**** TOUR UPDATE ****
Sydney/Melbourne sold out – new shows added + Perth date change
The September tour for recently reformed Alt Rockers, Veruca Salt has proved to be an absolute smash! With Melbourne’s Corner Hotel show selling out within 8 hours of going on sale and now the Factory show in Sydney has also sold out, it seems everyone needs a bit of Salt in their diet!
The good news? Its been delivered! Extra shows have now been added
Corner Hotel Melbourne – Tuesday, September 30
Factory Theatre Sydney – Thursday, October 2
As a result of the extra shows, the Perth date @ The Rosemount has moved to Saturday, Oct 4
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Featuring All Four Original Members For The First Time Since 1998
Finally! The news Veruca Salt fans have been waiting yeeeears for!
The original members of Veruca Salt, Nina Gordon, Louise Post, Steve Lack and Jim Shapiro recently announced an epic reunion tour that seems them playing their first shows together since 1998, and we are stoked to say Australia has been included in those plans which will see them here in September!
Born in Chicago in 1993 out of singer-songwriter-guitarists Louise Post and Nina Gordon’s desire for a dreamy-grunge band with influences like Big Star, My Bloody Valentine and the Pixies, they soon made the transition from cutesy pop upstarts to big league wet dream rock queens and became one of the most important bands of the 90’s in the process. Their sugary sweet vocal harmonies sat perfectly with their huge fuzzy rawk riffs and it sounded oh so good!
Continue reading Veruca Salt : National Tour | September 2014 ** More Shows **
After selling out her Melbourne show, the legendary Ms. Lauryn Hill has announced a second date at Hamer Hall on Thursday 22 May.
Psychedelic newcomers Temples have announced their first Australian shows in Brisbane, Sydney and Melbourne. Joining Temples for these dates in May will be fellow indie-psychers Deep Sea Arcade. 
Closure In Moscow (CIM) are pleased to announce the release date for their sophomore full length ‘Pink Lemonade’ and the Pink Lemonade album tour. The album will be released independently through MGM on May 9th. It’s been a while between drinks, so those boffins at CIM HQ ran focus groups day and night to hone in on exactly what would satiate the hungry masses, baying for more sexy tunes from the Melbourne quintet… The results are conclusive! Turns out it’s all about quantity over quality, so this thing clocks in at over 60 minutes! That’s longer than an episode of The Block, and since that’s about to leave a gaping cultural void the guys figured it would be the perfect time to step up and slide up into that void like a warm kitten.
To say that we were a little concerned about Monster Magnet’s set upon reaching the HiFi Bar just as the doors were opening would be an understatement. Simply put, there was very little sign of life. Granted, it was a dismal evening with some drizzle and cold Autumn winds blowing through, but there was hot night of raucous rock and roll to be enjoyed inside.
To say I was buzzing with excitement as I took my seat in Sydney’s Qantas Credit Union Arena waiting for Thirty Seconds To Mars is an understatement. Looking around the room, it was filling up nicely. The atmosphere was building and as London band the White Lies stepped onto the stage the room erupted ready to party with them. 
Rabble-rousing, good times WA skate-punks The Decline are stoked to announce they’ll be unleashing a fresh 5-track EP and kicking off a national tour real soon. Pee Records are proud to present the fully crowd-funded, fully sick ‘Can I Borrow A Feeling?’ EP.
Joan as Police Woman has been as restless as ever since her last sold-out Australian tour in 2011, and the release of that year’s classic album The Deep Field. She’s starred in a BBC produced celebration of the music of Sandy Denny. Joan also appeared on Orchestral Variations V.01 by The Separate (aka producer / engineer Rob Kirwan), reimaging the Smiths’ The Night Has Opened My Eyes. But most crucially she’s returned to the studio to create her most striking LP yet, The Classic. Critics and fans are united in their praise of an album that one scribe said was best experienced with lights out, eyes closed, headphones on. This is music to get lost in.
Within seconds of Ignition’s lacerating opening riff, you know what you’re in for. Behind Waleed Aly’s slamming guitars (RN Drive, The Project), and Jeff Wortman’s (Peanut Gallery, Triple M) vocals, a siren wails and a spoken voice warns us that desperate people do desperate things. Soon the rhythm section arrives and we’re off: the track is surging and the stakes are high.