Tag Archives: QPAC

WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

Review by: Pepa Wolfe

West Side Story, the classic piece of Musical Theatre inspired by Romeo and Juliet and conceived by Jerome Robbins, hit Brisbane this week in a flash of movement and colour.

Director Joey McKneely brings a wealth of experience to the Australian production, reimagining again as he has done around the world, this story of star-crossed lovers and feuding gangs on the streets of 1950s New York.

The rear projection of a grainy black and white still of New York City located the piece, surrounded by tiers of iron balconies, the simple scope of the design hinting at the grand scale of the drama that was about to unfold.

A vibrant production, of swirling movement, soaring vocals and rolling accents all buoyed by the full swell of the 19 piece orchestra, West Side Story maintains an intense energy during the group numbers, but wanes a little during the solo pieces. Both Josh Piterman as Tony and Julie Goodwin as Maria were in fine voice, but the outstanding choreography easily stole the show.
Continue reading WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

WEST SIDE STORY @ Lyric Theatre, QPAC Brisbane 4 Nov-5 Dec 2010 – [Theatre News]

“Broadway’s Greatest Dance Musical” – The Times (UK)
“If you buy one ticket, make it this one” – The Observer (UK)

This hot new production of West Side Story, one of the most acclaimed musicals of all time, will play a limited season at the Queensland Performing Arts Centre (QPAC) from 4 November 2010.

The moment the curtain rose on West Side Story on Broadway, musical theatre was at once changed forever. With groundbreaking choreography by the legendary Jerome Robbins, book by Arthur Laurents, an unforgettable score by Leonard Bernstein and lyrics by Stephen Sondheim, West Side Story created a new face for musical theatre, redefining an entire theatrical genre, with its superb musicality and dramatization.
Continue reading WEST SIDE STORY @ Lyric Theatre, QPAC Brisbane 4 Nov-5 Dec 2010 – [Theatre News]

The Story of the Miracles at Cookie’s Table @ Cremorne Theatre, QPAC 15th October 2010 – Theatre Review

  Review: Pepa Wolfe

It was a wet, windy night in Brisbane for the opening of Wesley Enoch’s The Story of the Miracles at Cookie’s Table, directed by and starring Leah Purcell. Produced by the independent indigenous company Bungabura Productions and presented by QPAC, this is the story of Opening Night. It goes something like this.

The Cremorne had been transformed (the stage removed so that some of the audience was sitting amongst the set) into the simple dining room of a house on Stradbroke Island, sand strewn on the ground, with the backdrop arranged in pieces, working both as a broken barrier to the outside world and an obscure window into the past, the faces of time gone by etched into its panels. At its centre sat the table, Cookie’s Table.

Originally Cookie’s birth tree, it was cut down by the white man and turned into a table that was eventually passed down through four generations. This night the audience learnt the history of the table; its meaning, its power. Its mystery unravelling as estranged mother and son, Annie and Nathan, argued over its ownership, and in doing so challenged the meaning of family and the elusive nature of the truth.
Continue reading The Story of the Miracles at Cookie’s Table @ Cremorne Theatre, QPAC 15th October 2010 – Theatre Review

Dreaming Up The Vision: Interview with Leah Purcell, 11th October 2010 – LifeMusicMedia Interviews

Dreaming Up The Vision

Actor/Director Leah Purcell talks to Life Music Media about character, coming home, and the joy of performing in The Story of the Miracles at Cookie’s Table.

In 2008 actress Leah Purcell was honoured with Australian theatre’s highest recognition the Helpmann Award (Australia’s version of the Tony Award) for her role in Wesley Enoch’s The Story of the Miracles at Cookie’s Table. Produced in Sydney as a Hothouse Theatre/Griffin Theatre Company production and directed by Marion Potts, the play was critically acclaimed, making its mark as an important piece of contemporary Australian theatre. Now a new production, presented by QPAC and staged by Purcell’s Bungabura Productions, brings this quintessentially Queensland story home.

While deep into the plays rehearsal period, the actress, who is also directing this version, took time to answer some questions for Pepa Wolfe.

What is the play about?
Well there’re two story lines. There’s the history of the table – it was my Great-great Grandmother’s birth tree. When settlement happened on this island they cut down that birth tree and turned it into a table. As a little girl she followed the table and got a job as a cook in the house where the table ended up. And throughout the lifetimes the table has been passed down…

…To the present day story about my character Annie and her estranged son Nathan. They’ve been estranged for 25 years. She had him when she was 13 and she left because of the talk around the incident where she fell pregnant, and the lies around that. [Annie’s] mother Faith passes away, which brings Nathan and Annie back together. The surface story is to argue and discuss who gets the table, but though that discussion we learn more about each individual character.
Continue reading Dreaming Up The Vision: Interview with Leah Purcell, 11th October 2010 – LifeMusicMedia Interviews

The Story of the Miracles at Cookie’s Table @ QPAC, Brisbane 14-30 October 2010


A powerful play about family and culture and the ways in which storytelling binds people together” – The Australian

Purcell delivers a startlingly powerful performance” – Daily Telegraph

Award-winning Queensland actor and director Leah Purcell (Box the Pony, King Lear, Black Chicks Talking) will direct and star in Bungabura Production’s new presentation of Wesley Enoch’s powerful drama The Story of the Miracles at Cookie’s Table at Queensland Performing Arts Centre’s (QPAC) Cremorne Theatre from 14 – 30 October 2010.

This powerful family saga spans four generations and is a moving testament to culture lived, lost and found and the strength of a family adapting and gathering together.

First produced by Griffin and Hothouse Theatre Company, this new production of The Story of the Miracles at Cookie’s Table offers a compelling theatre experience that encapsulates themes of ownership, heritage, culture and sexuality.

QPAC Chief Executive John Kotzas said that QPAC is very pleased to be presenting this work because of its cultural significance for Queensland and the Centre’s longstanding relationship with Bungabura Productions.

The Story of the Miracles at Cookie’s Table is an immensely important piece of theatre –a story about families that transcends cultures,” said Kotzas.

In the 1870s a girl is born under a tree, which is cut down to become a kitchen table. Generations later, a young man and his mother fight for ownership of the table.

Winner of Patrick White Playwrights Award 2005 and short listed for both the New South Wales and Victorian Premier’s Literary Award, The Story of the Miracles at Cookie’s Table was written by renowned Queensland-born director and playwright, Wesley Enoch, who was recently appointed as the new Artistic Director of Queensland Theatre Company.

Wesley Enoch said the Story of the Miracles at Cookie’s Table has a mix between a strong naturalistic narrative of connection and a long imaginative storytelling about family and heritage. I was trying to write a piece about the emotional power of stories to bind a family together through hardship and adversity. Leah Purcell is one of the country’s best actors and she has created a character in a way that goes beyond what I could imagine as a writer,” said Enoch.

Director and lead actor Leah Purcell, whose portrayal of Annie has been described by reviewers as startlingly powerful, received a Helpmann Award for Best Actress in a Play in 2008.

“I am very proud of winning a Helpmann Award because I worked extremely hard to bring Annie to life, but being conscious of not making her character a cliché.

“This play is a universal story for all. It’s gutsy, it packs a punch or two, it’s laugh-out loud funny and takes you on an emotional journey as Annie and Nathan re-connect from being estranged for many years,” said Purcell.

“The Story of the Miracles at Cookie’s Table is a great yarn and a theatre experience worth seeing, whether you are a regular to the Arts or if you are experiencing theatre for the first time, this is something worth seeing,” she said.

QPAC presents
Wesley Enoch’s
THE STORY OF THE MIRACLES AT COOKIE’S TABLE
A Bungabura Production
Starring and directed by Leah Purcell

Winner Patrick White Playwrights Award 2005
Winner Helpmann Award Best Actress in a Play 2008

WHEN 14 to 30 October
WHERE
Cremorne Theatre, QPAC, Cultural Centre, South Bank
TICKETS*
Adult $49 Concession $39
Matinees – Adult $39/Concession $29
Schools $18
BOOKINGS 136 246 or www.qpac.com.au

*Ticket price includes GST and Booking Fee. Please note transaction fees may apply

Please note this performance contains strong language.


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Wayne Brady – Making S%!t Up 2010 Australian Tour

  The multi-talented Wayne Brady returns to Australia with his hit Las Vegas Show ‘Making S%!t Up’.

Heralded as “pure genius,” “hysterically funny” and “amazing,” Brady’s show is a guaranteed hit Since he started performing Making S%!t Up in April 2007, Brady has lived up to its title. Not only does he create a different show each night with improv partner Jonathan Mangum, he is also constantly adding new elements to the line-up, making each show an original. Brady is well known for his hilarious improvised antics, unique musical talents and limitless impersonation skills as showcased on the hit show “Whose Line is it Anyway?” and the syndicated talk show “The Wayne Brady Show.”

Continue reading Wayne Brady – Making S%!t Up 2010 Australian Tour

ZIGGY, THE SONGS OF DAVID BOWIE – November 2010

If there’s one pop artist that multiple generations can relate to its David Bowie. There’s always a tinge of nostalgia listening to Bowie’s mellifluous tones whether it is listening to the Man Who Fell To Earth, Thin White Duke, Aladdin Sane or of course The Rise and Fall of Ziggy Stardust, which signified his ‘comeback’ in 1972 after a brief lull in his pop career.

ZIGGY, THE SONGS OF DAVID BOWIE pays homage to Bowie, the pop phenomenon – the influential individualist with the uncanny ability to push boundaries and transform himself and the world around him. Performed by four of Australia’s leading contemporary musicians and performers – iOTA, Jeff Duff, Steve Balbi and Brydon Stace – Ziggy, the Songs of David Bowie is as multi-dimensional as the man himself.
Continue reading ZIGGY, THE SONGS OF DAVID BOWIE – November 2010

Betrayal By Harold Pinter @ Cremorne Theatre, Brisbane – 6 Sept-9 Oct 2010

  Betrayal – By Harold Pinter

Overview:

Could you keep an affair secret for ten years? Would you start an affair if you knew how it would end?

Harold Pinter’s Betrayal explores these questions and more as it shows a passionate love affair told in reverse, starring Paul Bishop, Sibylla Budd and Hugh Parker.

Robert and Jerry share many things – they work in publishing, have long lunches together and are both in love with Robert’s wife Emma.

Continue reading Betrayal By Harold Pinter @ Cremorne Theatre, Brisbane – 6 Sept-9 Oct 2010

Jesus Christ Superstar @ Playhouse Theatre, 20th August 2010 – Live Review

Review: Lana Harris

Rocking great guitar riffs fill the sold out venue, slow notes trembling across the grey walls of a ruined cathedral set, preparing the audience to receive the voice of Tod Strike. As Judas, he opens the narrative by launching into ‘Heaven on Their Minds’, a song which allows Strike to demonstrate a truly commanding voice and worthy of one of the lead roles in this production.

  This reimagining of the original production of Jesus Christ Superstar (first performed in 1971) has a pared back, post apocalyptic set that doesn’t change, and puts the focus on the singing, as does the score – which tells the whole narrative by using more than 20 songs to move the story forward. Not a single piece of dialogue is presented without a backing melody. The basic storyline is easy to follow – easier if you’re familiar with the story of Jesus, because even though this is a post apocalyptic version of a musical first performed in the seventies based on an interpretation of a book written centuries ago, the plot is still the basic biblical storyline of Jesus gets famous, Jesus is betrayed by jealous best friend, Jesus is crucified as a result of the backstabber.

The post apocalyptic setting of this tale makes it easy to draw parallels between this and the lives of modern day celebrities. The scenes where the supporting cast forms a mosh pit as Jesus sings boost the resemblance.

Continue reading Jesus Christ Superstar @ Playhouse Theatre, 20th August 2010 – Live Review

David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010 – Show Review

Review: Lauren Sherritt

Click image to view photo gallery

[Photos: Charlyn Cameron]
  There are some musicians who blow us away with their musical talent and prowess, and there are some who whisk us along on a journey of high entertainment and fun. In a live show, David Campbell has a rare and optimum marriage of both features. His showmanship is second to none, his voice stunning and his persona endearing, making it a treat to watch him perform.

Campbell’s QPAC appearance on Saturday the 7th of August in ‘The Broadway Show’ began with an old favourite and ended with a well deserved standing ovation. The full orchestra, conducted by Guy Simpson, were positioned on stage as the audience filed in, and it wasn’t until the Concert Hall was darkened and the orchestra playing that Campbell himself appeared for a rousing rendition of “Oh, What a Beautiful Mornin’ ”. With the show to promote his new CD, titled On Broadway, Campbell performed nearly every track from the album and a few more, and it was clear that he was overjoyed to share each of the eighteen songs he performed with the audience.
Continue reading David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010 – Show Review

David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010 – Photo Gallery

Photographer: Charlyn Cameron

[Photos: Charlyn Cameron]

Venue: Concert Hall, QPAC, South Bank – Brisbane
Date: 7th August 2010

Continue reading David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010 – Photo Gallery

John Waters – Brel @ Playhouse Theatre, 25th June 2010 [Live Review]

Review: Lana Harris

  The piano player starts up, an accordion bursts in, and by osmosis of memory into reality, the room is filled with a cloud of collective audience thoughts of France. Personal artistic journeys for one, a package holiday with Eiffel tower earrings for another, access to the iconic baguettes and berets for those who haven’t been. This is the invocative power of Jacques Brel, a Belgian musician and artist who created his songs in the language of love. Never heard of him? He is mostly known in the English speaking world through his songs which have been translated and interpreted, but performers of these works include Frank Sinatra and The Dresden Dolls among many others. John Waters’ memories of Brel and his works start from a hitchhiking experience in France where Waters overheard a street musician playing a song whose passion captivated him. The song was Brel’s.

Since that time Waters has embellished the original experience by seeing Brel perform live, and Waters now tours his own shows of Brel’s works. He performs them “as often as I can” and they are brought to Brisbane tonight as part of QPAC’s week long cabaret festival.

A broad selection of musicians have been gathered to help Waters convey the magic of Brel. The singer performs with an accordionist, pianist, percussionist, saxophonist and two guitarists, some of whom jump to other instruments as the songs necessitate. Waters moves like a marionette to their sounds, arms extended, hands waving, rake thin grey suit legs twisting and flicking at the mercy of his tapping, rolling, springing feet, French phrases spilling indiscriminately from his lips. He performs the first song with no introduction, using humorous gestures to convey that the song, in part at least, is about wine and women. Fortunately for those of us who do not speak French, the rest of the songs are introduced by Waters’ summary and interpretation of their lyrics. Waters, who has a background in acting as well as song (most recently, he was part of the TV movie UnderBelly: The Golden Mile) delivers these synopses alternatively in humorous, dramatic and irreverent ways, and the stories become as much a part of the show as the music is.

The first tale we hear is about a man, losing his virginity. In the army. In the Mobile Military Brothel. Waiting in line for the occasion, he listens as his commander yells out ‘Next!’ at irregular intervals until, shuffling forward naked except for a towel, his first foray into the carnal world is anointed with a case of venereal disease. “Looking back, the man sees his place in the world ‘Next!’, as one of the endless line of the following and the followed ‘Next!’, never to be number one.” It’s not easy to tell how much of the poetry is in the song, and how much comes from Waters’ skilled translation. The song and sounds that follow are more light and jaunty than seem fitting given the tale told beforehand. The next tale speaks of love, not new love but old love, the love between people who know all of each other’s tricks, how the games are played and how they end, and yet still retain play and passion “knowing its okay to grow old, but not to grow up”.
This tale is told with musical worship, all minor scales and melancholic yearning chords, complemented by the French verbs and accents falling from Waters’ lips.


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Even death was covered in the wide ranging themes: one tale started with a dead man reflecting on his life as he lay awaiting his funeral, another focused on the concept of the last meal, a last life experience, a last drink and love and irreverent yell at God and the bourgeois – Waters finished this performance by giving the finger to the crowd. While the songs themes were not always clearly linked to the sounds which accompanied them, it was interesting to note the format of the songs did not swing from verse to chorus and back again, but ebbed and flowed without a strong pattern
except for a swelling of sounds and emotions at the appropriate places in the often emotional tales. This was most evident in a song which Waters described as “Renoir on acid” – imagine a painter on drugs transforming the colours into words and rhymes. The music was a maelstrom, starting with a funny waltz introduction before invoking rich brass sounds, becoming forceful and frantic and building to a raucous, drunken finish as Waters hurtled his voice into the crowd.

Waters performing Brel was mind expanding. Experiencing songs without the burden of lyrics but with a poetic description of the intent was a unique experience which allowed both the beauty of the tales and panache and verve of the music to be appreciated separately. This was enhanced within the jazz styled form of following the story with the music rather than constraining it with choruses. Waters combined the best of his acting and voice talents to present an intriguing, amusing and enjoyable evening of cabaret.


“FAME – The Musical” @ The Lyric Theatre, QPAC June 22, 2010 [Live Review]

Review: Lana Harris
The general rule is that you can recycle a trend around about every thirty years. The late ‘90s saw the return of super flared jeans and platform shoes adapted from their 1970’s incarnations, and the final years of the 2000-2010’s saw 1980’s revivals turning everything fluro again, including ruched skirts and the accessories holding big hair in check. As the wardrobes of many of the theatregoers tonight attested, the 80’s success Fame: The Musical is ripe for a comeback. Bucking usual trends, Fame (the movie) actually came out first, then a TV series, and then the musical, and it’s worth noting that the story is not the same as the movie.
Continue reading “FAME – The Musical” @ The Lyric Theatre, QPAC June 22, 2010 [Live Review]

David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010

  David Campbell currently sits as Australia’s foremost entertainer. His past three albums have garnered multi-platinum status, and his position as one of the country’s most popular live performers is assured. Campbell’s next project takes him back to his natural home: Broadway.

Combining Campbell’s legacy as one of Broadway’s most acclaimed cabaret stars, and his status as a leading man of Australian musical theatre, the Broadway show promises to be a once in a lifetime project from an extraordinary performer.

Continue reading David Campbell – The Broadway Show @ Concert Hall, QPAC, Brisbane 7th August 2010

“Out Of the Box” Festival 8-14 June 2010

The 10th biennial Out of the Box festival will excite and ignite the imagination of children from 8- 14 June, incorporating the Queen’s Birthday long weekend, with an exciting program of performances, workshops, exhibitions and free arts events especially designed for children eight years and under.

Performances in the 2010 program include Pirates, a production by the Flying Fruit Circus, Lemony Snicket’s The Composer is Dead with the Queensland Symphony Orchestra and Patch Theatre Company’s Mr McGee and the Biting Flea. Continue reading “Out Of the Box” Festival 8-14 June 2010