Category Archives: fact

WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

Review by: Pepa Wolfe

West Side Story, the classic piece of Musical Theatre inspired by Romeo and Juliet and conceived by Jerome Robbins, hit Brisbane this week in a flash of movement and colour.

Director Joey McKneely brings a wealth of experience to the Australian production, reimagining again as he has done around the world, this story of star-crossed lovers and feuding gangs on the streets of 1950s New York.

The rear projection of a grainy black and white still of New York City located the piece, surrounded by tiers of iron balconies, the simple scope of the design hinting at the grand scale of the drama that was about to unfold.

A vibrant production, of swirling movement, soaring vocals and rolling accents all buoyed by the full swell of the 19 piece orchestra, West Side Story maintains an intense energy during the group numbers, but wanes a little during the solo pieces. Both Josh Piterman as Tony and Julie Goodwin as Maria were in fine voice, but the outstanding choreography easily stole the show.
Continue reading WEST SIDE STORY @ Lyric Theatre QPAC, 7th November 2010 – Live Review

WEST SIDE STORY @ Lyric Theatre, QPAC Brisbane 4 Nov-5 Dec 2010 – [Theatre News]

“Broadway’s Greatest Dance Musical” – The Times (UK)
“If you buy one ticket, make it this one” – The Observer (UK)

This hot new production of West Side Story, one of the most acclaimed musicals of all time, will play a limited season at the Queensland Performing Arts Centre (QPAC) from 4 November 2010.

The moment the curtain rose on West Side Story on Broadway, musical theatre was at once changed forever. With groundbreaking choreography by the legendary Jerome Robbins, book by Arthur Laurents, an unforgettable score by Leonard Bernstein and lyrics by Stephen Sondheim, West Side Story created a new face for musical theatre, redefining an entire theatrical genre, with its superb musicality and dramatization.
Continue reading WEST SIDE STORY @ Lyric Theatre, QPAC Brisbane 4 Nov-5 Dec 2010 – [Theatre News]

The Story of the Miracles at Cookie’s Table @ Cremorne Theatre, QPAC 15th October 2010 – Theatre Review

  Review: Pepa Wolfe

It was a wet, windy night in Brisbane for the opening of Wesley Enoch’s The Story of the Miracles at Cookie’s Table, directed by and starring Leah Purcell. Produced by the independent indigenous company Bungabura Productions and presented by QPAC, this is the story of Opening Night. It goes something like this.

The Cremorne had been transformed (the stage removed so that some of the audience was sitting amongst the set) into the simple dining room of a house on Stradbroke Island, sand strewn on the ground, with the backdrop arranged in pieces, working both as a broken barrier to the outside world and an obscure window into the past, the faces of time gone by etched into its panels. At its centre sat the table, Cookie’s Table.

Originally Cookie’s birth tree, it was cut down by the white man and turned into a table that was eventually passed down through four generations. This night the audience learnt the history of the table; its meaning, its power. Its mystery unravelling as estranged mother and son, Annie and Nathan, argued over its ownership, and in doing so challenged the meaning of family and the elusive nature of the truth.
Continue reading The Story of the Miracles at Cookie’s Table @ Cremorne Theatre, QPAC 15th October 2010 – Theatre Review

The Bohemian Masquerade Ball @ The Old Museum, Brisbane – 9th October 2010 – Photo Gallery

Photographer: Charlyn Cameron

Click the image to view the photo gallery.



[Photos: Charlyn Cameron]

Continue reading The Bohemian Masquerade Ball @ The Old Museum, Brisbane – 9th October 2010 – Photo Gallery

Dreaming Up The Vision: Interview with Leah Purcell, 11th October 2010 – LifeMusicMedia Interviews

Dreaming Up The Vision

Actor/Director Leah Purcell talks to Life Music Media about character, coming home, and the joy of performing in The Story of the Miracles at Cookie’s Table.

In 2008 actress Leah Purcell was honoured with Australian theatre’s highest recognition the Helpmann Award (Australia’s version of the Tony Award) for her role in Wesley Enoch’s The Story of the Miracles at Cookie’s Table. Produced in Sydney as a Hothouse Theatre/Griffin Theatre Company production and directed by Marion Potts, the play was critically acclaimed, making its mark as an important piece of contemporary Australian theatre. Now a new production, presented by QPAC and staged by Purcell’s Bungabura Productions, brings this quintessentially Queensland story home.

While deep into the plays rehearsal period, the actress, who is also directing this version, took time to answer some questions for Pepa Wolfe.

What is the play about?
Well there’re two story lines. There’s the history of the table – it was my Great-great Grandmother’s birth tree. When settlement happened on this island they cut down that birth tree and turned it into a table. As a little girl she followed the table and got a job as a cook in the house where the table ended up. And throughout the lifetimes the table has been passed down…

…To the present day story about my character Annie and her estranged son Nathan. They’ve been estranged for 25 years. She had him when she was 13 and she left because of the talk around the incident where she fell pregnant, and the lies around that. [Annie’s] mother Faith passes away, which brings Nathan and Annie back together. The surface story is to argue and discuss who gets the table, but though that discussion we learn more about each individual character.
Continue reading Dreaming Up The Vision: Interview with Leah Purcell, 11th October 2010 – LifeMusicMedia Interviews

The Story of the Miracles at Cookie’s Table @ QPAC, Brisbane 14-30 October 2010


A powerful play about family and culture and the ways in which storytelling binds people together” – The Australian

Purcell delivers a startlingly powerful performance” – Daily Telegraph

Award-winning Queensland actor and director Leah Purcell (Box the Pony, King Lear, Black Chicks Talking) will direct and star in Bungabura Production’s new presentation of Wesley Enoch’s powerful drama The Story of the Miracles at Cookie’s Table at Queensland Performing Arts Centre’s (QPAC) Cremorne Theatre from 14 – 30 October 2010.

This powerful family saga spans four generations and is a moving testament to culture lived, lost and found and the strength of a family adapting and gathering together.

First produced by Griffin and Hothouse Theatre Company, this new production of The Story of the Miracles at Cookie’s Table offers a compelling theatre experience that encapsulates themes of ownership, heritage, culture and sexuality.

QPAC Chief Executive John Kotzas said that QPAC is very pleased to be presenting this work because of its cultural significance for Queensland and the Centre’s longstanding relationship with Bungabura Productions.

The Story of the Miracles at Cookie’s Table is an immensely important piece of theatre –a story about families that transcends cultures,” said Kotzas.

In the 1870s a girl is born under a tree, which is cut down to become a kitchen table. Generations later, a young man and his mother fight for ownership of the table.

Winner of Patrick White Playwrights Award 2005 and short listed for both the New South Wales and Victorian Premier’s Literary Award, The Story of the Miracles at Cookie’s Table was written by renowned Queensland-born director and playwright, Wesley Enoch, who was recently appointed as the new Artistic Director of Queensland Theatre Company.

Wesley Enoch said the Story of the Miracles at Cookie’s Table has a mix between a strong naturalistic narrative of connection and a long imaginative storytelling about family and heritage. I was trying to write a piece about the emotional power of stories to bind a family together through hardship and adversity. Leah Purcell is one of the country’s best actors and she has created a character in a way that goes beyond what I could imagine as a writer,” said Enoch.

Director and lead actor Leah Purcell, whose portrayal of Annie has been described by reviewers as startlingly powerful, received a Helpmann Award for Best Actress in a Play in 2008.

“I am very proud of winning a Helpmann Award because I worked extremely hard to bring Annie to life, but being conscious of not making her character a cliché.

“This play is a universal story for all. It’s gutsy, it packs a punch or two, it’s laugh-out loud funny and takes you on an emotional journey as Annie and Nathan re-connect from being estranged for many years,” said Purcell.

“The Story of the Miracles at Cookie’s Table is a great yarn and a theatre experience worth seeing, whether you are a regular to the Arts or if you are experiencing theatre for the first time, this is something worth seeing,” she said.

QPAC presents
Wesley Enoch’s
THE STORY OF THE MIRACLES AT COOKIE’S TABLE
A Bungabura Production
Starring and directed by Leah Purcell

Winner Patrick White Playwrights Award 2005
Winner Helpmann Award Best Actress in a Play 2008

WHEN 14 to 30 October
WHERE
Cremorne Theatre, QPAC, Cultural Centre, South Bank
TICKETS*
Adult $49 Concession $39
Matinees – Adult $39/Concession $29
Schools $18
BOOKINGS 136 246 or www.qpac.com.au

*Ticket price includes GST and Booking Fee. Please note transaction fees may apply

Please note this performance contains strong language.


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Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review


[Image courtesy Brisbane Festival]
  Review: Lana Harris

Young and old wait in the shadows for the outsiders. Excited and unsure about what to expect from these strangers, from this contemporary dance troupe from the other side of the world, the other side of governance. Their entrance: a few members trickle onto the stage, in silence and unadorned.

Continue reading Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review

Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Review: Lana Harris

  The performance starts in enmeshed innocence, dancer wrapped around dancer, cheek to cheek, limb to limb, ebbing and flowing into one another. Behind these demonstrations of closeness sits a man alone in a chair. Far away from him is a woman in a lounge room setting – flickering lamp, thick rug, and a lonely expression. They both ignore the blatant yet playful seduction occurring in front of them. The dancers too, are oblivious to these others: wrapped up in the intensity of their unfolding romance, their focus remains themselves and their explorations. There is no question we are watching the beginnings of love.

Continue reading Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review

Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

Review: Pepa Wolfe

  Sylvia By A.R. Gurney
Directed by David Bell

With: Karla Deane, Michael Civitano, Natasha Kapper, Jill Brocklebank, Kate Hawkins.

There was a decidedly pleasant mood at the Brisbane Arts Theatre on Saturday, as people gathered for the opening night performance of A.R. Gurney’s Sylvia. Promoted as a comedy about the relationship between Man and “Man’s best friend”, the play’s title character is in fact a dog – a precocious little mut, played by Karla Deane.

Continue reading Sylvia by A.R. Gurney – Brisbane Arts Theatre, 11th September 2010 – Live Review

ZIGGY, THE SONGS OF DAVID BOWIE – November 2010

If there’s one pop artist that multiple generations can relate to its David Bowie. There’s always a tinge of nostalgia listening to Bowie’s mellifluous tones whether it is listening to the Man Who Fell To Earth, Thin White Duke, Aladdin Sane or of course The Rise and Fall of Ziggy Stardust, which signified his ‘comeback’ in 1972 after a brief lull in his pop career.

ZIGGY, THE SONGS OF DAVID BOWIE pays homage to Bowie, the pop phenomenon – the influential individualist with the uncanny ability to push boundaries and transform himself and the world around him. Performed by four of Australia’s leading contemporary musicians and performers – iOTA, Jeff Duff, Steve Balbi and Brydon Stace – Ziggy, the Songs of David Bowie is as multi-dimensional as the man himself.
Continue reading ZIGGY, THE SONGS OF DAVID BOWIE – November 2010

Gwen in Purgatory @ Roundhouse Theatre, Brisbane 30 Sept-24 Oct 2010

  “I’ve used the oven manual for the air conditioner and I’m roasting myself alive!”

Tommy Murphy is one of Australia’s most impressive playwrights: canny, dangerous and very funny. His plays include Holding the Man, one of the great success stories of recent Australian theatre with a very successful season in London’s West End earlier this year.

We’re thrilled to be co-producing his terrific new play with the legendary Company B Belvoir, directed by Australia’s finest director, Neil Armfield. Neil is fresh from his Broadway triumph with Exit the King, which starred Queensland’s Geoffrey Rush.

Gwen is 90. She woke up to discover that purgatory is sitting in a new house in a new subdivision, trying to work out if the remote in her hand operates the TV, the air-con or the fan-forced oven. As she muddles her way through the baffling technology, her family gathers around to battle over what’s going to happen next. Father Ezekiel is on his way to bless the house, so things are looking up…

“Full of laughs but also extremely emotional, Gwen In Purgatory is the best play to hit a Sydney stage this year.” The Daily Telegraph

“9/10…Melissa Jaffer is hilarious as Gwen, a feisty senior citizen with selective hearing and prone to misunderstandings, both real and deliberate. The comedy is truly Australian, pitched close to vintage ABC sitcom Mother and Son…Highly recommended” Sun-Herald

“Gwen is the story, I suspect, of every family. Or is it just mine?…Funny, very funny…I can’t think of another playwright who’s a keener, more insightful observer of Australian suburban life, let alone one who can document it so redolently…Gwen In Purgatory is a play for and about all of us. It is warm, funny, sad, tragic, poignant, moving and unsettling. Just like our lives. Life on the page, or stage, doesn’t get any better than this. This is the (very) real deal. A+” – Curtain Call

“Neil Armfield’s production is just about perfect, and exceptionally well cast. Melissa Jaffer combines radiance and dodderiness as Gwen. The bemused and homesick Nigerian priest Ezekiel (Pacharo Mzembe) and Gwen’s knockabout grandson, Daniel (Nathaniel Dean), are warmly drawn. Grant Dodwell is spot-on appalling as Gwen’s son, Laurie, and Sue Ingleton exhibits brilliant timing as the self-flagellating Peg.” Sydney Morning Herald

Production Credits
Director | Neil Armfield
Set Designer | Stephen Curtis
Costume Designer | Bruce McKinven
Lighting Designer | David Walters
Sound Designer | Paul Charlier
Assistant Director | Cristabel Sved

With | Grant Dodwell, Nathaniel Dean, Sue Ingleton, Melissa Jaffer and Pacharo Mzembe

Venue
Roundhouse Theatre, 6 – 8 Musk Avenue,
Kelvin Grove Urban Village

PERFORMANCE DATES
Preview 29 September
Opening Night 30 September
Season 30 September – 24 October
After Show Discussion Night 8 October

PERFORMANCE TIMES
Tuesday – Wednesday 6.30pm
Thursday – Saturday 7.30pm
Sunday 5pm
Matinees 11am 5, 12 & 19 October
2pm Saturday 23 October

DURATION
1 hour 45 mins, no interval

TICKETS
Preview $25
Opening Night $63 (includes VIP party)
Full Price $46
Concession $39
30 years and under $26
Group discounts $40 for 5+ (excludes group booking fee)

Phone bookings (07) 3007 8600

For Full details, visit La Boite Theatre Company

Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review

Review: Lana Harris

[Image courtesy Brisbane Festival]

Have you heard the one about the Spiegeltent? A girl and a guy walk into this travelling bar – a pointy topped sphere shaped by mirrors, wood and glass. Golden poles, blood red velvet curtains swooping overhead, low lighting and dancing shadows. Smoky. Drinks service on the curve, booths hugging the circumference. A big-top boudoir with an audience.

The girl and the guy start out cautious in this ringmaster’s playground. They clamber carefully onto the high wire – wobble and steady, wobble and steady. She wears a pair of lasciviously red heels as she teeters. The shoes return sporadically throughout the acts, as do the scene setting ukulele and tinkling pianola. Music through out invokes alternately past, present and future – offered in no particular order. Subject to whims and acrobatics, time periods depart and return often.
Continue reading Cantina @ The Spiegeltent (Brisbane Festival) 5th September 2010 – Live Review

Sylvia – at the Brisbane Arts Theatre from 11th September 2010

Sylvia By A.R. Gurney

  Greg, middle-aged and middle-class, returns to his Upper West Side apartment in the late afternoon accompanied by Sylvia, a beautiful, frisky young blonde he has just picked up in the park. Greg sits in his favourite chair, worried about how Kate, his wife, is going to respond to Sylvia.

Sylvia doesn’t make things easy. Too excited to settle down, she moves around the room checking out the furniture. She turns to Greg. She obediently collapses onto the floor, resting her chin on his knee, while staring up at him with blind adoration. What man could resist?

A street-smart mixture of Lab and Poodle, Sylvia becomes a major bone of contention between husband and wife.

Continue reading Sylvia – at the Brisbane Arts Theatre from 11th September 2010

Betrayal By Harold Pinter @ Cremorne Theatre, Brisbane – 6 Sept-9 Oct 2010

  Betrayal – By Harold Pinter

Overview:

Could you keep an affair secret for ten years? Would you start an affair if you knew how it would end?

Harold Pinter’s Betrayal explores these questions and more as it shows a passionate love affair told in reverse, starring Paul Bishop, Sibylla Budd and Hugh Parker.

Robert and Jerry share many things – they work in publishing, have long lunches together and are both in love with Robert’s wife Emma.

Continue reading Betrayal By Harold Pinter @ Cremorne Theatre, Brisbane – 6 Sept-9 Oct 2010

Homebake Music, Film & Arts Festival postponed for 2010

Homebake Music, Film & Arts Festival has been postponed for 2010 *Only*… here is the press release from the Homebake team:

“After much deliberation (& some procrastination) – we here at Homebake festival HQ have decided to take a break and postpone Homebake Music, Film & Arts Festival for this year only, 2010.

As we’ve not been able to have the ‘planets align’ to a standard we feel appropriate to the long standing reputation of Australia’s largest ‘locals only’ event, we’d rather focus on a positive future and are instead planning for a unique return version of Homebake Festival to take place during the first week of December 2011.
Continue reading Homebake Music, Film & Arts Festival postponed for 2010