By Meghan Player
Cradle Of Filth have always been known for their signature take on the dark wave, gothic metal sound and grandiose theatrics. Latest offering, ‘Midnight in the Labyrinth’ – an orchestral selection of the bands first four albums – is no exception.
Opening with a glorious string section of sweeping, melodic sound ‘A Gothic Romance [Red Roses For The Devil’s Whore]’ pulls the listener into an album that not only celebrates the band, but reinvents the tracks that once pounded through your headphones.
‘The Twisted Nails of Faith’ sounds almost as if it has come straight from a melodramatic, theatrical musical – with striking strings, stirring vocals and choirs intertwining with frontman Dani Filth’s narrative growl.
Continue reading Album Review: Cradle of Filth – Midnight in the Labyrinth
The Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.
Trekking all the way out to Ferntree Gully for a gig is always an interesting experience and Thursday night was no different, with a line up boasting some of Australia’s and America’s best alternative rock bands. With Brisbane natives Dead Letter Circus having been on tour with Texan five piece Fair to Midland in the States for the past few months, it was time to bring the party (and Fair to Midland) back home for their own national tour.
Looking over the crowd at the Metro Theatre in Sydney I was surprised to see that I looked like everyone else – Yes, White Middle Class Suburbia had come out in force to see Public Enemy, DJ Lord and the current S1W crew. Although it shouldn’t really surprise anyone, Public Enemy have been, despite their militant bravado, quite accessible to the average non rap/hip hop public.
Nestled in bushland within the beautiful setting of Belford in the Hunter Valley, The Gum Ball festival was held over the weekend of April 27th-29th.
Word about the brilliance of 
Thursday night got underway at 8pm when early punters began filling into the doors of the Sydney Metro. The darkened room was a hotbed of activity, buzzing conversation as indie fans alike milled around drinking beer and anticipating the first time visit of English indie rockers The Maccabees to Australia. The quintet who are visiting this autumn for the 
The Darkness are back and dare I say bigger and better than ever. They are pure performers and gave it all at their latest Sydney gig at UNSW Roundhouse.
Gemma Ray sparks a flame in the hearts of everyone with her brand new album Island Fire (Shock Records). With her recent visit to Australia to play 
Short Songs by Silverstein is anything but boring.
The Summer Set’s new release lives up to its title, “Everything’s Fine”, as it isn’t horrible but it’s not great either. For me, it’s just fine. It does have its high points and alas, it also has its lows.
It’s fair to say that over the years Californian natives 
There’s a buzz in the air tonight – a full house and the Ball Park Music headlining debut album launch tour tends to give out a special vibe. And it’s been a long, well-worn track to get to this point: singles and free downloads leading to early Triple J recognition, signing to a supportive management company and releasing one of them most anticipated EPs of recent memory, seemingly tour after tour as the perpetual bridesmaids before finally knuckling down to carve out the first full-length offering.