Category Archives: Review

Live Review | Public Enemy – Metro Theatre, Sydney – 11 May 2012

Review by Robert Pugsley
Looking over the crowd at the Metro Theatre in Sydney I was surprised to see that I looked like everyone else – Yes, White Middle Class Suburbia had come out in force to see Public Enemy, DJ Lord and the current S1W crew. Although it shouldn’t really surprise anyone, Public Enemy have been, despite their militant bravado, quite accessible to the average non rap/hip hop public.

It’s been 25 years since they started performing out as Public Enemy, their anger levels have risen and waned but through it all they have carried the message of equality and respect. The message of peace and equality can make performers look like self indulgent cocks but Public Enemy really put their money where their mouth is and have built up a reputation where they can push their message and people are going to lend them their ears. Which is just as well, as there was a lot of talking and preaching at this gig but the crowd listened appreciatively.
Continue reading Live Review | Public Enemy – Metro Theatre, Sydney – 11 May 2012

Live Review: THE GUM BALL Festival – 27-28th April 2012

Review by Stuart Blythe and Rachel Pope
Nestled in bushland within the beautiful setting of Belford in the Hunter Valley, The Gum Ball festival was held over the weekend of April 27th-29th.

Touted as a laid back family friendly, BYO musical camping experience, Gum Ball certainly delivered. From the moment you arrive there is an immediate positive feeling, a relaxed sense of self and an anticipation of good times ahead. The serenity of the surroundings, the diverse age group and the family friendly feel was both complementing and comforting.

Friday night kicked off in spectacular fashion with The Joe Kings, Front End Loader, Massy Ferguson, Two River Blues and The Tongue taking the stage with The Bakery closing out the night. For those who wanted to kick on there was also the Silent Disco. The entire night set a high standard for the day ahead.
Continue reading Live Review: THE GUM BALL Festival – 27-28th April 2012

Live Review: Ball Park Music @ The Hi-Fi, Brisbane with Cub Scouts & Yes You | 11 May 2012

Review by Lauren Sherritt
Word about the brilliance of Ball Park Music’s live show has swept the nation over the past year, as evidenced by their 180° tour selling out across many of the twenty shows and achieving no less for the final night in Brisbane.

The Hi-Fi filled quickly as BPM fans arrived to see support acts Cub Scouts and Yes You. Cub Scouts kicked off the evening, toting youthful charm in bucket loads and thrilling the audience with a remarkably well done cover of Destiny’s Child’s Jumpin’, Jumpin’. The dancing started with the band’s well-known track Evie, then the cheerful five-some departed the stage after giving yet more accolades to the upcoming Ball Park Music set.
Continue reading Live Review: Ball Park Music @ The Hi-Fi, Brisbane with Cub Scouts & Yes You | 11 May 2012

Live Review: The Maccabees @ The Metro, Sydney w/ Argentina – 10 May 2012

Review by Sibel Kutlucan

Thursday night got underway at 8pm when early punters began filling into the doors of the Sydney Metro. The darkened room was a hotbed of activity, buzzing conversation as indie fans alike milled around drinking beer and anticipating the first time visit of English indie rockers The Maccabees to Australia. The quintet who are visiting this autumn for the Groovin’ the Moo festival, has a local bunch of Aussie fans who are eager to welcome the boys to the country for an intimate sideshow.

Argentina, the first and only supporting act of the night was greeted warmly by early-comers. The Brisbane based indie act seemed to have a bit of difficulty with their first song, technical difficulties and possibly nerves got the better of them. Gladly, by the second song they had sorted out their problems and they delivered a really enjoyable sound. The vocals were fantastic, with songs “Bad Kids” and “Plastic Excuse” they definitely played to their strengths and let their softer indie side come through, focusing on delicate lyrics and a steady beat that wasn’t competing with the vocals. Argentina played with a lot of heart and have a bright future ahead of them.
Continue reading Live Review: The Maccabees @ The Metro, Sydney w/ Argentina – 10 May 2012

Live Review: The Darkness @ UNSW Roundhouse, Sydney – 6 May 2012

Review and Photos by Robert Pugsley
The Darkness are back and dare I say bigger and better than ever. They are pure performers and gave it all at their latest Sydney gig at UNSW Roundhouse.

Bursting on to the stage with ‘Black Shuck’, the crowd went nuts and The Darkness reciprocated with rock god swagger, style and boundless energy for the rest of the gig.

Justin Hawkins is a hell of a personality. Constantly moving, he rocked and jumped around the stage with the energy of a 4 year old drinking straight from the cordial bottle, it’s physically exhausting just watching him. Justin really is one of those rare sexual beasts, who, with his flaming groin tattoo, was rained upon by punters throwing underwear whilst receiving the adulation of topless female worshippers.
Continue reading Live Review: The Darkness @ UNSW Roundhouse, Sydney – 6 May 2012

Live Review: Stonefield @ Northcote Social Club, Melbourne – 24 April 2012

Review by Ben Connolly
There are a couple of caveats to make about Stonefield as they took to the stage at The Northcote Social Club. The first is that they are a band of young, impossibly cute sisters from country Victoria, all apart from singer/drummer Amy Findlay, able to lay claim to being teenagers. It’s abundantly clear at times, too, with their youth defying their position – furtive, self-conscious glances to each other through face-shielding long lanky locks, seeking silent approval and encouragement – never mind the packed room full of hopeful adoration right at their feet.

The second note is about the style of music they produce – 70’s era synth-heavy psych-influenced prog-rock straight from their parents vinyl collection. It’s a genre with a shaky recent history in the Australian rock scene, with name after name hailed in the UK press as the next great hope of rock music only to fall in a heap come time and critical analysis. It’s a hype seemingly mirrored in Stonefield’s already mythically-charged short history – plucked from their country-town garage, they won a slot at Perth’s One Movement industry event, where a band booker snapped them up to play on the John Peel stage at the holiest of holy grails, Glastonbury. All of this while still labouring under a short EP and doing the merry-go-round of Triple J’s perpetual Unearthed treadmill.
Continue reading Live Review: Stonefield @ Northcote Social Club, Melbourne – 24 April 2012

Live Review: SEASICK STEVE – The Corner Hotel, Melbourne – 10 April 2012

Review by Ben Connolly
It was abundantly clear from the get-go that there was an elephant in the suffocatingly packed band room at The Corner Hotel, and it was in the guise of one John Paul Jones. This was not his gig – his name didn’t appear on the posters, gig guides or tickets and nor was there an allusion to him with the band’s name – Seasick Steve. Singular. Not “Seasick Steve and Friends”, not even the oblique “Seasick Steve Trio”. This was, for all intents and purposes, a solo gig by one of the most enigmatic and curious blues performers to have broken through into the mainstream during the past few years.

But it cannot be argued that the full house was solely there to bear witness to Seasick’s foreign hobo stories and wicked collection of do-it-yourself guitars. A cursory glance through the crowd put it almost overwhelmingly at middle-aged men; a stink of stale cigarette smoke clinging to their jackets, their greyed locks either trimmed close in demure recognition of their fading youth, or proudly allowed to grow and slicked back. They could easily be fans of either artist and a warm enough welcome was extended to the man with his name on the posters as he introduced the set with Diddley Bo, a slide blues number played on a junkyard one-string contraption.
Continue reading Live Review: SEASICK STEVE – The Corner Hotel, Melbourne – 10 April 2012

Live Review: Angelique Kidjo @ Melbourne Recital Centre – 5th April 2012

Review by Ben Connolly
It’s not often that an accomplished artist of the calibre of Anglique Kidjo is in danger of being overshadowed at her own headline gig. But early on the evening at her East Coast Blues and Roots sideshow in Melbourne recently, that was clearly on the cards, with both the support act Vusi Mahlasela and even the venue itself, the Melbourne Recital Centre, proving to be highlights on what was to become a magical night.

TheMelbourne Recital Centre seemed a strange choice of venue, with the architecturally intriguing concert hall tucked away in a corner of the cultural precinct usually playing host to staid chamber pieces and sober recitals. High-energy, percussive-intense gigs of the type Kidjo has become famous for seemed an incongruous mix for the plush, sit-down hall – a round peg trying to squeeze into its obtuse, honeycombed exterior, if you will. This is not to detract from the venue itself – far from it, in fact, as many of the full house took the opportunity to marvel at its plush interior. The warm foyer invited curious exploration, with wide, flowing stairs leading to the stalls above. The hall’s walls were etched with flowing designs, like that of a wood-worm snaking its way throughout and invited child-like wonder as patron after patron failed to resist the urge to run their fingers along its entrails. Once seated, the vaulted ceiling and angular facias all spoke of its acoustically-pleasing design – the proof of which was highlighted time and again throughout the performances.
Continue reading Live Review: Angelique Kidjo @ Melbourne Recital Centre – 5th April 2012

CD Review: Gemma Ray – Island Fire

Review by Sibel Kutlucan
Gemma Ray sparks a flame in the hearts of everyone with her brand new album Island Fire (Shock Records). With her recent visit to Australia to play Peats Ridge Festival, the alluring pop-noir songstress has intrigued audiences and built up her Australian fan base, whom won’t be able to stop listening to the infectious melodies of Island Fire!

It is easy to understand why Gemma Ray has become one of the UK’s most independent and critically acclaimed female musicians with a listen to her unique sound that resonates throughout Island Fire. Ray effortlessly creates beautiful tunes with her vintage pop vocals and her fantastic song writing. This fantastic harmony of a sweet pop sound, with the hint of yester-year in the melody on “Put your brain in gear” is a clear indication of Gemma Ray’s presence as a fantastic musician, and definitely is a highlight of the album for me.
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Live Review: Evanescence @ Rod Laver Arena, Melbourne with Blaqk Audio & The Khyber Belt – 24th March 2012

Review By Billy Geary
The lead up to the release of Evanescence’s self titled album (their first in 5 years) was, put lightly, a tumultuous one. With rumours of break ups and the like, plenty wondered if we’d seen the last of them. Not to be killed off though, Evanescence finally made it back to Australia and on Saturday night, put on an excellent showcase of their vast catalogue of hits.

First up was Melbourne’s own The Khyber Belt, the lucky local band that was selected to open every show of the tour. For a band barely a year into gigging, it’s fair to say they’ve risen quickly within the Australian scene. Vocalist Forbes McKail was his usual energetic self, bounding around the huge stage. Closing their quick set with ‘We The People,’ taken off their debut EP
Continue reading Live Review: Evanescence @ Rod Laver Arena, Melbourne with Blaqk Audio & The Khyber Belt – 24th March 2012

CD Review: Silverstein – Short Songs

Review by Sibel Kutlucan
Short Songs by Silverstein is anything but boring.

The 22 track album, which runs for just under 20 minutes, is composed of songs and punk covers which all fall under the 90 second mark. Whilst unique and upbeat, it can seem a bit fanatical and fervent at times and often it felt like a few of the songs were too abrupt (which is understandable when you try to keep a song under the minute and a half mark). Warning, the album is not for the faint hearted, and it isn’t something you want to listen to when you want to kick back and relax.

Short Songs is definitely short, fast and louder than anything Silverstein have produced in their previous five albums and the Canadian boys definitely have taken a unique risk with a number of elements. Short Songs features guest vocals from Tim Mcllrath (Rise Against), Chris Hannah (Propagandhi) and Mike Hranica (The Devil Wears Prada), just to name a few.
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CD Review: The Summer Set – ‘Everything’s Fine’

Review by Sibel Kutlucan
The Summer Set’s new release lives up to its title, “Everything’s Fine”, as it isn’t horrible but it’s not great either. For me, it’s just fine. It does have its high points and alas, it also has its lows.

Everything’s Fine is the second full length from the Arizonian quintet and it delved further into the ‘pop’ territory that was hinted at in Love Like This (released 2009), which had more of a pop punk sound. The Summer Set worked with ‘super-producer’ John Fields, who has previously worked with the likes of Jimmy Eat World, Jonas Brothers and Switchfoot, for Everything’s Fine and this was definitely reflected throughout the album.

It’s easily to understand the popularity surrounding The Summer Set, with their sweet sounding melodies and their catchy lyrics. These elements for me really shone when teamed with acoustic guitar on “Mona Lisa” and “About a girl”, a unique choice for the album opener.
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Soundwave @ Melbourne Showgrounds – 2nd March 2012 | Festival Review

Review by Billy Geary

As the black clad army of fans bustled through the gates at the Melbourne Showgrounds, there was a genuine excitement in the air for what was the largest Soundwave ever in terms of the sheer number of bands on the bill. Not only had Soundwave delivered an exceptional number of bands, they’d also brought back a plethora of old favourites, as well as numerous outstanding up and comers. It was going to be very hard to not have a good time with what was on offer.

Upon arrival, we made a beeline straight for Stage 7 to see American art rock band dredg. Their set on Friday only furthered the reputation they’ve been getting on the Soundwave circuit as one of the must see bands, despite them being slightly different musically to the majority of bands on the bill. ‘Bug Eyes,’ ‘Ode to the Sun’ and ‘Pariah’ all got an airing, but as with their sideshow, it was the incredible ‘The Canyon Behind Her’ that drew the greatest response from the sparse crowd gathered. Vocalist Gavin Hayes was sublime throughout, his tranquil vocals intertwining with Mark Engles’ jangly guitar captivating the crowd for their short set.
Continue reading Soundwave @ Melbourne Showgrounds – 2nd March 2012 | Festival Review

Live Review: Slipknot & Trivum @ Rod Laver Arena, Melbourne

Review by Billy Geary

The short walk from Richmond Station to Rod Laver Arena saw a sea of fans heading to the arena, suggesting we were in for a near full house. However, upon arrival, it was slightly disappointing to find much of the upper sections of the arena possessing empty seats covered by curtains.

Opening up proceedings were Florida natives Trivium, given an entire hour to warm up punters before the main act. There was an obvious portion of the crowd that were every bit as big a fans of Trivium as they were of Slipknot, with plenty up close singing and screaming along word for word. As a band that has been around for quite a while now, it has been great to see Trivium develop into a really tight live act. Front man Matt Heafy was brilliant throughout, encouraging circle pits and roaming the stage, ensuring every single section of Rod Laver Arena was engaged with the music. As Trivium finish off their set, it it obvious that their brand of metalcore has quite successfully warmed up the hordes of already rabid fans.
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Live Review | Devin Townsend Project, Meshuggah and Dredg @ The Forum Theatre, Melbourne – 29 February 2012

REVIEW by Billy Geary
As Melbourne’s Soundwave week continued into Wednesday night, it was time to head to the beautiful Forum Theatre for a taste of some of the most original music the massive line up had to offer.

As somewhat the black sheep of Wednesday night’s line-up, art rock band dredg more than held their own against the heavier headliners. After a few false starts in recent years, this was their first venture to Australia and quickly won over the predominantly metal focused crowd. Opening with two of their most well known songs in ‘Ode to the Sun’ and ‘Bug Eyes’ was a smart move, as the band commanded attention from the start. ‘Bug Eyes’ in particular got a great response, its chorus sounding majestic within the confines of The Forum.
Continue reading Live Review | Devin Townsend Project, Meshuggah and Dredg @ The Forum Theatre, Melbourne – 29 February 2012