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Review: Boomerang Festival 2013 – Day 3 Wrap

Review by Wanda Hill
Photo Credit: Julius C Montes
Boomerang Festival was a huge success and will be back next year for sure. The big smiles on punters faces and huge cheers at the closing ceremony yesterday, said it all. Festival organisers affirmed that they had indeed done well, everyone had a great time and that plans are already in the pipeline for next year’s event.

Being the last opportunity to spend the day with the Billinudgel Weavers and make a basket from Lomandra leaves I escaped the heat in their tent and wove the funky sounds of Slip on Stereo and Tjupurru into my basket under the weavers excellent tuition.
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Review: Boomerang Festival 2013 – Day 2 Wrap

Review by Wanda Hill
Photo Credit: Julius C Montes
Festivals are such a great way to build community and nurture understanding. Boomerang is doing this in style with a stellar line up of musicians, speakers, artists and craftspeople. The festival site came alive with activity yesterday as people of all ages enjoyed the entertainment and took part in workshops and discussions. It is such a lovely feeling to sit down with complete strangers and take part in an activity like basket weaving or woodcarving. Before long, people are laughing, making friends as well as learning new skills or discovering hidden talents.

A look around the festival is a picture of life at its best, groups of kids playing football together, families sharing food, friends who haven’t seen each other for years discovering each other in the crowd. That magic feeling of people bonding over shared ideas was alive in the air. Ignited by inspiring words from wise elder Dr Gondarra, and eloquently expressed in music and lyrics by Xavier Rudd.
Continue reading Review: Boomerang Festival 2013 – Day 2 Wrap

Review: Boomerang Festival 2013 – Day 1 Wrap

Review by Wanda Hill
Boomerang Festival took its maiden voyage onto the Australian festival scene yesterday at Tyagarah Tea Tree farm near Byron Bay. Boomerang is the brainchild of Rhoda Roberts who started the very successful Dreaming Festival at Woodfordia. Peter Noble (Bluesfest producer) was very proud and excited to welcome Boomerang to the home of the Byron Bay Bluesfest last night during the opening ceremony.

The ceremony started with a heartfelt welcome to country from the Arakwal peoples of Byron Bay area and progressed to involve many of the dancers performing over the weekend including the very spectacular Malu Kiai Mura Buai dance group from the Torres Strait Islands with their elaborate headdresses made of feathers, and the famous Chooky Dancers who bring a touch of humour to everything they do.
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Live Review: Steven Wilson @ Metro Theatre, Sydney – October 3, 2013

Words by: Ben Hosking – www.hoskingindustries.com.au
Photo Credit: © Naki Kouyioumtzis
As we arrive at Sydney’s Metro Theatre to a line of punters that stretches down that little side street and around the corner, we realise this will be one of this year’s more special musical events. The range of fans waiting patiently for Steven Wilson’s gig are as mixed and varied as the artist’s back catalogue, with young and old, male and female, overtly metal and overtly not…

After a short wait, watching a slow-moving animation of Wilson’s new album ‘The Raven That Refused to Sing (And Other Stories)’, the band take to the stage to rapturous applause. Anyone would be forgiven for thinking it was country-mates One Direction taking to the stage and not the frontman of a proggy UK cult act like Porcupine Tree.
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Live Review: Soilwork @ The Hi-Fi, Brisbane – October 2, 2013

Review by Wanda Hill
Photo by Amanda Brenchley

Soilwork launched their Australian tour in Brisbane last night at the HiFi bar in Westend. As you would expect, a sea of people clad in black were waiting to welcome this fine melodic death metal band from Sweden.

Soilwork are in Australia promoting their recent double album The Living Infinite. This high energy album has sold very well around the country and is a personal favourite of mine.

As the band entered the stage a roar went up in the crowd letting them know of the anticipation we all felt. The band looked very happy to back on our shores after a three year absence.

The show got underway revealing that these guys love performing and have awesome stage presence and connection with the audience. Everything looked great, the lighting, the artwork, the band members, but the sound was very disappointing. I was so excited about hearing songs from their new album live but was just devastated that the guitars were so soft in the mix and that everything but the drums seemed to get lost in the wall of noise. What was especially frustrating was that I could see the guitar solos being played with enthusiasm and style by Sylvain Coudret and David Andersson, but I just could not hear them.
Continue reading Live Review: Soilwork @ The Hi-Fi, Brisbane – October 2, 2013

Live Review – Lindsey Stirling @ Brisbane Powerhouse – August 24, 2013

Review and photos by Stephen Goodwin
There’s a long wait for rock-violinist Lindsey Stirling this evening at The Powerhouse — at least 15 minutes long, to be honest. For a touch over an hour, Kiwi DJ 1000 Ninjas labours manfully from a cubbyhole spot almost side-of-stage. In a club environment his chill-out grooves and odd samples would probably win a better reception, but this crowd is expecting action and movement, and that’s something beyond 1000 Ninjas’ scritchy-glitchy stillness tonight.

By contrast, Stirling is all movement. Over the course of an hour and twenty minutes she barely halts — whirling, twirling, jumping and pirouetting. Formal ballet it isn’t, still Stirling’s show is as much an act of dance as it is a musical performance. All with a carbon-fibre violin jammed under her left ear. And the capacity crowd — a peculiar mixture of young and old; gamers and geeks reflective of the diversity of her fanbase — laps it up.
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Live Review | Something For Kate + Courtney Barnett @ Unibar, Wollongong – 29 May 2013

Review by Amy Lee Freshwater
A varied crowd aging from early twenties to people old enough to be parents of the band themselves congregate at the Unibar in Wollongong to see Something for Kate (SFK), a town SFK haven’t visited since 2009. This kind of group creates a lovely atmosphere at a gig, people of many ages and backgrounds coming together to enjoy music from a band that have been consistently impressive for twenty years. There is not a doubtful mind in the room, SFK are sure to impress once again on this chilly May night.

First up is Melbourne lady-rocker Courtney Barnett. Nobody is complaining about the trend of female singer songwriters coming out of Australia at the moment, and Barnett can be added to the list of up-and-comers if she isn’t already. With a powerhouse vocal ability and songwriting skills she blew away the audience that had arrived early. Highlight was her latest single Avant Gardener, which she explained was about the time she was gardening and ended up in hospital and includes funny lyrics like “the neighbours must think we run a meth lab”. Barnett is a great addition to the SFK tour.
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Festival Review: THE GUM BALL Festival 2013

Review by Sian Hanigan
Photos by Amy Lee Freshwater
Driving out on a dusty dirt road, after passing the sleepy country towns of Cessnock and Branxton, we had reached our magical destination, ‘Dashville’, Lower Belford. The secluded bushy estate owned by the Johnston’s in the beautiful Hunter Valley, welcomed us with open arms. Local volunteers with cheek-to-cheek grins directed us to SPACIOUS camp areas nestled amongst the Australian gum-trees. Every person we pass, waving, like old friends.

And wait, only 10 minutes had passed and I knew it was my kind of festival. The camping situation was second to none, taking me back to childhood camp outs in east coast national parks. There was space, there were showers, there was the occasional melody of native birds through the music and it was BYO (definitely a bonus). People were friendly, an assortment of very young, very old and everyone in between. They were more than happy to offer you a cuppa from the billy, welcome you over for a sing-along, or in my case lend me their jumper leads to recharge my car… and the toilets were clean.
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Live Review: Stone Music Festival Day 2 – ANZ Stadium, Sydney – April 21, 2013

By Natalie Salvo
If Stone Music Festival’s first day was a salute to rock then day two proved a little more difficult to pigeonhole. The bill included an American piano man, two elder statesmen of Oz music, a new band and two former Australian Idol contestants. I suppose we’ll just have to say that this unlikely grouping meant that this was a celebration of music, pure and simple.

L.A. band, Illumination Road is a duo that was making their worldwide, live debut. The pair had three additional musicians on hand and they played rock music which took its reference points from some of the greats from the golden period in the sixties and seventies. “What We Say” closed the set and had a decent tune and with time these guys look poised to be ones to watch.
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Live Review: Stone Music Festival Day 1 – ANZ Stadium, Sydney – April 20, 2013

By Natalie Salvo
Sydney was wet and it wasn’t David Lee Roth’s fault. Saturday morning had seen the heavens open again and again but rock ain’t about being comfortable and a little water never killed anyone. On day one of the inaugural Stone Music Festival, guitar heroes were king and no one was going to let a few showers rain on their musical parade.

A small but dedicated crowd watched LA Band, Buckcherry make their Sydney debut. They ploughed through hard rock songs like “Rescue Me” while “Gluttony” saw the rock ‘n’ roll forced up to 11. Lead singer, Josh Todd closed the set by asking how many crazy b**ches were in the house and it warmed my heart to see people getting into the spirit of the fest (i.e. “celebrating music, life and freedom”) by hollering about the deranged.
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Review: Bluesfest Byron Bay 2013 – Day 5 Wrap

By DOMINIC FEAIN
Bluesfest Day Five Wrap:

It was a fitting finale to one of the best ever Byron Bluesfests last night as the legendary Paul Simon capped off five days of extraordinary performances by countless artists across six stages.

Actually, that’s seven if you include the busking stage.

The Mojo tent was packed to overflowing with an all-ages crowd that was not only a testament to the enduring legacy of a musical icon, but also the festival organisers for once again staging a truly inclusive, cross-generational event.
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Review: Bluesfest Byron Bay 2013 – Day 4 Wrap

By DOMINIC FEAIN
Day Four: Bluesfest wrap
The clouds set in for day four of Bluesfest but that didn’t dampen the festival spirit or the crowd numbers.

While yesterday’s line-up lacked the star-studded impact of the first three days, punters still poured in to enjoy the days high-energy bill packed with long-time Bluefest favourites.
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Photos! Bluesfest Byron Bay 2013 – Day 4

Photographer: Stuart Blythe

Photographer: Stuart Blythe

Featured Artists: Rufus Wainwright, Roger Hodgson, Bettye LaVette, Karise Eden, Jon Anderson
Venue: Bluesfest Byron Bay
Date: 31 March 2013

More photos to come!

Visit Bluesfest Byron Bay Official Website here!


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Review: Bluesfest Byron Bay 2013 – Day 3 Wrap

By DOMINIC FEAIN
Day three of Bluesfest.

Perhaps it’s the selective memory but it never ceases to amaze me how quickly one forgets the shear stamina and commitment five day festivals demand – let alone one with six stages and a line-up like this.

Herein lies the crux of the Bluesfest punter’s dilemma – how to choose between the likes of Iggy Pop and Robert Plant; Status Quo and the Beasts of Bourbon; the Dropkick Murphys and Taj Mahal, not to mention Santana and Wanda Jackson; Ben Harper and Chris Isaak; the Counting Crows and Joan Armatrading; Wilco and The Melbourne Ska Orchestra…

Bottom line? Decisiveness is the key. Where there’s no guts there’s no glory. Wavering between stages will only break you down faster and leave you with a gnawing sense of what might have been against a potential epiphany at a consecrated altar of live rock and roll.
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Review: Bluesfest Byron Bay 2013 – Day 2 Wrap

By DOMINIC FEAIN
Byron Bay’s Bluesfest hit full stride yesterday, following a cracker opening night on Thursday, and the heavens responded in kind.

Let’s face it, it just wouldn’t be Bluesfest without the rain.

While it certainly wasn’t the 100mm organisers had promised would drain off faster than a heavy metal anthem, it did pour down.

But that didn’t deter the hundreds of punters spilling out three sides of Crossroads stage where Rodriguez had just won over a new generation of fans. The crowd knew most of the words to his classic 1970 album, Cold Fact, and weren’t afraid to sing them. It was spine-tingling stuff.

On the flip-side, it was yet another classic Bluesfest audience – relaxed, intelligent and forgiving – offering musicians the kind of reception that has elicited some extraordinary live performances over the years, and earned the festival an international reputation among artists second to none in Australia.
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