| It is always with the great pleasure that Billions Australia announce an Australian tour when the band just happens to be one of the greatest bands in the world.
Cooler than fashion and both sweeter and harder than all their contemporaries – it is the authentic, super soul sounds of Sharon Jones & The Dap-Kings that gets us all foamy in the mouth and in training for some serious rump shaking come December.
Review: Victoria Nugent
|It may have been mid-week, but that didn’t deter the crowd at The Tivoli who flocked to see The Cat Empire perform on their Cinema tour.
As the evening kicked off, Clairy Browne and the Bangin’ Rackettes warmed up the crowd with their soulful stylings. Clairy Browne had a powerful presence as frontwoman, with an Amy Winehouse
style beehive and a deep, dulcet voice. The three Bangin’ Rackettes crooned backing vocals at the side of the stage and the band provided old style soul music to flesh out the sound, with punctuating saxophone. Champagne featured bright keys, rounded saxophone beautifully melodious verses and a less polished but more upbeat chorus. The band’s unique cover of Bang Bang from Kill Bill was a standout song, with the tempo slowed right down, giving it a more mournful sound than one would think possible. One memorable moment was the duet between Browne and her sister Natalie (one of the Bangin’ Rackettes) about not letting a man treat you badly, the classy soul punctuated by more modern one fingered gestures. T he group’s sultry sensual cover of a Tina Turner number, complete with red lit silhouettes further emphasised the band’s great range. Browne was at her powerfully smooth voiced best with Stephanie, a bitter song about the dangerous woman trying to steal your man. Clairy Browne and The Bangin’ Rackettes make music that is purely intoxicating, combining dirty doo-wop with sultry soul, slow hips and unison fingersnapping.
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[Photos: Cody Alexander]
Continue reading The Cat Empire @ The Tivoli, Brisbane with Clairy Browne and The Bangin’ Rackettes – 25 August 2010 – Live Review
Review: Hannah Collins
– Little Immaculate White Fox
|If you dig classic rock, and idolise the genre’s greats, you’ll find this album utterly intriguing.
Pearl Aday‘s first solo production brings with it over two decades of influence from some of rocks finest performers. She’s toured with Motley Crue, Meat Loaf, featured with Filter, hung out with Slash and jammed with Jerry Cantrell. Immaculate Little white Fox is full of grungy riffs, classic rock solos, and intricate lyricism. The shifting track listing rolls like waves and is neither stagnant nor boring. Pearls vocal ability, has been rounded and refined over the years, as she’s moved from stage hand to backup singer and finally found her place, as a stage front performer, bringing all her experience together, in her first singular application.