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Dubbed ‘New York’s official coolest new band’ by NME, The Drums have heralded a return to the simplicity of the mind-invading catchiness unique to good, solid, guitar-pop songs. “We love the 1950s,” they say, “it was the beginning of basic pop music. They did it from scratch and pulled these amazing, timeless melodies out of thin air.” And The Drums’, with their New Order-style trebly, melodic bass, Ventures-esque guitar songs about surfing, do exactly that.
On stage their infectious energy manifests as near-lunacy, the band playing their chirpy, whistle stopstart ditties with breathtaking mania. It’s no wonder that after only a year of living in NYC The Drums’ concerts became a weekly dance-party attended religiously by even the most cynical of music fans. |
Continue reading The Drums – Australian Headline Shows August 2010
With both headliner, and second support bands touring off the back of their latest releases, they’ve come; ready blow the house away with an arrangement of toxically destructive yet undeniably distinct songs. Maylene don’t’ look like your typical metal band, because they’re not. Neither are Dillinger. Both acts are well known for their pioneering ability to create and mould new genres of sounds, encompassing an array of metal, jazz, blues, rockabilly, punk and screamo. The collection of sounds we’re about to hear are unique only to the bands who’ve created them. Maylene are drilling to the core of traditional rock and metal and intently injecting an air of southern flair, quite familiar to their place of foundation; Burmingham, Alabama. While Dillinger, a much earlier conception, incorporate their own blend of metal (progressive, thrash, hardcore, punk) and jazz fusions to have become, the pioneers of what critics and fans alike now know as “math metal”. With such a partricular combination of artists, the show will surely be, as mind boggling and utterly intriguing as the bands themselves.
A video camera appears at the front doors of the Metro Theatre on Sydney’s George Street and the assembled throng erupt with screams and cheers. The footpath is a fast-flowing river of regular folk, looking on curiously as the rag-tag gathering of music fans chant “Dillinger Escape Plan rawk!”