Review by Merinda O’Brien / Jose Eduardo Cruz
The inaugural edition of Falls Festival, Byron Bay, launched in the midst of the stunning North Byron Parklands. The parklands, particularly the natural amphitheater in which the main stage is set, are a befitting setting for a festival that has always provided excellent music amongst nature. No doubt Byron Bay has captured the essence and sprit of the festival formerly held in only Lorne and Marion Bay.
Given the heat waves that have been hitting Northern NSW over the last couple of weeks; the crowds in mid afternoon were still very timid. It took British duo, The Correspondents, to begin to warm up the crowd in anticipation for the new year. Their trade mark British sound and high energy immediately enticed a sizable contingent of revelers to the front of the stage.
Continue reading Falls Festival 2013 – Byron Bay – Day 1 Wrap
A double billing doesn’t happen very often here in Australia, let alone in the often neglected genre of R&B. but this past Wednesday, at Allphones Arena that’s just what Sydney-siders were treated to. They turned up in droves to see R&B darling Alicia Keys perform, along with special guest John Legend on the Set The World On Fire tour. 
It has been five years since Alex Lloyd released a solo album but in that time he had a break like John Lennon. He was busy caring for his brood of children (he now has four) and was busy writing music for other acts (like Passenger) plus producing and working on soundtracks (including collaborating with the Pigram Brothers for the Mad Bastards OST). This period – like much of his career – has been a rich and varied one and this is also the most striking element on his sixth studio record.
Boomerang Festival was a huge success and will be back next year for sure. The big smiles on punters faces and huge cheers at the closing ceremony yesterday, said it all. Festival organisers affirmed that they had indeed done well, everyone had a great time and that plans are already in the pipeline for next year’s event.
Festivals are such a great way to build community and nurture understanding. Boomerang is doing this in style with a stellar line up of musicians, speakers, artists and craftspeople. The festival site came alive with activity yesterday as people of all ages enjoyed the entertainment and took part in workshops and discussions. It is such a lovely feeling to sit down with complete strangers and take part in an activity like basket weaving or woodcarving. Before long, people are laughing, making friends as well as learning new skills or discovering hidden talents. 
Boomerang Festival took its maiden voyage onto the Australian festival scene yesterday at Tyagarah Tea Tree farm near Byron Bay. Boomerang is the brainchild of Rhoda Roberts who started the very successful Dreaming Festival at Woodfordia. Peter Noble (Bluesfest producer) was very proud and excited to welcome Boomerang to the home of the Byron Bay Bluesfest last night during the opening ceremony. 
As we arrive at Sydney’s Metro Theatre to a line of punters that stretches down that little side street and around the corner, we realise this will be one of this year’s more special musical events. The range of fans waiting patiently for Steven Wilson’s gig are as mixed and varied as the artist’s back catalogue, with young and old, male and female, overtly metal and overtly not… 
Melbourne has been responsible for constantly producing great bands over the years. Madre Monte upholds this responsibility alive and well with their latest EP Raza:Madre. 
There’s a long wait for rock-violinist Lindsey Stirling this evening at The Powerhouse — at least 15 minutes long, to be honest. For a touch over an hour, Kiwi DJ 1000 Ninjas labours manfully from a cubbyhole spot almost side-of-stage. In a club environment his chill-out grooves and odd samples would probably win a better reception, but this crowd is expecting action and movement, and that’s something beyond 1000 Ninjas’ scritchy-glitchy stillness tonight.
Debut albums are always difficult to execute for they lay out the musical platform for all aspiring bands and send out a clear statement of what the band is about. Whilst an average debut may not necessarily mean the end of a band, it can set their progress backwards. As a debut album Beautiful in Danger does not set Jericco back at all. In fact it does the complete opposite. Jericco fits quite nicely into the Australian progressive rock genre that has been pioneered by a handful of other bands. This debut cements their place amongst those bands and begins the slow process of becoming a top Australian band. The album sounds simple enough, but the devil is in the detail. Critical examination of every track reveals that simplicity is a difficult process to accomplish. Heavy drum sections coupled with bass lines that hook listeners achieve the desired outcome of getting everyone dancing.
Driving out on a dusty dirt road, after passing the sleepy country towns of Cessnock and Branxton, we had reached our magical destination, ‘Dashville’, Lower Belford. The secluded bushy estate owned by the Johnston’s in the beautiful Hunter Valley, welcomed us with open arms. Local volunteers with cheek-to-cheek grins directed us to SPACIOUS camp areas nestled amongst the Australian gum-trees. Every person we pass, waving, like old friends.
If Stone Music Festival’s first day was a salute to rock then day two proved a little more difficult to pigeonhole. The bill included an American piano man, two elder statesmen of Oz music, a new band and two former Australian Idol contestants. I suppose we’ll just have to say that this unlikely grouping meant that this was a celebration of music, pure and simple.
Sydney was wet and it wasn’t David Lee Roth’s fault. Saturday morning had seen the heavens open again and again but rock ain’t about being comfortable and a little water never killed anyone. On day one of the inaugural Stone Music Festival, guitar heroes were king and no one was going to let a few showers rain on their musical parade.
Bluesfest Day Five Wrap: