Tag Archives: Review

Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012

Review by Billy Geary
With the annual Splendour in the Grass festival letting loose in Bryon Bay, the sideshow circus around the country was in full swing. Co-headlining Splendour was the infamous Smashing Pumpkins, lead by vocalist/guitarist Billy Corgan with a new album in tow. In the lead up to Thursday night at Hisense Arena, there had been much speculation regarding the Pumpkins’ set. Corgan had previously stated that the band’s new album Oceania was to be played in full, aided by a ‘ground breaking’ spherical projection. The most striking thing upon entering the venue was how empty it seemed, with almost the entire top-level empty, as well as large chunks of the floor.

However, as the first few chords of ‘Quasar’ were played it became obvious for those who were there, that it would be a great show. Midway through Oceania, the more casual Smashing Pumpkins fans were getting impatient, with constant calls to play their old stuff. This only inspired the band to work harder, with Corgan visibly loving the opportunity to showcase the new record. Tracks like ‘The Chimera’ and ‘Pinwheels’ worked extremely well, with the former drawing the first large cheer for the night. Mention must be made of the image projection onto the giant sphere above the band as they played Oceania, it was a welcome addition that really gave an extra dimension to the songs that most weren’t too familiar with.
Continue reading Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012

Single Review: Art Of Sleeping – ‘Above The Water’

By Meghan Player
After the successful release of their single, ‘Empty Hands’, Brisbane 5-piece Art of Sleeping are about to release their latest single, ‘Above The Water’.

Not wasting any time, the track grabs your attention from the get go, with a wonderful, whimsical melody – beautifully complimented by frontman Caleb Hodges soulful, haunting vocals.

Drumming up comparisons to Grizzly Bear, the track progresses naturally, building into an achingly gorgeous chorus that grabs hold of your heart and mind. This is a band that not only grabs your attention, but deserve it.
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Album Review: Elliot The Bull – Elliot The Bull

By Meghan Player
With the local, and indeed international, alt rock/indie/folk sciences currently thriving thanks to the likes of Bon Iver, Grizzly Bear, Mumford & Sons and City & Colour – it was only a matter of time before the young Australian acts started enjoying some well-deserved attention.

Enter Central Coast quartet, Elliot The Bull.
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Album Review | Breaking Orbit – The Time Traveller

Review by Billy Geary
Sydney four piece Breaking Orbit’s debut album The Time Traveller has been a long time coming, with a name change and some member shuffles preceding its release. The wait was certainly worth it, though. The Time Traveller has blown anything done by any other Australian progressively minded band out of the water, save for maybe Karnivool’s Sound Awake and Cog’s The New Normal. However, Breaking Orbit do things slightly differently, placing a heavy emphasis on the tribal and percussive elements in their sound. The result is a debut album of monolithic proportions.

The familiar amalgamation of heavy alternative and progressive genres is certainly apparent, however hints at tribal music and some dabbling in electronic samples ensure The Time Traveller stands out as a record in a vastly oversaturated scene. Opening track ‘Echoes’ is a slow burner with thudding bass guitar, soaring vocals and a distinct touch of post rock influence, immediately showing the band’s diversity. This trend continues throughout the record, with each track offering a different side of Breaking Orbit to the listener. Instrumental track ‘Machiguenga’ is the perfect example of this, featuring an array of tribal percussive instruments and flute passages.
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Album Review: Marilyn Manson – Born Villain

Review by Sibel Kutlucan
Born Villain is the eighth full length album from Marilyn Manson and has been deemed as the “comeback” and its fourteen tracks definitely reflect the reinvention. It is unique, catchy and offensive, all elements that definitely emulate the colourful frontman.

Born Villain is a great album, and I dare say one of the best from Marilyn Manson. The album tells a story and the fourteen tracks have a clear beginning, middle and end. It has the usual shock tactics so iconics of the band with confronting lyrics, such as Pistol whipped with “You look so pretty when you cry. Don’t wanna hit you but the only thing, between our love is a bloody nose/a busted lip and a blackened eye”. However some of the songs portrayed a more personal side and definitely had depth. ‘The Gardener’ which opens with Marilyn Manson whispering “I’m not man enough to be human but I’m trying to fit in and I’m learning to fake it” seems to be autobiographical and has a fantastic dance party on acid vibe.
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Album Review: Edward Sharpe and the Magnetic Zeros – Here

Review by Sibel Kutlucan
Edward Sharpe and the Magnetic Zeros have returned with their brand new second full-length album ‘Here’. The album is melodious, magical and yet sleep inducing. Having big shoes to fill after the popularity of their first album “Up from Below” (2009) and their hit single, “Home” they have made some distinct changes, some for the better and alas, some for the worst.

‘Here’ channels a relaxed 60’s vibe, with sing-a-longs, acoustic guitars and simple rhythms. It certainly hasn’t been as catchy for me as “Up from Below” and I was silently disappointed with how ‘tame’ it was mostly. With the opening track “Man on fire” frontman Alex Ebert singing “I want the whole damn world to come dance with me” and with the upbeat rhythm, I was anticipating an album that I could actually dance too or have something to really get into. Maybe it’s just me, but I did find it too smooth throughout after “Man on fire”; this wasn’t a particularly bad thing it just made more for background music and not something I would particularly go out of my way to listen to.

That being said they did have some high points for me, and ‘Mayla’ was definitely one. It was hypnotic and soothing, I just wanted to close my eyes and drift away. Its sweet ‘Kumbayah’ campfire sing-a-long quality was definitely something I could have on repeat if I just wanted to kick back and relax.

Jade Castrinos definitely has more of a primary singing position on ‘Here’, where she takes the lead on one of my preferred tracks, “Fiya Wata”. The track has more of a classic-rock sounding vibe in comparison to the rest of the 60s folk-rock sound on the album.

Ebert and co. have hinted at a third album coming out this year, and that the second release of 2012 with be the more ‘celebratory of the two’. Hopefully, we can expect another album with a bit more oomph. Edward Sharpe and the Magnetic Zeros are quirky and lovable, they may not appeal to the masses but ‘Here’ was pleasant sounding and didn’t have any ugly bits. I’d say I wasn’t completely won over but I’ll definitely have a listen to their upcoming material.

6/10.

Review by Sibel Kutlucan

http://www.facebook.com/themagneticzeros

Album Review: Cradle of Filth – Midnight in the Labyrinth

By Meghan Player
Cradle Of Filth have always been known for their signature take on the dark wave, gothic metal sound and grandiose theatrics. Latest offering, ‘Midnight in the Labyrinth’ – an orchestral selection of the bands first four albums – is no exception.

Opening with a glorious string section of sweeping, melodic sound ‘A Gothic Romance [Red Roses For The Devil’s Whore]’ pulls the listener into an album that not only celebrates the band, but reinvents the tracks that once pounded through your headphones.

‘The Twisted Nails of Faith’ sounds almost as if it has come straight from a melodramatic, theatrical musical – with striking strings, stirring vocals and choirs intertwining with frontman Dani Filth’s narrative growl.
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Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012

Review by Billy Geary
The OceanThe Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.

Upon descending the steps below Swanston Street, Sydney’s Lo! and their brand of chaotic hardcore was reverberating around the room and up the staircase. First impressions were good, with the quartet proving dynamic on the Hi-Fi’s stage. Front man Jamie-Leigh Smith screamed his way around the room, both on stage and off it and gradually won over an oddly surly audience over as their set progressed. Coming across as a mixture of Converge and Mastodon, the sludgy riffs from Carl Whitbread sounded huge over the PA, really driving the band’s sound into the punters present. At the conclusion of their set, it was more than obvious why they were hand picked by The Ocean to support the entire tour.
Continue reading Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012

Live Review: Dead Letter Circus + Fair to Midland + Twelve Foot Ninja @ Ferntree Gully Hotel – 17 May 2012

Review by Billy Geary
Trekking all the way out to Ferntree Gully for a gig is always an interesting experience and Thursday night was no different, with a line up boasting some of Australia’s and America’s best alternative rock bands. With Brisbane natives Dead Letter Circus having been on tour with Texan five piece Fair to Midland in the States for the past few months, it was time to bring the party (and Fair to Midland) back home for their own national tour.

Local staples Twelve Foot Ninja have been given the support slot for the entire tour, and clearly loving the experience. Opening with ‘War,’ one of the band’s heavier numbers, the audience was instantly engaged. The most impressive thing about Twelve Foot Ninja is their ability to move between genres with the flick of a switch, this trait exemplified through ‘FEAR’ and ‘Manufacture of Consent,’ both featuring plenty of heaviness with a dash of reggae and dub influences. Similarly, new track ‘Shuriken’ will be one to look out for on their forthcoming album showcasing vocalist Nick’s outstanding vocals and a smattering of samples. Twelve Foot Ninja’s set came to an end via a powerful rendition of ‘Clarion,’ reminding punters exactly why they’re known as one of the tightest live acts in Melbourne.
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Live Review | Public Enemy – Metro Theatre, Sydney – 11 May 2012

Review by Robert Pugsley
Looking over the crowd at the Metro Theatre in Sydney I was surprised to see that I looked like everyone else – Yes, White Middle Class Suburbia had come out in force to see Public Enemy, DJ Lord and the current S1W crew. Although it shouldn’t really surprise anyone, Public Enemy have been, despite their militant bravado, quite accessible to the average non rap/hip hop public.

It’s been 25 years since they started performing out as Public Enemy, their anger levels have risen and waned but through it all they have carried the message of equality and respect. The message of peace and equality can make performers look like self indulgent cocks but Public Enemy really put their money where their mouth is and have built up a reputation where they can push their message and people are going to lend them their ears. Which is just as well, as there was a lot of talking and preaching at this gig but the crowd listened appreciatively.
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Live Review: THE GUM BALL Festival – 27-28th April 2012

Review by Stuart Blythe and Rachel Pope
Nestled in bushland within the beautiful setting of Belford in the Hunter Valley, The Gum Ball festival was held over the weekend of April 27th-29th.

Touted as a laid back family friendly, BYO musical camping experience, Gum Ball certainly delivered. From the moment you arrive there is an immediate positive feeling, a relaxed sense of self and an anticipation of good times ahead. The serenity of the surroundings, the diverse age group and the family friendly feel was both complementing and comforting.

Friday night kicked off in spectacular fashion with The Joe Kings, Front End Loader, Massy Ferguson, Two River Blues and The Tongue taking the stage with The Bakery closing out the night. For those who wanted to kick on there was also the Silent Disco. The entire night set a high standard for the day ahead.
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Live Review: Ball Park Music @ The Hi-Fi, Brisbane with Cub Scouts & Yes You | 11 May 2012

Review by Lauren Sherritt
Word about the brilliance of Ball Park Music’s live show has swept the nation over the past year, as evidenced by their 180° tour selling out across many of the twenty shows and achieving no less for the final night in Brisbane.

The Hi-Fi filled quickly as BPM fans arrived to see support acts Cub Scouts and Yes You. Cub Scouts kicked off the evening, toting youthful charm in bucket loads and thrilling the audience with a remarkably well done cover of Destiny’s Child’s Jumpin’, Jumpin’. The dancing started with the band’s well-known track Evie, then the cheerful five-some departed the stage after giving yet more accolades to the upcoming Ball Park Music set.
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Live Review: The Maccabees @ The Metro, Sydney w/ Argentina – 10 May 2012

Review by Sibel Kutlucan

Thursday night got underway at 8pm when early punters began filling into the doors of the Sydney Metro. The darkened room was a hotbed of activity, buzzing conversation as indie fans alike milled around drinking beer and anticipating the first time visit of English indie rockers The Maccabees to Australia. The quintet who are visiting this autumn for the Groovin’ the Moo festival, has a local bunch of Aussie fans who are eager to welcome the boys to the country for an intimate sideshow.

Argentina, the first and only supporting act of the night was greeted warmly by early-comers. The Brisbane based indie act seemed to have a bit of difficulty with their first song, technical difficulties and possibly nerves got the better of them. Gladly, by the second song they had sorted out their problems and they delivered a really enjoyable sound. The vocals were fantastic, with songs “Bad Kids” and “Plastic Excuse” they definitely played to their strengths and let their softer indie side come through, focusing on delicate lyrics and a steady beat that wasn’t competing with the vocals. Argentina played with a lot of heart and have a bright future ahead of them.
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Live Review: The Darkness @ UNSW Roundhouse, Sydney – 6 May 2012

Review and Photos by Robert Pugsley
The Darkness are back and dare I say bigger and better than ever. They are pure performers and gave it all at their latest Sydney gig at UNSW Roundhouse.

Bursting on to the stage with ‘Black Shuck’, the crowd went nuts and The Darkness reciprocated with rock god swagger, style and boundless energy for the rest of the gig.

Justin Hawkins is a hell of a personality. Constantly moving, he rocked and jumped around the stage with the energy of a 4 year old drinking straight from the cordial bottle, it’s physically exhausting just watching him. Justin really is one of those rare sexual beasts, who, with his flaming groin tattoo, was rained upon by punters throwing underwear whilst receiving the adulation of topless female worshippers.
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CD Review: Gemma Ray – Island Fire

Review by Sibel Kutlucan
Gemma Ray sparks a flame in the hearts of everyone with her brand new album Island Fire (Shock Records). With her recent visit to Australia to play Peats Ridge Festival, the alluring pop-noir songstress has intrigued audiences and built up her Australian fan base, whom won’t be able to stop listening to the infectious melodies of Island Fire!

It is easy to understand why Gemma Ray has become one of the UK’s most independent and critically acclaimed female musicians with a listen to her unique sound that resonates throughout Island Fire. Ray effortlessly creates beautiful tunes with her vintage pop vocals and her fantastic song writing. This fantastic harmony of a sweet pop sound, with the hint of yester-year in the melody on “Put your brain in gear” is a clear indication of Gemma Ray’s presence as a fantastic musician, and definitely is a highlight of the album for me.
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