Review: Hannah Collins
Having spoken with Michael Amott re their most recent Album launch and subsequent tour schedule only last month, I can’t wait to see one of today’s most sought after guitarists in action!
Just 10 minutes after doors opened at the venue, we hear the drum beats blast into the night air as the building we’re in and those surrounding begin to vibrate in time with the pressing percussion seeping out through the walls of Brisbane’s Hi Fi Bar; a whole block away!
My heart misses a beat, and my conscious won’t forgive me if I miss ANY of tonight’s gig, so off we run. We’re greeted at the door by an almost empty line up, all the smart kids got inside a while ago. A sea of black awaits, a room full of metal heads all wearing their favorite bands most recent album cover, pressed on casual tee’s and worn over classic ink….. it doesn’t get any more metal than this!
Continue reading Live Review | ARCH ENEMY @ HI-FI Brisbane 7 November 2009 with Winds of Plague (USA) and Suffocation (USA)
Dan Parsons – Run With Me
Review by: Lana Harris
||It’s a little known fact that record companies are the perpetuators of the idea that only by hearing a song can you get it out of your head – which conveniently places it in one thousand other people’s minds when you request it on the radio. Eventually people buy it for an always accessible cure, and thus the song’s place on the charts is secured.
‘Cut Off’, the B side track to ‘Run with Me’, is a song that gets stuck in your mind.
Verses open on drums and vocals, the guitars follow a few bars later, and soon enough the tempo has built up to the four word chorus. Tambourine and piano chords add more interest to the usual instruments that dominate guitar based singles. ‘Cut Off’ could be a stand alone single, as could ‘We Were so Young’, a track which screams ‘our song’ for girls with floral dresses and their childhood sweethearts. The B sides’ quality suggests that when the album is released, it will be an impressive offering.
Continue reading CD Review: Dan Parsons – Run With Me
by: Rob [StickySteps.com]
||It all started with my girlfriend who overheard the complaint of one friend to another – A restaurant in Surry Hills, near impossible to get into. We were curious.
It is described as neighbourhood dining. A dinner shared amongst friends and strangers lucky enough to get a reservation (which is only available by SMS). The concept is unlike anything else we had encountered in Sydney and instantly conjured imagery of some kind of underground, urban “food club”.http://www.tablefor20.blogspot.com/. The blog reads: “So here’s the deal – We do a 3 course set menu every night, you can BYO or drink mine. The cost is $60 Wed, Thurs, Fri & Sat.”
You won’t find this restaurant in your Good Food Guide. In fact you will find very few references to it anywhere outside of its own blog.
After months of trying, we were fortunate enough to be given the seats of a last minute cancellation on Friday night. We arrived at about 7pm to allow us some time to have a drink at their bar Sticky and to suss out the wine options. The low-key entrance was via a quiet back alley in Surry Hills – in what felt like the loading entrance to a cool room. A piece of paper was stuck on the door “SMS the following password and wait patiently for entry. Password = Turtle”….
Continue reading Table for 20: A remarkable concept and source of inspiration
Review by: Bec
You can’t help but get excited about the youth music scene when you see bands like Comic Sans, The Rocketsmiths and Tom Ugly perform.
Hands down the best performance of the night was first support four-piece group, Comic Sans, who are in the throes of recording their first EP. This is a band to watch. Consistently brilliant and musically elusive, they wowed the small crowd at The Troubadour with a commanding display of musical dexterity and sophistication. They give a truly committed live performance that rivets your attention. Exciting; talented; you can’t ignore Comic Sans’ presence; they have the X factor.
Continue reading Live Review: Tom Ugly with The Rocketsmiths and Comic Sans @ The Troubadour, Brisbane
Suffocation: The Close of a Chapter (Live in Quebec) 2005
Review: Lana Harris
‘This is … Brutal!’ yells Frank Mullen at the end of The Close of a Chapter’s opening track, “Infecting the Crypts”. This is Suffocation. Birthed from the insomniac New York Underground, Suffocation clawed their way to the top of the death metal pit in the early nineties, with shadows of their unrelenting riffs and Mike Smith’s seminal blast beats cast across lesser black drum kits ever since. Suffocation captures the energy of a single moment of explosion and sticks it on endless repeat. And the lyrics are about killing people. Yeah, it’s brutal. But this isn’t a
| dissection of the value of Suffocation’s music. That blood spattered throne has already been carved.
Continue reading CD Review: Suffocation – The Close of a Chapter (Live in Quebec)
Live Review: UK Subs @ The Zoo, Brisbane 7 October 2009
Review By Jose Eduardo Cruz
This rather cold Wednesday night presented itself as an interesting proposition from the start. It would have been safe to assume that if you had decided to set up a hair spray stall just outside the venue you would have made a handsome profit. Or perhaps spiked bracelets and belts may have also pocketed you enough for a six pack of beer.
This is a nostalgic night for many of the punters present tonight trying to relive past experiences from faraway places and long gone times. I had the pleasure of speaking to two such fans that could not contain their enthusiasm over what this meant to them. One had seen UK Subs 30 years ago before he migrated to Australia. The other saw them 15 years ago and duly noted the aging process that had taken a hold of Charlie Harper. Such is the life of a legendary trend setter.
Continue reading Live Review | UK Subs @ The Zoo, Brisbane 7 October 2009
Review + Photo by Elize Strydom
Clare Bowditch is smack bang in the middle of recording her fourth studio album in Berlin. The album isn’t set to drop until next year but Ms Bowditch and her band of merry men have hit the road for a national tour to celebrate the release of the single ‘The Start of War’.
The first stop was Bangalow in northern New South Wales. The set included old favourites such as Lips Like Orange, Divorcee by 23 and Autumn Bone plus new tunes including the single and other fresh offerings ‘Running’ and ‘Bigger Than the Money’.
New to the mix were young singers Sally Mortensen, Annabelle Tunley and Rachael Head of Victorian acapella group, Aluka. The trio provided backing vocals as well of plenty of laughs in response to their zany array of outfits.
Bowditch and the Aluka girls opened the show by coming through a side door and wowing the audience with a rendition of Between the Tea and the Toast.
There’s no denying she’s a born entertainer.
Continue reading Live Review | Clare Bowditch supported by Scarlett Affection at the A & I Hall, Bangalow 27 September 2009
Kreator @ The Metro Theatre, Sydney 24 September 2009
Only having one support act seems a trifle insufficient for a band of Kreator’s standing – insulting even – but that’s what confronts us Thursday night at the Metro Theatre. Still, it looks to be a promising evening. I have never, in fact, seen such a huge line to get into the Metro before, and that’s always a good sign as it suggests that the opening band is worth giving a shit about. That honour goes to Sydney’s Mortal Sin, a band that have been kicking around for nearly as long as Kreator. They do themselves proud. Though, unfortunately, by the time we get past the line and into the venue we’ve missed half their set – and of the half we do see most of it is taken up by that marvel of the rock n’ roll genre, the thrash metal ballad.
Continue reading Live Review: Kreator + Mortal Sin @ The Metro Theatre, Sydney 24 September 2009
Yeo & The Fresh Goods, Tin Can Radio, Hunz @ Club 299, 19.09.2009
By Denis Semchenko
The music played through 299’s PA is positively deafening on all of the venue’s three levels, while the live sound is only marginally subtler – an obstacle not even helped by my trusty earplugs – however the punishing decibels do little to detract me and fellow music lovers from appreciating tonight’s local talent trifecta. Having recently shared his magic with the Big Sound showcase attendees, raved-about Brissie moodytronica maestro Hunz leads his powerhouse rhythm section (featuring drums prodigy Richie Young) into another riveting performance. A passionate frontman as well as a ridiculously talented singer, songwriter and sonic architect, the erstwhile Hans Van Vliet is a familiar welcome sight as he attacks both his mic and modified synth, every syllable, note and move soaked with emotion and sheer intensity. Several choice tracks from acclaimed albums When Victims Fight and this year’s marvellous Thoughts That Move get an airing, Long Road, Soon, Soon and You Said Hello all packing wistful keyboard arrangements and humungous hooks. During the second half of the show, a laptop glitch prompts the digi-soul man to skip a song from the setlist, apologise to the crowd and bow out with another spirited vocal/musical display. My post-gig recommendation to the uninitiated? If you haven’t seen Hunz yet, by all means do it – you’ll be blown away.
Continue reading Live Review: Yeo & The Fresh Goods, Tin Can Radio, Hunz @ Club 299, 19 September 2009
Author: Elize Strydom
Imagine a festival on the set of Dirty Dancing. Or the Shining. Or a combination of both. Imagine a festival where there is no branding or on-site sponsorships. Where the crowd only reaches 3000 people, max and you don’t have to line up for hours and purchase a beer with a drink ticket. Where there are no VIP areas or back stage hangs and the artists mix it up with the punters. Where all shows are indoors and the weather doesn’t matter. Add to that sets from three Australian bands (The Drones, The Dirty Three and Bridezilla) as well as Animal Collective, The Jesus Lizard, Sufjan Stevens, Suicide, Deerhunter and the Feelies. It’s not a dream, it’s All Tomorrow’s Parties New York. Elize Strydom and a bunch of other Aussies managed to score cheap flights and experience the magic.
Photos of the live performances: The Drones, The Feelies, The Dirty Three feat. Nick Cave on piano, Panda Bear, Iron and Wine, Suicide, The Jesus Lizard and David Cross.
Review by: Jamie Cook
Photo: Mel Hone
Once upon a time, Death Metal bands that toured this great country we call Australia was rarer than rocking horse shit. However, over the past four or so years, there have been more of these groups hit our shores than illegal boat people. It was that time once again for Metal Heads to hold onto their faces, as the legendary Cannibal Corpse was in town to rip it off.
Apologies go out to the local lads from Brazen Bull and Defamer for missing their set, as other commitments caused me to arrive that extra bit late.
Continue reading Live Review: Cannibal Corpse @ The Hi-Fi, Brisbane 13 September 2009
Review By: Hannah Collins
A punk gathering with more ink than I’ve ever seen in one place gravitated to Brisbanes Hi Fi on Thurs 9th for what will soon become, a show of constant intrigue.
Entering the venue and approaching main viewing area, I’m tuned in to the sight of a rather tall, masked clown making funnies on the stage. Standing alone, in front of the red and gold, fanned Bronx titled backdrop, it feels somewhat like a circus. Deep red lighting accentuates the atmosphere, as the “clown” begins to chant and stir the audience. Statements like “get those tequila shots into you guys!” come ringing from right of stage.
Continue reading Live Review: The Bronx, Numbers Radio and Mariachi El Bronx @ The Hi-Fi, Brisbane 09 September 2009
Shapeshifter @ the Hi-Fi, Brisbane, Friday 11 September 2009
Review by: Will Alexander – Photo: Jose Eduardo Cruz
It was New Zealand night at the Hi-Fi Brisbane last Friday, and if the accents didn’t give it away then the multitude of girls walking around screaming out for their countrymen did. Irrespective of how bad (and hilarious) the Flight of the Conchords make us look though, there’s no shortage of amazing New Zealander entertainers out there and Shapeshifter are undoubtedly some of the finest. Shapeshifter has earned no small degree of fame after the release of three albums, and you get the sense listening to them that they’ve come close to perfecting an electronically heavy but still organic sound. Unmistakably a drum and bass act on their studio albums, you more often than not see them referred to as a ‘dance’ act in live reviews. This may seem like an oversimplification of their sound but in reality the rising and falling of the beats is energetic and soulful – and doesn’t come across as straight drum and bass at all.
Continue reading Live Review | Shapeshifter @ the Hi-Fi, Brisbane, Friday 11 September 2009
Sugar Army supported by Buick Six @ The Troubadour 04.09.09
By José Eduardo Cruz
Buick Six are relatively new within the industry, but do not be fooled by the anonymity. They are a three piece local Brisbane band that has a fresh sound, or at the very minimum, is doing what other bands are doing within the genre, but just that much better to gain rapid notoriety. Three piece bands will always have the difficult task of producing a full sound, which is why many three piece bands turn into a four piece. That being said, Buick Six have an incredible full sound for a three piece which carries them throughout their whole set. The strength in their sound lies in the ability to create shades of colour in their music. The bass player grooved, the drummer walked off covered in sweat and the guitarist challenged a punter to jump on stage mid set after being asked to play Daddy Cool. Every member had the confidence needed to survive in this game, but remained humble enough to greet punters that thanked them throughout the night. These guys are very young and deserve much greater recognition which should come if they continue to perform such energetic shows filled with genuine artistic flair.
Continue reading Live Review | Sugar Army with Buick Six @ The Troubadour, Brisbane 4 September 2009