By Denis Semchenko
 [Photo: Stuart Blythe] |
Tonight’s triple bill at West End’s Hi-Fi is more Aussie than Paul Hogan’s thongs, Merv Hughes’ handlebar or Rolf Harris’s wobbleboard – and all the more fun for it. Specialising in no-bullshit, classic pub rock, Gun Street Girls provide an invigorating start to the evening as the predominantly middle-aged, ’80s-weathered punters fill the venue. The erstwhile Dallas Crane dynamo, frontman Dave Larkin hammers a very cool Gretsch White Falcon and belts it out like one of the best screamers in Oz-rock that he is. Barnstormers How I Roll, Right Under The Wind and powerpop-tinged Party In Hell get the heads nodding and feet stomping; I consider myself nicely warmed up for the next sonic wave…
…which duly hits as The Break – an instrumental rock combo comprising three former Midnight Oil members and Violent Femmes’ bassist – open with a crunchy Ventures cover. |
Rearrange Beds recalls in lurid, dreamlike detail memories of adolescent youth; of mistimed love, desperation and a need for just a little bit of control, and as the debut album for Australian two piece An Horse it acts as a solid showcase of the band’s notable talents. It’s honest, edgy and just a little bit off centre and will speak to anybody who remembers that baffling and awkward experience that is emerging into adulthood.
George Street had a long line of 
There can be no disputing that 
Welsh singer songwriter Cate Le Bon’s quiet, haunting tunes featured on her debut album Me Oh My will follow you for a long time after the CD finishes playing. Filled with melancholy lyrics, soft repetitive choruses and a darkly ever present awareness of mortality, this album is about as far away from pop as you could get. 
It’s difficult to describe what exactly the phenomenon of Ebony Bones’ music is like, only safe to say that listening to it is an experience like not many others. This is perhaps why the first track on her new album Bone of My Bones begins with a deep, rumbling introduction stating simply that “this is the sounds of Ebony Bones!.” What I can say is that it’s intense, it’s unique, and if for some reason you’re opposed to having a good dance about the house; be careful, because this record is overwhelmingly movement inspiring.