of my favourite AOR band, FM, and has always offered a finely balanced melodic blues-rock tone to the live and recorded output of that wonderful band since he joined in 2008.

Continue reading Album Review : Jim Kirkpatrick – Ballad of a Prodigal Son

EP Review : The Mercy Kills – New Rule

Review by Peter Coates –

Released 15th Feb 2021

This is an interesting piece of Melbourne’s rock’n’roll history that finally gets to see the light of day thanks to the team at Golden Robot Records.

New Rule is the debut EP by Melbourne dirty / sleaze rock band The Mercy Kills. Written and produced in 2010, this five-track release has strong elements of the four members influences, with elements of post-punk, grunge and rock ‘n’ roll.  TMK are proud that it stands strong, alongside the music they have produced over the ten years since.

Continue reading EP Review : The Mercy Kills – New Rule

Album Review : Joanna Connor – 4801 South Indiana Avenue

Review by Peter Coates –

4801 South Indiana Avenue
Release Date Feb 26th 2021

Chicago-based slide guitar virtuoso and singer-songwriter, Joanna Connor, who is best known as one of the reigning Queens of blues rock guitar, releases her 14th album 4801 South Indiana Avenue on Joe Bonamassa’s new independent blues record label Keeping The Blues Alive on February 26, 2021, and the record features a serious dose of Joe Bonamassa himself in the production, alongside blues guitar great Josh Smith, and both of them playing guitar all through the album.

Continue reading Album Review : Joanna Connor – 4801 South Indiana Avenue

Album Review : Inglorious – We Will Ride

Review by Peter Coates –

Release Date 12th Feb 2021 

A new line-up for Inglorious, a band that has seen a few personnel changes in the years since I was at one of their early major gigs in Birmingham almost exactly 5 years ago – with the constants of Nathan James up front on the voice, and Phil Beaver at the back behind the kit both still in place.

The sound on this fourth album remains very much as it was from the start, a fresh modern take on those classic British rock bands – Deep Purple, Bad Company, Led Zeppelin and others, with Nathan James being heavily influenced by David Coverdale, with that raw bluesy edge to the enormous vocal power he brings.

We Will Ride has been written and recorded through the COVID-19 lockdown in Wales, with producer Romesh Gogandoda (Bring Me The Horizon, Bullet For My Valentine, Motörhead) at the helm, and saw the band take a more relaxed and fun approach to the writing process, despite the delays caused by the pandemic, and they reckon this has been a real rejuvenation of the Inglorious phenomenon.    

The upbeat riff-heavy She Won’t Let You Go opens up with a familiar touch of the solo guitar providing the intro, before the band powers in behind the guitar and we are off – a straight-forward no-nonsense verse that leads into a powerful pre-chorus and an absolute monster of a chorus – and features the first of many ripping solos (not sure which guitarist contributes which).  The two newer band members Danny Dela Cruz and Dan Stevens are clearly working in perfect harmony on the guitars, and this forms a key part of the Inglorious sound – topped off by the power and passion of Nathan James on the voice.

Messiah has a slightly ‘eastern’ tinge to the melodies, and some atmospheric vocals, but is another example of the huge sound, and the great production values here.  There is lots of light and shade here with a real contrast between verse and chorus.  The newest single release is Medusa, which kicks off with a brutal slide guitar intro, and a vocal delivery that is as big as anything David Coverdale delivered in his prime – again a slightly ‘eastern’ vibe in some of the guitars, in the same vein as fellow Brit-rockers Ten have delivered.  There is some sensational drumming in the track as Phil Beaver confirms what a solid performer he is behind the drums, with some excellent touches throughout.

There is a more stripped-back opening to Eye Of The Storm which suggests a power-ballad, with lots of effects and echoes on the spacey guitars, and a softer lead vocal line which lasts until the massive build-up into the super-catchy chorus which powers along at double-time.  The dynamic changes continue between the verse and chorus, and there is a brief interlude that sees Nathan’s voice at full force, before the huge guitars power back in and we get the closing chorus in all its glory.

A similar approach is suggested by the very sparse guitar intro to Cruel Intentions, which is soon overtaken by the upbeat rocking guitars and immense AOR backing vocals – this is just classic power melodic rock of the highest quality.  James’ vocals show off his huge range and power, and the guitars are off the scale.  There is a change of feel with the piano intro (from Rob Lindop) and the guitar tone to the epic My Misery, and Nathan delivers a sensitive feel to the vocals in the verses, and then the goosebumps appear with the opening lines of the chorus, which rises to soaring heights, and they don’t go away! The pumping guitar-fuelled middle-eight is glorious, and then we get another chorus and a powerful outro to close!

Do You Like It is an Inglorious classic full of all the trademarks of the band – a crushing riff, a huge lead vocal line, a chorus full of hooks and backing harmonies and a searing solo that explodes out of the chorus!  The rhythm section of Beaver and bassist Vinnie Colla absolutely lock down the beat and perfectly support the outrageous harmonies going on above! 

There is only one track that gets over the 5 minute mark which might be a surprise, and He Will Provide gives us a moody riff and a slightly menacing lead vocal (think Ozzy in classic Blizzard of Ozz days), and also features an atmospheric mid-section that leads into another ripper of a solo over that grungy riff – the solo may be a combination of both Danny and Dan doing their thing.  We Will Meet Again delivers another powerhouse melodic rock beast, with a really contemporary feel to the riff and melody, and some strong backing vocals to add depth to the delivery which is restrained without losing the power.  

The last two tracks continue to deliver the power and passion of the rest of the album, with God Of War really letting the two guitarists excel as they trade-off delicate fretwork in the verses, brutal powerchords in the chorus and frenetic harmony licks in between.  The band picks up the pace in the outro, with a double-time beat and more guitar soloing to the last chord.  

We Will Ride is the perfect title track and album-closer – a dark and moody verse, and another soaring chorus full of layers, while the guitars weave their magic underneath it all. 

The twin guitars certainly add a dimension to the band that perhaps has not been quite so apparent in the last album or two – Danny and Dan appear to have quickly developed a level of rapport and interaction that finds them intuitively working around each other in the riffs and melodies, and then through the interplay in the lead breaks and solos!

I really hope this one pushes all the right buttons around the place, because a band that has worked as long and hard as this one to find the right formula really deserves it!

Nathan James – Lead Vocals
Danny De La Cruz – Guitar
Dan Stevens – Guitar
Vinnie Colla – Bass Guitar
Phil Beaver – Drums/Percussion

Useful Links:

Website : 

Facebook : 

Instagram : 

Twitter : 

Pre-order/save HERE: 

Photo Credit – Paul Harries

Album Review : Hunted By Elephants – Carry On

Review by Peter Coates –

Carry On
Released – Jan 15th 2021 

Hunted By Elephants were formed in the UK in mid-2018 by Apostolos Liapis (vocals), Roman Flourendzou (guitar) and Raymond Phelan (bass), and are now joined by Alex Butticè (drums). The London-based rock ’n’ rollers ignite favourable comparisons ranging from rock heavyweights to modern classic rock acts, and their debut album Rise of The Elephant put them on the underground rock radar in 2019. 

Continue reading Album Review : Hunted By Elephants – Carry On

Album Review : W.E.T. – Retransmission

Review by Peter Coates –

W.E.T.   Retransmission
Released – 22 Jan 2021
Frontiers Records

W.E.T. truly epitomizes what melodic rock has become in the present. The key element at the foundation of W.E.T has always been to create a modern melodic hard rock sound that combines powerhouse rhythms and top-notch production, with the music being equally classic and contemporary.

Continue reading Album Review : W.E.T. – Retransmission

Album Review : Samantha Martin & Delta Sugar – The Reckless One

Review by Peter Coates –

Gypsy Soul Records – Nov 2020

With the worldwide pandemic wrecking utter havoc upon the careers of many musicians, Samantha Martin & Delta Sugar elected to use their time off the road to record, mix and master their latest tour-de-force, the astonishingly powerful, funky and deeply soulful The Reckless One

Continue reading Album Review : Samantha Martin & Delta Sugar – The Reckless One

Album Review : Hearts & Hand Grenades – Turning To Ashes

Review by Peter Coates –

Release Date – 08/01/2021

An edgy hard rock band from Buffalo, NY, and with the terrific name Hearts & Hand Grenades was initially a cover band, until spotted by Goo Goo Dolls vocalist Robby Takac who invited them for a session at his studios – which pushed the band into writing some original material, which they did then record and released as the Wait EP in July 2019.

Continue reading Album Review : Hearts & Hand Grenades – Turning To Ashes

Album Review : Unknown Refuge – From the Darkness

Review by Peter Coates –

Release – 29 Jan 2021
Unknown Refuge formed early in 2016 with Alex Mancini, then aged 15 as lead singer, and four friends from the Music and Performing Arts Service in Salford, in the UK. Within 6 months of forming, they entered the Salford Battle of the Bands which required one song to be original.  This started Alex on his song writing journey. Despite their relatively short time as a band, they were crowned winners, gaining a headline slot at Manchester’s Band on the Wall, plus a recording session at SSR Manchester.  

Continue reading Album Review : Unknown Refuge – From the Darkness