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The Story of the Miracles at Cookie’s Table @ Cremorne Theatre, QPAC 15th October 2010 – Theatre Review

  Review: Pepa Wolfe

It was a wet, windy night in Brisbane for the opening of Wesley Enoch’s The Story of the Miracles at Cookie’s Table, directed by and starring Leah Purcell. Produced by the independent indigenous company Bungabura Productions and presented by QPAC, this is the story of Opening Night. It goes something like this.

The Cremorne had been transformed (the stage removed so that some of the audience was sitting amongst the set) into the simple dining room of a house on Stradbroke Island, sand strewn on the ground, with the backdrop arranged in pieces, working both as a broken barrier to the outside world and an obscure window into the past, the faces of time gone by etched into its panels. At its centre sat the table, Cookie’s Table.

Originally Cookie’s birth tree, it was cut down by the white man and turned into a table that was eventually passed down through four generations. This night the audience learnt the history of the table; its meaning, its power. Its mystery unravelling as estranged mother and son, Annie and Nathan, argued over its ownership, and in doing so challenged the meaning of family and the elusive nature of the truth.
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