Review by Billy Geary
The Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.
Upon descending the steps below Swanston Street, Sydney’s Lo! and their brand of chaotic hardcore was reverberating around the room and up the staircase. First impressions were good, with the quartet proving dynamic on the Hi-Fi’s stage. Front man Jamie-Leigh Smith screamed his way around the room, both on stage and off it and gradually won over an oddly surly audience over as their set progressed. Coming across as a mixture of Converge and Mastodon, the sludgy riffs from Carl Whitbread sounded huge over the PA, really driving the band’s sound into the punters present. At the conclusion of their set, it was more than obvious why they were hand picked by The Ocean to support the entire tour.
Continue reading Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012
Trekking all the way out to Ferntree Gully for a gig is always an interesting experience and Thursday night was no different, with a line up boasting some of Australia’s and America’s best alternative rock bands. With Brisbane natives Dead Letter Circus having been on tour with Texan five piece Fair to Midland in the States for the past few months, it was time to bring the party (and Fair to Midland) back home for their own national tour.
With the imminent launch of his highly anticipated debut album ‘Picture Window’, Sydney’s classically trained composer (Conservatorium of Music) turned alt-pop pioneer 
Looking over the crowd at the Metro Theatre in Sydney I was surprised to see that I looked like everyone else – Yes, White Middle Class Suburbia had come out in force to see Public Enemy, DJ Lord and the current S1W crew. Although it shouldn’t really surprise anyone, Public Enemy have been, despite their militant bravado, quite accessible to the average non rap/hip hop public.
Word about the brilliance of 
Thursday night got underway at 8pm when early punters began filling into the doors of the Sydney Metro. The darkened room was a hotbed of activity, buzzing conversation as indie fans alike milled around drinking beer and anticipating the first time visit of English indie rockers The Maccabees to Australia. The quintet who are visiting this autumn for the 
The Darkness are back and dare I say bigger and better than ever. They are pure performers and gave it all at their latest Sydney gig at UNSW Roundhouse.