Tag Archives: Review

Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Review: Lana Harris

  The performance starts in enmeshed innocence, dancer wrapped around dancer, cheek to cheek, limb to limb, ebbing and flowing into one another. Behind these demonstrations of closeness sits a man alone in a chair. Far away from him is a woman in a lounge room setting – flickering lamp, thick rug, and a lonely expression. They both ignore the blatant yet playful seduction occurring in front of them. The dancers too, are oblivious to these others: wrapped up in the intensity of their unfolding romance, their focus remains themselves and their explorations. There is no question we are watching the beginnings of love.

Continue reading Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

Review: Pepa Wolfe

  Sylvia By A.R. Gurney
Directed by David Bell

With: Karla Deane, Michael Civitano, Natasha Kapper, Jill Brocklebank, Kate Hawkins.

There was a decidedly pleasant mood at the Brisbane Arts Theatre on Saturday, as people gathered for the opening night performance of A.R. Gurney’s Sylvia. Promoted as a comedy about the relationship between Man and “Man’s best friend”, the play’s title character is in fact a dog – a precocious little mut, played by Karla Deane.

Continue reading Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

Bullet For My Valentine, Bring Me The Horizon, Cancer Bats @ Brisbane Riverstage – 11 September 2010 – Live Review

Review: Hannah Collins


Click image to view Photo Gallery

[Photos: Stuart Blythe]
  Summer’s on the way, the festival season is almost upon us. Beginning September 11 2010, the first of many Soundwave Touring showcases hits Brisbane’s Riverstage on a perfectly tempered spring eve. The temporary fences are up, the box office open, lights are on and 1000’s of patrons begin the seemingly endless walk up the gardens path toward the peak of gardens hill. A most anticipated entry. In conjunction with announcements of Side Waves; the world’s most sought after bands to be frequenting our shores over the next few months, Soundwave Touring paint a new metal face on 9/11.

What will tonight bring? Could these hardcore brethren breathe the fire of the riff across so many receptive faces? An audience of youth seeps out of the shadows, girthing the ever familiar grassy knolls of Riverstage and creeping toward the stage front where the grass gives way to stone.

Glancing left and right there’s nothing abnormal about the sea of black that rises and falls beneath us. The odd white shirt is ever-present and distracting like a pseudo rose in a field of poppies. Poppies that if you plucked from the soil, stripped of their seeds and ground to a pulp; would taste like a smoky blended tea called Bring Me Cancer Bullets.


Click image to view Photo Gallery

[Photos: Stuart Blythe] Continue reading Bullet For My Valentine, Bring Me The Horizon, Cancer Bats @ Brisbane Riverstage – 11 September 2010 – Live Review

Jeff Lang @ East Brunswick Club, Melbourne – 11 September 2010 – Live Review

Review: Ben Connolly
Photo: Amy Skinder
Jeff Lang was not always the teller of disturbed tales accompanied by face-melting blues guitar shredding. There was time – in the heady post-grunge days – way back at the beginning of this 15-year-long and counting career, that Lang appeared to fancy himself as a bit of a fringe-rock crooner. His then long locks and fresh face even graced morning television and he seemed always just on the verge of tipping into the mainstream proper.

While his blues-folk-roots-rock brethren (The John Butler Trio, Xavier Rudd, et al) watered down their origins after initially making the cross-over and opting for the high-exposure, high- sales paths, Lang instead maintained a steady personal path of discovery through the back alleyways which make up his self-described ‘disturbed folk’.

Along the way there have been excursions into deep south blues, rousing sea shanties, psychedelic-laden folk-pop and, more recently, ‘world music’ (with a collaboration with Malian kora player Mamadou Diabante and Indian tabla player Bobby Singh). His latest album, Chimeradour, stayed true to its Greek- mythology based namesake and married them together, but with subtle nod back to the earlier straight-rock days with some crunchy numbers laying a solid base layer.
Continue reading Jeff Lang @ East Brunswick Club, Melbourne – 11 September 2010 – Live Review

Crow “Arcane” – LP Review

Review: Lana Harris

  Deep in the American south, legends about crossroads abound. It is said that if you stand at a crossroads and wait there until midnight, a man (or the devil in the guise of a man) will appear who will imbibe you with phenomenal guitar playing abilities (and the women, money and fame that come with it). All that for the rather reasonable cost of your soul. Nowadays we know that’s not true, because there are plenty of people who have immense amounts of money, sex and fame that got gypped on the talented part.

Continue reading Crow “Arcane” – LP Review

Sutra @ The Playhouse (Brisbane Festival), 8th September 2010 – Live Review

Review: Lana Harris

[Image courtesy Brisbane Festival – Photo Credit: Hugo Glendinning]

Bodies twirling through the air, gravity defying leaps and rod straight limbs in perfect turns: the Shaolin monks have come to town. Part of a new contemporary dance performance, their fighting skills are being used to story tell and entertain in another’s vision.

Artist Sidi Larbi Cherkaoui is the man who has married the martial with the contemporary, travelling to China to live with and learn from the monks. His involvement in the temple life must have been deep and overwhelmingly positive: not only has Cherkaoui managed to capture the monks centuries old, tradition honed skills and use them effectively in a modern, western performance style, he convinced them to leave their Buddhist temple and to perform as part of the Brisbane Festival.
Continue reading Sutra @ The Playhouse (Brisbane Festival), 8th September 2010 – Live Review

Bonfire Nights “Bonfire Nights” EP Review

Review: Victoria Nugent

  Bonfire Nights are relative newcomers to the Brisbane music scene, but they are truly carving out their own distinct style. Stephen Foster and Ruth Nitkiewicz took the step of joining forces musically earlier this year, with great results. This rocking duo makes music that’s a little bit different from the usual indie pop fare, with great boy girl vocal dynamics, switching with ease between slow harmonic pop and no holds barred indie rock.

“Own Worst Enemy” is pure dark rock, full of low, dirty-sounding intonations, edgy guitar riffs, a short

eerie intro and punchy vocals. “Leave Yourself Open” is slower with great harmonies between Foster and Nitkiewicz, with harmonica woven into almost hypnotic instrumentals. Continue reading Bonfire Nights “Bonfire Nights” EP Review

Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review

Review: Lana Harris

[Image courtesy Brisbane Festival]

Have you heard the one about the Spiegeltent? A girl and a guy walk into this travelling bar – a pointy topped sphere shaped by mirrors, wood and glass. Golden poles, blood red velvet curtains swooping overhead, low lighting and dancing shadows. Smoky. Drinks service on the curve, booths hugging the circumference. A big-top boudoir with an audience.

The girl and the guy start out cautious in this ringmaster’s playground. They clamber carefully onto the high wire – wobble and steady, wobble and steady. She wears a pair of lasciviously red heels as she teeters. The shoes return sporadically throughout the acts, as do the scene setting ukulele and tinkling pianola. Music through out invokes alternately past, present and future – offered in no particular order. Subject to whims and acrobatics, time periods depart and return often.
Continue reading Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review

French Breakfast on The Goodwill Bridge (Brisbane Festival) – 5th September 2010 – Live Review

Review: Lana Harris

  Is knitting French? The first glimpses of the Goodwill a la Paris show a portaloo covered in crochet and various other styles of weaved wool, ministered to by a lady who appears to be wearing a full pants suit made of crochet squares. Disappointingly, up close this is just a pattern on ordinary

fabric. The knitting display continues onto the bridge, incorporating the French theme with some knitted croissants.
Continue reading French Breakfast on The Goodwill Bridge (Brisbane Festival) – 5th September 2010 – Live Review

Michael Paynter @ The Prince Bandroom, Melbourne – 2 September 2010 w/ Ryan Meeking & Stonefield – Photo Gallery & Review

Photographer: Naomi Rahim

Click the image to view the photo gallery
Michael Paynter

[Photo: Naomi Rahim]

Melbourne singer-songwriter Michael Paynter played The Prince Bandroom for the launch of his new-ish EP, Love The Fall. Paynter took to the stage with gusto and vibrancy, eager to please his audience. His performance style was positive and honest, banter humble yet friendly, whilst his vocals were as much at home on ballads “Crave” and “Novocaine”, as they were on pop-rock tracks such as “Love The Fall”. Notable mention should be made of his frantic rock cover of Michael Jackson’s “The Way You Make Me Feel”, which maintained the energetic momentum of the show.


[Photo: Naomi Rahim]
Continue reading Michael Paynter @ The Prince Bandroom, Melbourne – 2 September 2010 w/ Ryan Meeking & Stonefield – Photo Gallery & Review

The Drums “The Drums” – EP Review

Review: Natalie Salvo
The Drums are a young band from New York City who – like The Strokes before them – received a lot of hype very early on. But as their debut EP, Summertime! And now eponymous debut album have proved, this indie pop quartet are more about basking in the sunlit glow of a California beach than being inspired by yellow cabs or shopping on fifth avenue.

The guys ooze retro cool and like Peter Hook’s bass playing in Joy Division and New Order, their sound makes an immediate impact gaining your attention quickly with its old-yet-fresh style. But it seems this quality is also the group’s pitfall because when spread out over 12 songs, it becomes too repetitively simple and the buzz does tend to wear off a little. Like summer itself, you miss it when it’s gone but after enough humid 40+ degree days you can’t wait for winter or at the very least, autumn.
Continue reading The Drums “The Drums” – EP Review

Black Label Society “Order of the Black” – LP Review

  Review: Lana Harris

Zakk Wylde is known as one of the metal world’s best guitar players, particularly
when talking shredding abilities. He was Ozzy Osbourne’s guitarist for two decades, and didn’t let decadence overcome discipline – as well as working and touring with Ozzy, he completed an album a year from 1999-2006 with his side project, Black Label Society (BLS). BLS have their guitars firmly wedged in heavy metal/ hard rock – think Alice in Chains, a bit of Ozzy’s influence apparent in the vocals. But now Wylde’s no longer with Ozzy, and Order of the Black is the first album release by BLS in four years.

Continue reading Black Label Society “Order of the Black” – LP Review

Bec Plath “At The End of the Night” – Single Review

Review: Victoria Nugent

  This soft single is the latest release from Brisbane vocalist Bec Plath, best known for her vocals with local band The Bloodpoets. At The End of The Night follows Plath’s 2009 debut EP Unrequited, and gives a taste of what we can expect from her next EP.

The single starts with a smooth yet strong piano intro with guitar kicking in shortly before Plath’s melodious vocals. During the chorus, Plath’s vocals take on a slightly sharper edge, building in intensity before softening again for the verses. The piano remains a subtle but constant presence throughout the song, which flows effortlessly through key

changes which add to the track’s originality. Plath’s lyrics are introspective comments about living in a stressful world to which many people would be able to relate. Her vocals are imbued with both honesty and a sense of heart that makes listening seem like a deeply personal act. The music meanders for a while, almost seeming a bit lengthy, before coming to a powerful crescendo towards the end of the track, and then fading out softly. At The End of the Night is a slow-burner with a lot of emotion, and worthy addition to any compilation.

Bec PlathAt The End of the Night is available at iTunes:
BecBec Plath


Related Posts:
CD Review: Bec Plath “Unrequited”

Bastardfest @ The Globe Theatre, Brisbane – 28 August 2010 – Live Review

Click to see more images
Blood Duster

[Photo: Stuart blythe]
  Review: Hannah Collins

Bringing together some of Australia’s most notable and long standing metal acts; Astriaal , Pod People and Blood Duster ; The Globe Theatre opened their doors on Bastardfest last Saturday to let the shred ignite the stage and appease those curious enough to have been lined in entry.

Punters of all shapes and sizes graced the venue and packed the bar, but although The Globe seemed full up, it was more of an illusion caused by the tinned sardines hovering in the foyer when in reality we were quite short of a sell out. Numbers may be have been lacking but it contributed only, to make the experience more personal.

Continue reading Bastardfest @ The Globe Theatre, Brisbane – 28 August 2010 – Live Review

Midnight Juggernauts “The Crystal Axis” – CD Review

Review: Natalie Salvo

  Batten down the hatches, the Midnight Juggernauts ‘difficult’ second album, The Crystal Axis appears to be anything but that. Instead, it uses analogue harmony walls and experimentation aplenty to craft 12 striking tracks (well 11 plus an overture) with a destination of the sun’s core. Onboard we journey via new tangents and those crazy panoramic retro screens of old.

The trio employed a lot of live experimentation to get here. The jams err on the side of prog rock and spaced-out sonic landscapes. They billeted together in a remote and isolated house on the NSW

coast with only synthesisers, keys, guitars, drums, racks of pedals and other electronic gizmos for company. The jams even found their way into the recording process and at times this adds a unique character to the music, while at other moments feels as though a bit too much fat was left on the bone.
Continue reading Midnight Juggernauts “The Crystal Axis” – CD Review