Tag Archives: Violent Femmes

Live Review : Hoodoo Gurus + Violent Femmes + Sunnyboys + Died Pretty + Ratcat at A Day On The Green – Bimbadgen Estate – March 5, 2016

Review by Natasha Wyborn
Hoodoo Gurus at A Day On The Green - Bimbadgen Winery, Pokolbin Australia - March 5, 2016 Photographer:  David Jackson
Like wow, a clear day, thirty plus degree heat, good wine, and a record 10,000 crowd. That was the setting for Bimbadgen Estate on Saturday as fans come to watch what could be described as the best eclectic line-up the area has seen in years. This event proved a smash, selling out within days of going on sale. An additional 2000 tickets were made available courtesy of a new makeshift stand. The theme for the day was interesting with 5 bands, all from different music categories including college rock to psychedelic punk and the result was spectacular.
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A Day On The Green 2015-2016 Summer Season!

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Everyone’s favourite outdoor event a day on the green kicks off its 15th season this weekend – October 31st, 2015.

The hugely successful concert series begins with an annual event at Robert Oatley Vineyards, Mudgee NSW on Saturday October 31 where about 5500 patrons will see a stellar Aussie line-up featuring Icehouse and James Reyne.

The following weekend Fleetwood Mac takes to the stage at Mt Duneed Estate, Geelong VIC with a sold-out crowd of 18,000.
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A DAY ON THE GREEN presents Hoodoo Gurus, Violent Femmes and Sunnyboys + more!

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From the golden age of indie-rock comes three giants of the era, three acts so magnificent in scope it takes several wineries to contain them!

Hoodoo Gurus, Sunnyboys and Violent Femmes are teaming up for the very first time this summer in a three-way, no-holds barred attack on the aural senses.
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The Break – “Church of the Open Sky” [CD Review]

Review: Lana Harris

  Ah, the beach. Golden sands, blistering sunshine and pounding waves are all an integral part of Australian culture, so it’s perhaps surprising that we haven’t heard more surf rock acts spring up locally. Instead, the genre is much more heavily associated with American waves, Hawaiian surf shacks or perhaps the laid back vibes of San Francisco.

Well, The Break are out to change that. They’ve taken rockers who are a part of Australian culture (drummer Rob Hirst, guitarists Jim Moginie and Martin Rotsey, from Midnight Oil) added in

an American who recently moved to Hobart (ex Violent Femmes bassist Brian Ritchie) and created a surf rock record that should see Australia in general, and The Break in particular, usher in a resurgence of this laid back style of music. Continue reading

Live Review: Hoodoo Gurus, The Break, The Gun Street Girls @ The Hi-Fi, Brisbane 29 April 2010

By Denis Semchenko

Hoodoo Gurus
[Photo: Stuart Blythe]
  Tonight’s triple bill at West End’s Hi-Fi is more Aussie than Paul Hogan’s thongs, Merv Hughes’ handlebar or Rolf Harris’s wobbleboard – and all the more fun for it. Specialising in no-bullshit, classic pub rock, Gun Street Girls provide an invigorating start to the evening as the predominantly middle-aged, ’80s-weathered punters fill the venue. The erstwhile Dallas Crane dynamo, frontman Dave Larkin hammers a very cool Gretsch White Falcon and belts it out like one of the best screamers in Oz-rock that he is. Barnstormers How I Roll, Right Under The Wind and powerpop-tinged Party In Hell get the heads nodding and feet stomping; I consider myself nicely warmed up for the next sonic wave…

…which duly hits as The Break – an instrumental rock combo comprising three former Midnight Oil members and Violent Femmes’ bassist – open with a crunchy Ventures cover.

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CD Review: The Break – ‘Cylinders’ Single

Review: Lana Harris
The Break was formed from three of the previously in-your-face-political pub rockers Midnight Oil (Rob Hirst, Jim Moginie and Martin Rotsey) plus the bassist (Brian Ritchie) from the grungy, always a bit teen-angst Violent Femmes. The love child spawned is nothing like its parents. Instead, it is a fun loving, apolitical coast dweller called The Break.

Cylinders’ is the pre release, first impression of the new creation. What is presented is a three and a half minute instrumental surf rock track. Surf rock? If you have ever seen a movie with teens at a beach shack party, circa 1960’s, you’ve heard surf rock. Remember ‘Wwwwwwwwipeout!’ Surf rock. It was repopularised for a while in the 1990’s – the opening credits to Pulp Fiction are overlaid with a revamped version of surf rock in the form of song ‘Misirlou’ and put the genre back into the population’s consciousness.

The Break’s postmillennial take on the genre has a heavier, deeper feel. Darkness washes across the laid back and loose vibes from the sixties, as though a man with sinister intentions is hiding amongst the palms that surround the beach shack party. There is a strong energy to the track, which explodes in your face like salt spray from a crashing wave. The Break thump straight into up-tempo, driving, full band participating music that ebbs and swells as the song progresses. The beach theme and vibes will continue with debut album Church of the Open Sky (released by Bombora Records) promising to be a mostly instrumental surf rock record with tracks named after famous surf breaks.


The BreakThe Break available at iTunes

Midnight OilMidnight Oil available at iTunes
Violent FemmesViolent Femmes available at iTunes


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