Photographer: Stuart Blythe
Photographer: Stuart Blythe
Featured Artists: Rufus Wainwright, Roger Hodgson, Bettye LaVette, Karise Eden, Jon Anderson
Venue: Bluesfest Byron Bay
Date: 31 March 2013
More photos to come!
Visit Bluesfest Byron Bay Official Website here!
By DOMINIC FEAIN
Day three of Bluesfest.
Perhaps it’s the selective memory but it never ceases to amaze me how quickly one forgets the shear stamina and commitment five day festivals demand – let alone one with six stages and a line-up like this.
Herein lies the crux of the Bluesfest punter’s dilemma – how to choose between the likes of Iggy Pop and Robert Plant; Status Quo and the Beasts of Bourbon; the Dropkick Murphys and Taj Mahal, not to mention Santana and Wanda Jackson; Ben Harper and Chris Isaak; the Counting Crows and Joan Armatrading; Wilco and The Melbourne Ska Orchestra…
Bottom line? Decisiveness is the key. Where there’s no guts there’s no glory. Wavering between stages will only break you down faster and leave you with a gnawing sense of what might have been against a potential epiphany at a consecrated altar of live rock and roll.
Continue reading Review: Bluesfest Byron Bay 2013 – Day 3 Wrap
By DOMINIC FEAIN
Byron Bay’s Bluesfest hit full stride yesterday, following a cracker opening night on Thursday, and the heavens responded in kind.
Let’s face it, it just wouldn’t be Bluesfest without the rain.
While it certainly wasn’t the 100mm organisers had promised would drain off faster than a heavy metal anthem, it did pour down.
But that didn’t deter the hundreds of punters spilling out three sides of Crossroads stage where Rodriguez had just won over a new generation of fans. The crowd knew most of the words to his classic 1970 album, Cold Fact, and weren’t afraid to sing them. It was spine-tingling stuff.
On the flip-side, it was yet another classic Bluesfest audience – relaxed, intelligent and forgiving – offering musicians the kind of reception that has elicited some extraordinary live performances over the years, and earned the festival an international reputation among artists second to none in Australia.
Continue reading Review: Bluesfest Byron Bay 2013 – Day 2 Wrap
Photographer: Stuart Blythe
Photographer: Stuart Blythe
Featured Artists: Santana, Manu Chao La Ventura, Rodriguez, Joan Armatrading, Jimmy Cliff, Glen Hansard, Taj Mahal Trio, Ben Harper, Skipping Girl Vinegar, Wards Xpress
Venue: Bluesfest Byron Bay
Date: 29 March 2013
Visit Bluesfest Byron Bay Official Website here!
Photographer: Stuart Blythe
Photographer: Stuart Blythe
Acts: Charlie Musselwhite, Ben Harper, Jason Mraz, Counting Crows, Rodriguez, Chris Isaak, Trombone Shorty, Fred Wesley
Venue: Bluesfest Byron Bay
Date: 28 March 2013
Visit Bluesfest Byron Bay Official Website here!
Review by Michelle O’Rance
Two of the biggest names in rock’n’roll and heavy metal joined forces and descended upon Brisbane in a fiery, laser light filled show complete with upside down drum solos, acrobatics, ladies on stilts, flying musicians and pyrotechnics.
The elaborate stage set-up promised something big as the house lights dimmed and a single spotlight picked up the page bearers carrying the Motley Crue banners and leading a robed Nikki Sixx through the sea of people on the Entertainment Centre’s floor.
Continue reading Live Review: KISS + Motley Crue @ Brisbane Entertainment Centre – 12 March 2013
Review by Billy Geary
As is the case with many bands that are somewhat lesser known, despite being critically acclaimed and possessing a stellar live sound, British four piece 65daysofstatic have taken quite a while to finally make it down under. After over ten years together, the band, with the help of the increasingly impressive Birds Robe record label, it was finally Australia’s turn to experience the quartet in the flesh.
Fresh from a huge 2012, including an ARIA award nomination, Sydney’s sleepmakeswaves were tasked with the role of main support for the entire tour. The quartet has, over the last few years, grown their fan base quite significantly and it showed in the sheer volume of the crowd’s cheers on Friday night as the band wandered on stage. The highlights of the set were opener ‘To You They Are Birds…’ and ‘We Sing The Body Electric,’ displaying exactly why they are considered one of Australia’s best young bands. To the delight of many, the band also showcased a couple of new tracks in ‘Avalanches’ and ‘Freshmaker.’ The former was particularly impressive, being slighter faster paced compared to most sleepmakeswaves tracks whilst still retaining their original sound.
Continue reading Live Review: 65daysofstatic + sleepmakeswaves @ The Corner Hotel, Melbourne – 4 January 2013
Words and Pics: www.hoskingindustries.com.au
Australian death metal fans generally aren’t quite as lucky when it comes to high-profile gigs like their brethren who enjoy less-heavy strains of metal. You could probably blame the state of the music industry for the lack of international death artists all the way over here to our little patch of dirt in the middle of nowhere.
Therefore it’s a testament to the talent, determination and endless road miles put in by death metal legends Cannibal Corpse that Aussie fans have had the luxury of seeing the band live on our shores no less than three times in the last 10 years. However, despite the surprising regularity with which we have been able to enjoy Cannibal Corpse’s punishing live show, tonight’s gig at Sydney’s iconic Metro Theatre is no less special for it. The fact that the band is being supported by three Australian death metal acts tonight just adds to the impact.
Continue reading Live Review: Cannibal Corpse, Psycroptic, Disentomb, Entrails Eradicated @ Metro Theatre, Sydney – 6 October 2012
Words and Pics: www.hoskingindustries.com.au
Tonight’s all-ages gig meant it was an early start for punters hoping to check out all four bands playing The Big Top at Sydney’s Luna Park. While the eager crowd wrapped its way around the Luna Park grounds in serpentine fashion, patiently waiting for the doors to open, it seems as though most of the other press outlets missed the memo on playing times, with the photo pit looking rather barren for opening act, Buried in Verona.
Playing to a half-full venue, the Sydney sextet appeared a more polished, confident band than when this reviewer last caught them supporting Sweden’s Soilwork at the Manning Bar at the tail end of 2010. They’re plagued by the usual opening-act muddy mix, which is exacerbated by the three-guitar attack that’s the fashion these days. And while the clean vocals (courtesy guitarist Richie Newman) have improved a lot, every time singer Brett Anderson tries to sing along it all falls apart.
Continue reading Live Review: The Amity Affliction, The Ghost Inside, Architects, Buried in Verona @ The Big Top, Luna Park – 29 September 2012
Words and photos by Ant Ritz
On a darkened stage and with little fanfare, a pretty and bespectacled Ingrid Michaelson walked to the mic and proceeded to set the Metro Theatre in Sydney alight with a brilliantly entertaining performance. She did much more than just sing well crafted pop songs, – she entertained and she had the crowd enthralled not just with her wonderful music and sweet voice, but also with her wit, humour and quirky storytelling.
Sometimes singers struggle with attempts to engage the audience with dialogue and hence so many just avoid banter like the plague. Many concert goers would actually prefer to just hear the music. However, at Ingrid’s concert she really captured and held the audiences attention with her story telling – they appeared to follow her every word and were moved by the ebb and flow of her stories. There was a lot of laughter from the audience as a whole throughout the show and yet on other occasions they were quiet when she was more serious, albeit rare. She’s a great communicator and that communication comes across in her songs too.
Continue reading Live Review: Ingrid Michaelson at Metro Theatre, Sydney – 14th September 2012
Review by Meghan Player
It’s been a long time coming for fans of Finnish band Apocalyptica to finally catch the band on Australian soil for the first time in their 16+ year career – and it was well worth the wait.
As the band take to the stage to a roar from the local crowd, the first thing you must remember is to forget everything you know about ‘traditional’ metal bands and their sound. Apocalyptica not only redefines what makes a great metal band, but the manner in how the sound is achieved.
Arming themselves with cellos [yes, cellos], the band whip through melodic frenzies of gorgeous noise – willing the crowd into an incredible sense of awe. The head banging, hair twirling spectacle doesn’t cease through the bands entire set – never disengaging, never boring, never predictable.
Continue reading Live Review: Apocalyptica @ The Hi-Fi, Sydney – 31 August 2012
Thursday night saw the return of SLASH to our shores as he kicked off his Apocalyptic Love Australian tour.
Leading the way on stage, charismatic Myles Kennedy greets the Brisbane audience closely followed by SLASH ringing out the first notes of ‘Halo’. ‘Nightrain’ and ‘Ghost’ follow and the nights direction is set firmly on a collision course with pure rock & roll… and the crowd’s loving it!
For fans wanting an onslaulght of riffage, SLASH was more than happy to oblige with standout moments throughout the entire set but special mention to’ Slither’, Godfather Theme and ‘Paradise City’.
Bassist Todd Kerns was also given center stage to expose his vocal skills and quickly riles up the crowd with a explosive and frenzied ‘Doctor Alibi’ and ‘You’re Crazy’, kicking the crowd into top gear.
But it’s Myles Kennedy; who has proved to be a valuable band member over the years, his vocal talents and showmanship complimenting SLASH perfectly; that keeps the Slash swagger and groove on course, delivering a stellar performance.
Finishing off the night with crowd favourite ‘Paradise City’, a shirtless SLASH gave the crowd his best Chuck Berry duckwalk, coupled with yet another display of his guitar prowess. And Myles made more than a few punters happy by jumping into the pit, getting up close and personal with some eager fans.
Slash is firmly cemented in the book of guitar legends and given his performance at Brisbane Riverstage on Thursday night he will continue to be high on our radars for many a year to come.
Artist: SLASH
Venue: Brisbane Riverstage
Date: 23 August 2012
Setlist
Halo
Nightrain
Ghost
Standing in the Sun
Mr. Brownstone
Back From Cali
Beggars & Hangers-On
Rocket Queen
Not for Me
Doctor Alibi
You’re Crazy
Crazy Life
No More Heroes
Starlight
Guitar Solo / Godfather Theme
Anastasia
Sweet Child O’ Mine
You’re a Lie
Slither
Encore:
By the Sword
Paradise City
Review by Billy Geary
With the annual Splendour in the Grass festival letting loose in Bryon Bay, the sideshow circus around the country was in full swing. Co-headlining Splendour was the infamous Smashing Pumpkins, lead by vocalist/guitarist Billy Corgan with a new album in tow. In the lead up to Thursday night at Hisense Arena, there had been much speculation regarding the Pumpkins’ set. Corgan had previously stated that the band’s new album Oceania was to be played in full, aided by a ‘ground breaking’ spherical projection. The most striking thing upon entering the venue was how empty it seemed, with almost the entire top-level empty, as well as large chunks of the floor.
However, as the first few chords of ‘Quasar’ were played it became obvious for those who were there, that it would be a great show. Midway through Oceania, the more casual Smashing Pumpkins fans were getting impatient, with constant calls to play their old stuff. This only inspired the band to work harder, with Corgan visibly loving the opportunity to showcase the new record. Tracks like ‘The Chimera’ and ‘Pinwheels’ worked extremely well, with the former drawing the first large cheer for the night. Mention must be made of the image projection onto the giant sphere above the band as they played Oceania, it was a welcome addition that really gave an extra dimension to the songs that most weren’t too familiar with.
Continue reading Live Review: The Smashing Pumpkins @ Hisense Arena, Melbourne – 2nd August 2012
Review by Billy Geary
The Ocean are one of the more interesting bands of the past few decades. The brainchild of guitarist Robin Staps, The Ocean has, over the years, morphed into one of the most forward thinking and innovative metal bands in the world. Their show at Melbourne’s Hi-Fi bar on Saturday night was the second last leg of their maiden tour of Australia, and what a night it was.
Upon descending the steps below Swanston Street, Sydney’s Lo! and their brand of chaotic hardcore was reverberating around the room and up the staircase. First impressions were good, with the quartet proving dynamic on the Hi-Fi’s stage. Front man Jamie-Leigh Smith screamed his way around the room, both on stage and off it and gradually won over an oddly surly audience over as their set progressed. Coming across as a mixture of Converge and Mastodon, the sludgy riffs from Carl Whitbread sounded huge over the PA, really driving the band’s sound into the punters present. At the conclusion of their set, it was more than obvious why they were hand picked by The Ocean to support the entire tour.
Continue reading Live Review | The Ocean @ The Hi-Fi, Melbourne with Sydonia, Lo! – 26 May 2012
Review by Billy Geary
Trekking all the way out to Ferntree Gully for a gig is always an interesting experience and Thursday night was no different, with a line up boasting some of Australia’s and America’s best alternative rock bands. With Brisbane natives Dead Letter Circus having been on tour with Texan five piece Fair to Midland in the States for the past few months, it was time to bring the party (and Fair to Midland) back home for their own national tour.
Local staples Twelve Foot Ninja have been given the support slot for the entire tour, and clearly loving the experience. Opening with ‘War,’ one of the band’s heavier numbers, the audience was instantly engaged. The most impressive thing about Twelve Foot Ninja is their ability to move between genres with the flick of a switch, this trait exemplified through ‘FEAR’ and ‘Manufacture of Consent,’ both featuring plenty of heaviness with a dash of reggae and dub influences. Similarly, new track ‘Shuriken’ will be one to look out for on their forthcoming album showcasing vocalist Nick’s outstanding vocals and a smattering of samples. Twelve Foot Ninja’s set came to an end via a powerful rendition of ‘Clarion,’ reminding punters exactly why they’re known as one of the tightest live acts in Melbourne.
Continue reading Live Review: Dead Letter Circus + Fair to Midland + Twelve Foot Ninja @ Ferntree Gully Hotel – 17 May 2012
