Slim Jim Phantom

Slim Jim Phantom has secured his place as a true rock n roll icon.

As the legendary drummer for the Stray Cats Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock n roll the Stray Cats took inspiration from the bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the US, gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. slim-jim-phantom-sml

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The Caxton Street Seafood Festival – Sunday 4th May 2008

Caxton Street Seafood Festival Crowd 

To experience some of the best live music Australia has to offer this Labour Day long weekend, there’s only one place to be – The Caxton Street Seafood Festival.

This year’s Festival will be held on Sunday 4 May 2008, and along with delicious seafood, wine and beer, there’s a sight and sound for every musical palate.

There’s a massive amount of locally home-grown talent on offer including the likes of Nik Phillips, Nina May, DJ Jimmy Z, the infectiously manic Butterfingers and electro tinged rock band, Elation.

The eclectic mix also includes indie rocker Diana Anaid, jazz diva Grace Knight and trio and Sydney based hip hop and beats label, Urthboy.
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Chris Isaak Bio

Chris Isaak

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From crooning pop to retro-cool rock, multi-platinum seller Chris Isaak is a man of many personas – a gifted musician and vocalist, host of his own TV show, acclaimed actor, a consummate showman and charismatic all-round great guy!

Isaak is also a platinum-selling artist with nine extraordinary albums, twelve singles and two Grammy nominations under his belt.


His legendary shows with long-time band Silvertone have entertained legions of loyal fans for more than two decades. Known for his wonderfully-entertaining stage presence, the charismatic performer and his band of 20 years is recognised by such classics such as ‘Wicked Game’, ‘Baby Did A Bad Bad Thing’, ‘Somebody’s Crying’ and ‘Blue Hotel.’

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Leonard Cohen

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For four decades, Leonard Cohen has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on. His songs have set a virtually unmatched standard in their seriousness and range. Sex, spirituality, religion, power – he has relentlessly examined the largest issues in human lives, always with a full appreciation of how elusive answers can be to the vexing questions he raises. But those questions, and the journey he has traveled in seeking to address them, are the ever-shifting substance of his work, as well as the reasons why his songs never lose their overwhelming emotional force.

His first album, Songs of Leonard Cohen (1967), announced him as an undeniable major talent. It includes such songs as “Suzanne,” “Sisters of Mercy,” “So Long, Marianne” and “Hey, That’s No Way to Say Good,” all now longstanding classics. If Cohen had never recorded another album, his daunting reputation would have been assured by this one alone.

However, the two extraordinary albums that followed, Songs From a Room (1969), which includes his classic song, “Bird on the Wire,” and Songs of Love and Hate (1971), provided whatever proof anyone may have required that that the greatness of his debut was not a fluke. (All three albums are reissued in April, 2007.)



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Black Mustang

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Black Mustang have quickly established themselves as one of Brisbane’s most undeniably exhilarating new bands. Having developed an explosive live set with teenage kicks and manic pop thrills, their sound veers from rambunctious garage rock n roll to grungy blues-infected dynamos. Black mustangs sheer sonic momentum, combined with their intelligent use of melody, displays a maturity far beyond the band’s tender years. Powerful emotions, spanning from love and lust to fear and frustration are ever present. In short, Black Mustang provides a roller coaster ride of unashamed, delirious rock n roll.

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Buddha Birth Day Festival – Brisbane, May 2-4 2008

Buddha Birth Day Festival

An estimated 200,000 visitors are expected to attend the 12th annual Buddha Birth Day Festival. The Festival is a signature cultural event for Queensland and is now one of the largest Buddhist celebrations in the world.

Endorsing this year’s theme of “Harmony in All”, the Festival promotes a peaceful existence and appreciation of Australia’s multicultural identity and focuses on generating community and individual ‘respect for life’.

Spread over 12 locations throughout the South Bank Parklands, the Buddha Birth Day Festival involves over 700 volunteers, 300 performers, 200 events, 2 performance stages, a fireworks display, 21 information and meditation sessions including 2 multi-faith forums, 18 Cultural, Art and Environmental activities for the children, a Children’s Amusement Area with a number of rides, an Art Exhibition, an organised Festival tour for over 1,000 school children, 50 food and merchandise stalls and 4 Official functions including the Opening Ceremony on Saturday night.

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Links:  Buddha Birth Day Festival Site 
Photos: LifeMusicMedia flickr photoset

Eskimo Joe

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[photo: Stuart Blythe]
Youthful naivety can produce flashes of rock & roll excitement, but genuine experience and the passage of time can turn a good band into a truly great one. Now, more than a decade on from when the young Fremantle trio leapt onto the national stage, Eskimo Joe are taking a big, bold step towards music greatness.

On the eve of releasing their fourth album, the horizon has broadened. Band members Kav Temperley, Stu MacLeod and Joel Quartermain, have never been ones who ascribe to the status quo and consequently have proven there’s a whole world of possibilities to explore – if you simply follow your heart, listen to your muse and make the most of your talent.


Their third album, Black Fingernails, Red Wine, was a brazen step forward for a band borne of a scene that doesn’t always encourage grand statements. This dark edgy collection of songs was a monumental leap forward and landed the band not only quadruple platinum sales, but a number #1 charting album along with industry accolades with four ARIA Awards’>ARIA Awards in Australia. Consequently their world expanded.

Eskimo Joe landed a US Record deal with the respected Rykodisc, and proceeded to explore new territory. Humility coupled with a huge dynamic on-stage performance, elevated the band in the minds and hearts of locals. Their sheer perseverance from starting at the beginning again in a notoriously tough market, generated a solid base of fans.

The culmination of this international touring experience has creatively given way to new material for album number four. Looking to further shake-up their methodology, Eskimo Joe have now enlisted the assistance of world renowned English Producer, Gil Norton (Foo Fighters, Pixies, Echo and the Bunnymen). While Black Fingernails, Red Wine was an award winning first attempt at self-production, this time, the trio have openly embraced the challenge of outside perspectives.

A background of bold production brushstrokes cleverly reflecting material that has, thematically, just as much personality on display, Eskimo Joe aim to further showcase developments in their songwriting on the forthcoming album. Through previous award-winning albums, A Song Is A City and Black Fingernails, Red Wine, this consistent aspiration is vividly evident.

Now more than ever at home in their own skin, the trio raise the bar set by past albums with the forthcoming album number four. The songs move to a brighter, dynamic mood reflecting both recent events in both their personal lives and on a universal front without abandoning the everlasting desire of forward movement. Unashamed emotion and unguarded personality envelope every track.

So, after ten years together, lesser bands may ponder what roads are left to travel… Eskimo Joe actively embrace the wide-open road before them earnestly and proudly, while being not afraid to try some roads less traveled along the way.