Category Archives: Review

Buddy Miller- Majestic Silver Strings [Album Review]

Review: Victoria Nugent

  American country singer Buddy Miller’s latest offering Majestic Silver String feels like less of an album than a country music compilation with an extensive roster of guest vocalists filling out the tracks.

There’s a bit of a throwback to 70s style country, with the whole album coming across as mellow and somewhat prairie sounding in places. This is country music that is undeniably American, with strains of bluegrass and yodelling permeating the album.

Buddy Miller has teamed up with other country guitarists Bill Frisell, Marc Ribot and Greg Leisz to create the solid, if occasionally tired instrumentals that form the backbone of most of the tracks.

“Cattle Call” starts off with an extended instrumental that is pure bluegrass, lonesome and twangy, with the eventual addition of Miller’s mellifluous vocals and a tinge of yodelling.

In “No Good Lover”, Miller teams up with Ann McCrary for a duet with bite, focusing on the demise of a relationship, with McCrary’s bold vocals the true focal point for the song.

“Meds” is a melancholy lament founded on sweet but slightly bland vocals from Lee Ann Womack. Chocolate Genius’ cover of “Dang Me” has a distinctly soul edge which seems slightly incongruous.

“Bury Me Not On The Lone Prairie” with deep vocals from Marc Ribot is dark, edgy and a little on the raw side. “That’s The Way Love Goes” is sweet and tender with finely honed vocals from Shawn Colvin.The instrumental version of “Freight Train” comes across as light and charming, yet thoroughly accomplished.

Ultimately, this is a very mild album, and I couldn’t help but wish that things would spice up occasionally. All the same, the tracks are fairly easy to listen, with nothing too unpleasant in the way of instrumentals or vocals, apart from a slight want of pizzazz.

Album Track List:
1. Cattle Call (Buddy Miller sings)
2. No Good Lover (Buddy Miller & Ann McCrary sing)
3. I Want To Be With You Always (Buddy Miller & Patty Griffin sing)
4. Barres De La Prison (Marc Ribot sings)
5. Meds (Lee Ann Womack sings)
6. Dang Me (Chocolate Genius sings)
7. Bury Me Not On The Lone Prairie (Marc Ribot sings)
8. That’s The Way Love Goes (Shawn Colvin sings)
9. Freight Train (Instrumental)
10. Why I’m Walkin’ (Emmylou Harris sings)
11. Why Baby Why (Buddy Miller & Marc Ribot sing)
12. Return To Me (Lee Ann Womack sings)
13. God’s Wing’ed Horse (Buddy & Julie Miller sing)

Review: Victoria Nugent


More articles by Victoria Nugent:
* Rocketsmiths “The Bones” – Album Review
* Angus and Julia Stone @ The Tivoli, Brisbane – 25 September 2010 with Luluc – Live Review
* Bonfire Nights “Bonfire Nights” EP Review
* Bec Plath “At The End of the Night” – Single Review
* More article by Victoria Nugent

Soundwave 2011 – Brisbane [Live Review]

Soundwave 2011; A culmination of metal bands from around the globe unite and embark on a tour to end all others as the sun sets on Australia’s summer festival season. One year on, Soundwave organisers have again outdone themselves arranging all aspects of such a high scaled event to ensure all are satisfied with the days experience.

Situated once more at Brisbane’s RNA showgrounds the venue area this year is enlarged as additional stages have been added. There are 8 in total this season allowing for a very broad ranging choice in bands available to be viewed at any given time of day.
Continue reading Soundwave 2011 – Brisbane [Live Review]

Roxy Music, Cameras @ Brisbane Riverstage – 1st March 2011 [Live Review]

By Denis Semchenko


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  After the first day of autumn in Brisbane discouragingly turned out to be another stifling experience, the evening breeze is a welcome reprieve. The Riverstage is an unusual sight – half the hill is lined with seats in stark contrast with how the place looked last time I attended a show there (trying to balance myself on a slippery slope at the rain-sodden Sunset Sounds).

Considering the vast majority of tonight’s crowd are baby boomers, young Sydney six-piece Cameras fall on largely indifferent ears with their moody, echoey indie-rock. Influenced by the same doleful post-punk sounds from the late ’70s/early ’80s northern England as Interpol (the bass player even looks like a younger version of Carlos D: smart black shirt and jeans, knee-level Fender P), they give it their all despite muted response. Tunes like Defeatist and Kreuzberg are steely and brooding in equal measures; I make a mental memo to catch the band at a venue gig in the future.

Continue reading Roxy Music, Cameras @ Brisbane Riverstage – 1st March 2011 [Live Review]

Social Distortion – Hard Times and Nursery Rhymes [CD Review]

Review: Ben Hosking

  Social Distortion has managed to create an aura around themselves over the last three decades that has placed them into the realms of punk rock royalty. Perhaps it’s the ice cool, slicked hair, hotrodder image of Mike Ness but more likely it has more to do with the band’s uncanny knack for writing sweet, sweet country-infused, rockabilly punk rock.

It’s been a number of years between drinks for ‘Social Distortion. Their last album was 2004’s ‘Sex, Love and Rock’N’Roll’ – a stunning disc that no doubt left the guys wondering if they could ever top

themselves. The extended pause could also be the result of Mike Ness’ various other distractions like the aforementioned custom cars and his other musical projects including the awesome countrified Mike Ness Band.
Continue reading Social Distortion – Hard Times and Nursery Rhymes [CD Review]

Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

Review: Amy Lee Freshwater

  Being a Jack’s Mannequin fan, and an even bigger Something Corporate fan, I was eagerly looking forward to seeing frontman Andrew McMahon perform a solo show at the Metro this year. Notably, so were quite a few others as the Metro was packed to its borders with people ready to sing their night away in one massive choir, which is exactly what they did…

All equipped with a beautiful black grand piano, a corona and a small budda sitting on top and Bobby Anderson assisting on acoustic guitar and backing vocals. McMahon began the evening with a Jack’s Mannequin song contrary to an audience members request of ‘The Lion King’, a comment which McMahon was quite amused by. We heard As You Sleep, followed by Crashin’ and then Swim, which by now had both McMahon and the crowds vocal chords well and truly warmed up.

Continue reading Andrew McMahon @ Metro Theatre, Sydney 12 February 2011 [Live Review]

The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Live Review]

Review: Amy Lee Freshwater


[Photo Credit: Amy Lee Freshwater]
  It’s not surprising The Getaway Plan sold out two shows in one day at the Metro Theatre, they were at the height of their career when the announcement was made that they were breaking up, and the anticipation to see whether they still rock built up a big response to this reformation tour. Joining them on tour were Melbourne friends Secrets In Scale and Sydney band Tonight Alive.

Managing to catch the end of Secrets In Scale, general consensus from the crowd was that they played a decent set and really got everyone pumped for the remainder of the night.

Tonight Alive took to the stage to a loud and excited audience. Rarely do I witness such enthusiasm for a support band, but Tonight Alive took it right in their stride and used that energy to their advantage pushing the same amount of energy, if not more, right back out at the audience in order to create an incredibly impressive set. They played something to please everyone, old song, new song, love song, heavy song, sing-a-long song. Tracks included My Favourite Thing, Revenge and its Thrills and closed out with Wasting Away, but the highlight for many was a cover song ‘In My Eyes’, the original by band Rufio. A notable set from this fitting support act who in no time will be headlining venues such as the Metro I’m sure.

Seeing the audience during the changeover time between bands reminded me of being a little mosh teenager sweating it out at the front just to be in a good spot for my favourite band. Even though this was the over 18’s show, people were going nuts pushing and shoving during the whole half hour trying to be front and centre for The Getaway Plan. Expecting them to come out and smash us with a hit, the set began with the melodic ‘Move Along’, a new song, that somehow super-fans already knew the words to. Soon enough they did break out into songs ‘Streetlight’, ‘Sleep Spindles’ and ‘New Medicine’ from their album Other Voices, Other Rooms. Four tracks in and the stage backdrop lit up with fairy lights, it was a bit of an ‘aww’ moment.

It was clear by now that The Getaway Plan were enjoying playing together again, and that their time apart doing other projects has massively improved their dynamic as a band. Noticeable improvements both musically and performance wise from guitarist Clint, who has been playing with The Amity Affliction whilst being on a break from TGP. The announcement from singer Matthew Wright that the band are in the process of recording a new album received an overwhelming response from the crowd, only fueling the fact that their popularity is going to increase second time round. The set built in intensity throughout the show, ‘Red Flag’ was a definite highlight with Wright getting his scream on and the band breaking down that song and just ripping like I’ve never heard them before. Another new song made it into the setlist and Wrights voice may have been tiring from the former song, as he introduced back onto the stage the singer from Tonight Alive to lend her killer vocals to this one. The band closed out the set with an old favourite ‘Where The City Meets The Sea’ which triggered a loud sing-a-long, to the point where Wrights voice was almost unheard. Inspired by the ever-waiting audience, TGP returned to the stage for a two song encore comprising of two more from their debut album, ended the night perfectly.

This band has reaffirmed their place in the Australian music scene, and no doubt their next record will take off as their first one did, lets hope they stick together for the long run this time round.


Related:
The Getaway Plan with Tonight Alive @ Metro Theatre, Sydney 11 February 2011 [Photo Gallery]

Cold War Kids “Mine Is Yours” – Album Review

Review: Ben Connolly


Buy Album @ iTunes
  The Kings of Leon really do have a lot to answer for, don’t they? There’s the re-introduction of initially swampy Dixie-styled rock, and the tight jeans, the lank hair and the homely Southern drawl, to name just a few. Perhaps more worryingly was the eagerness with which they helped to re-introduce some seriously lol-worthy Spinal Tap moments back into the world of rawk (just follow one of the brothers Followill’s twitter-feed to get an idea on how little grasp they have on reality), and by how much their adoring young fan-base seemed to lap it up. There was also the the warp-speed with which they jumped from being a curious, intriguing pseudo-experimental rock band into a firmly entrenched MOR behemoth of blandness and pyrotechnics.

The result of this, and the greatest crime of all it must be seen, must be the fact they’ve shown this warp-speed blandification as a legitimate career-path with similar like-minded wanna-be acts.

The latest of these is California’s Cold War Kids, whose third album Mine Is Yours has just landed and has signalled quite clearly that the quartet has its eyes firmly on being the next revelation of arena-style rock. From start to finish the album is big and boxy and packs a serious bottom-end punch, which highlights a clear delineation between it and its predecessors (2006’s debut Robbers & Cowards and 2008 follow up Loyalty to Loyalty). It’s no suprise that KoL’s knob twirler Jacquire King had a big hand in this production. For all the bombast and pomp, however, there’s something not quite fitting in the equation and by album’s end, it’s all a little limp and contrived.
Continue reading Cold War Kids “Mine Is Yours” – Album Review

‘The Rat Trap’ Polytoxic @ Brisbane Powerhouse, 9th February, 2011 [Live Review]

Review by: Lana Harris

  Let me introduce you to The Rat Trap. Bull whipping, lampshade hanging, Siamese twin ninja fighting cabaret. Using a mix of circus antics, contemporary dance moves, ye olde piano music, silent movie explanation screens and good ol’ physical comedy, Polytoxic act out the seedy and sexy story of the dive known as The Rat Trap.

The Rat Trap is a ‘scratch work,’ the beginnings of a finished piece performed as part of the World Theatre Festival at the Powerhouse. The festival contains several of these still cooking pieces, enticing viewers with an unpolished taste of performer vision.

Polytoxic keeps a cracking pace through the show, including plenty of action designed to make the audience gasp and laugh. The result is an accessible piece where there’s nothing to ‘get’. Polytoxic make it clear to their audience that their sole purpose on stage during Rat Trap is not to send a message or explore deep, dark and meaningful themes, it’s to amuse the audience and have fun. The diversity of the performers, whose backgrounds range from theatre to dance to circus training, appears to be a strong feature in creating such an entertaining piece. The mix of talents twists intricacy and depth into the performance.

Polytoxic have been around since 2000, and have recently upped their numbers from a three piece to six performers. If the beginnings of The Rat Trap are anything to go by, the increase in entertainers will expand the possibilities of a group which are already known for their raw, energetic, and accomplished works.


Playing at the Brisbane Powerhouse until Sun 13 Feb 2011

Dates/Times
Fri 11 Feb 7.15pm
Fri 11 Feb 8.20pm
Sat 12 Feb 7.15pm
Sat 12 Feb 8.20pm
Sun 13 Feb 5.45pm
Sun 13 Feb 8.45pm

Visit the Brisbane Powerhouse site for all details.



More articles by Lana Harris:
* U2 @ Suncorp Stadium, Brisbane w/ Jay Z – 8 December 2010 – Live Review
* Rise to Remain “Bridges will Burn” – EP Review
* Radio Birdman “Live in Texas” – LP Review
* Montpelier ‘Last Boat’ Single Review
* Weezer “Hurley” – LP Review
* Soilwork “The Panic Broadcast” – LP Review
* Danza Contemporanea De Cuba @ The Playhouse (Brisbane Festival), 15th September 2010 – Live Review
* Polarity @ The Judith Wright Centre, Brisbane 13th September 2010 – Live Review
* Betrayal @ The Cremorne Theatre, Brisbane 10th September 2010 – Live Review
* Crow “Arcane” – LP Review
* Search for more article by this author…

Alexisonfire – Aussie Tour 7inch [Album Review]

Review: Ben Hosking

  We all like to feel special sometimes. You know, when your loved one showers you with praise for looking more dapper than usual or those ever-rarer moments when the boss makes an example of you for a job well done. The art of releasing tour-specific singles, EPs or albums with bonus discs is certainly nothing new and there’s little better way to celebrate an impending tour of your favourite band than with a disc full of new or previously unreleased songs. Alexisonfire decided their recent Australian tour was just the kind of event that deserved such a release.

Continue reading Alexisonfire – Aussie Tour 7inch [Album Review]

Kora @ The Zoo, Brisbane – 27 January 2011 [Photos & Review]

Photos and Words by Jose Eduardo Cruz

What an amazing gig from this New Zealand band consisting of four brothers. Certain people are blessed with different talents and islander people are blessed with beautiful voices and musical skills. The punters were largely expat Kiwis who were eager to let anyone who would listen know that these guys were it.

There were constant instrument changes amongst the members of the band and various vocal leads. Overall, an amazing gig which should place them on better ground for their next Australian tour.

Artist: KORA
Venue: The Zoo, Brisbane
Continue reading Kora @ The Zoo, Brisbane – 27 January 2011 [Photos & Review]

Sunset Sounds 2011 – Day 2, Live Review

Review: Lauren Sherritt
Living EndDay two of Sunset Sounds 2011 arrives, bringing with it steady rain and a forecast of nothing but. Organisers have spread sand over some of the affected areas, but when I arrive on Thursday afternoon the damage that the combination of thousands of feet and a whole lot of rain did to the grounds yesterday is easily apparent. Areas that were grassy are now plains of squelchy mud ready to snatch unsuspecting thongs from feet and disappear them forever and the paths we traversed yesterday are now boasting small streams of rainwater.
Continue reading Sunset Sounds 2011 – Day 2, Live Review

IGGY POP & JAMES WILLIAMSON – KILL CITY (2010 REMIX) – Album Review

By Maria Bailey
The year was 1975. The Stooges had split and Iggy Pop was at his worst. No record contract, depressed, suicidal and smacked of his tits on heroin. He spent most of his time confined within a mental home battling his demons and trying to get some sort of normality back into his famously abnormal life. Good medicine arrived when former Stooges guitarist James Williamson proposed the idea for a demo album to help get Iggy’s legendry vocals back into the studio, back on the radio and back within the hearts of punk rockers across the world. Two years passed and in 1977 former Stooges front-man teamed with musical genius David Bowie to produce Iggy’s first solo records “The Idiot” and “Lust for Life.” Riding on their success, Kill City finally found recognition from Los Angeles based label Bomp! Records.
Continue reading IGGY POP & JAMES WILLIAMSON – KILL CITY (2010 REMIX) – Album Review

Mystery Jets @ The Hi-Fi, Brisbane – Live Review

Review by: Lauren Sherritt


[Photo:Justin Ma]
  The afternoon of Friday January 7, 2011, had been a classically humid one for Brisbane. Undoubtedly much unlike the weather English pop-rock group Mystery Jets are accustomed to finding at home in Eel Pie Island, the heavens opened on the evening that they were set to play the city’s Hi-Fi Bar with local support Tin Can Radio. Not even off-putting weather, however, could dampen the splendid performance they gave, the memory of the night burnt into fans’ consciousness for a long time to come.

Brisbane’s Hi-Fi Bar was only sparsely occupied as Tin Can Radio took to the stage. Merry and casual, they took their time setting up, waiting while the drummer’s girlfriend rushed in with a forgotten cymbal. Regardless of the meagre crowd, the five bought out their characteristic liveliness and played a short but ferocious set that in the end had the audience on their feet and clapping along.
Continue reading Mystery Jets @ The Hi-Fi, Brisbane – Live Review

JP, Chrissie & The Fairground Boys – “Fidelity” CD Review

Review: Victoria Nugent


Buy Album Here
  Fidelity is a very interesting and enjoyable collaboration between Chrissie Hyde of The Pretenders’ fame, and Welsh musician JP Jones. The first song on the album, “Perfect Lover” sums up the musical history of the group, with Hyde singing, “I found my perfect lover, but he’s only half my age.” To elaborate a bit further, Hyde and Jones had a brief relationship which fizzled because of the age difference. Rather than let their chemistry go to waste however, the pair formed a band, setting the story of their relationship to music. A theme of fairs and fairgrounds permeates the album, from the cover art to the conclusion of the word Fairground in several song titles.

“If You Let Me In” is straight forward rocky with hooky, repetitive lyrics and lots of vocal harmonising. “Fairground Luck” has an infectious melody that’s occasionally reminiscent of “Lean On Me” during the verses with strong riffs and Jones’ charismatic vocals carrying the choruses.
Continue reading JP, Chrissie & The Fairground Boys – “Fidelity” CD Review

Sunset Sounds 2011 – Day 1, Live Review

Review: Lauren Sherritt
Photos: Matt Palmer
InterpolBilled by organisers as the perfect way to cap off New Year’s celebrations, Brisbane’s Sunset Sounds has become renowned for its impeccable line-ups and alluring Botanical Gardens setting. With headline act Interpol leading the charge of an impressively diverse set of artists, the 2011 festival kicked off on the muggy afternoon of Wednesday January 5th.

After a short delay at the gate (a mix-up with letting the media in probably not the kind of press that organisers had hoped for) I head straight for the River Stage to catch the first winners of the festival’s ‘Sponsor the Band’ competition Ball Park Music. Halfway through their set and the local six-piece has drawn a small but decent crowd for early in the afternoon, mixing originals and covers and making big sound for a group of not so big kids. Ending with ‘iFly’, their most well known track, the swelling audience joins in with a rousing chorus and the day is kicked off to a glorious start.
Continue reading Sunset Sounds 2011 – Day 1, Live Review